Medieval Manuscripts in Cambridge Libraries

A catalogue of Western manuscripts and papyri at Cambridge University Library, the Fitzwilliam Museum and selected Cambridge colleges

Cambridge, University Library, MS Nn.3.16

Diktyon no.: Diktyon 12246

Contents

Introduction: This Greek manuscript is composed of two separate parts, each with independent foliation, often referred to in the literature by two internal classmarks: Nn.3.16.1, as recorded on ff. 2r and 145v of Part 1, and Nn.3.16.2 on f. 1r of Part 2. Nn.3.16.1 contains two comedies by the Athenian writer Aristophanes (b. c. 446, d. 385 BCE): Plutus (known also as Wealth) and Nubes (known also as Clouds), along with scholia by the Byzantine grammarians Thomas Magistros and Demetrius Triclinius (13th-14th century). The Greek text is cited in the editions of Aristophanes as Ct4 or Cant. 4, and it was collated by P. Dobree in the 19th century ( Ricardi Porsoni notae in Aristophanem, Cambridge 1820). Nn.3.16.2 contains the didactic poem Opera et dies (Works and days) by the poet Hesiod, with the scholia by the Byzantine grammarian Manuel Moschopoulus (13th-14th century), author of the introduction to the poem on f. 1r. The manuscript was collated by F.A. Paley (The epics of Hesiod, Cambridge 1861). Dr Matteo Di Franco

Language(s): Greek

Physical Description

Form: codex
Extent: Codex: iii + 178 + ii leaves. 206 × 135 mm.
Foliation:

[i-iii] + 1:2-1:145 | 2:1-2:34 + [iv-v]

Two foliation schemes are present, both restarting at the beginning of Part 2. 19th-century foliations in pencil in Arabic numerals in the top right-hand corner, recto. Folio number 1 of Part 1 was assigned to a leaf no longer present in the volume, according to the interpretation of the manuscript's collation (as per historic foliation practice at Cambridge University Library).

Previous foliations not original to the manuscript, in pencil in Greek numerals in the lower margin of rectos.

Collation

Nn.3.16.1 consists of 18 quires and a single folio, Nn.3.16.2 of 4 quires: 18-1, 2-188, 191 | 20-228, 2310.

Henry Bradshaw added the bifolium signatures and a note on collation on f. [v] recto, and notes throughout the manuscript on the lost and cancelled folios.

Binding

Bound with pale brown full skin covering over millboards. There is decorative tooling on boards, spine and on the board edge. The title (Aristophan Plutus Nubes Hesiodi Opera et Dies) is tooled in gold on the spine. Marbled paper is used as pastedowns with blank leaves.

217 × 157 × 50 mm.

History

Provenance and Acquisition

The manuscript, in all likelihood in both its parts, used to belong to the Dionysiou Monastery on Mount Athos: on Nn.3.16.1, f. 3v is a note of the monastery's ownership (‘κτῆμα μονῆς τοῦ κυρίου Διονυσίου’), written by a later hand and repeated three times, probably the same hand that added the foliation in Greek numerals. The same note is found in CUL MS Ff.4.47, f. 23v , CUL Nn.3.15.2, f. 2:4r and CUL MS Add. 2603, f. 2r.

The manuscript later belonged to the physician Richard Mead (1673-1754) .

The manuscript later entered the library of Anthony Askew (1722-1774) , physician and book collector.

After Askew's death, the manuscripts were sold by G. Leigh and J. Sotheby in the auction of his library in 1785 (Nn.3.16 Lot. n. 554), and were eventually bought by Richard Farmer for Cambridge University Library. The University of Cambridge general bookplate (engraved by William Jackson in 1706-1707) was added on inside front board.

Part 1 [Cambridge, University Library, MS Nn.3.16.1, ff. 1:2r-1:145v]

Contents

Language(s): Greek

1. f. 2r-1:2v
Thomas, Magistros, active 1310-1327 , Thoman Life of Aristophanes (Vita XXXIII 1 Koster 1975, Scholia in Aristophanem I.1.a)
Rubric: f. 1:2r ἀριστοφάνους βίος
Incipit: f. 1:2r ⟨Ἀ⟩ριστοφάνης ὁ κωμωδοποιὸς γένος μὲν ἦν ἀθηναῖος· πατρὸς δὲ φιλίππου τὸν δὲ δῆμον κυδαθηναῖος
Explicit: f. 1:2v ἀποθανόντα δὲ οὕτω Πλάτων· ἐτίμησεν ἐν ἡρωελεγείω· αἱ χάριτες τέμενος ὅπερ οὐχὶ πεσεῖται, ζητοῦσαι ψυχὴν εὗρον ἀριστοφάνους

TLG 4158.009

on the final epigram, cf. Greek Anthology Appendix III 33 and DBBE type 5362

2.1. ff. 1:2v-1:3r
Thomas, Magistros, active 1310-1327 , Hypothesis on Plutus Thoman Argumentum (ed. Chantry 1996, Scholia in Aristophanem III.4.b)
Rubric: f. 1:2v ὑπόθεσις τοῦ παρόντος δράματος
Incipit: f. 1:2v ⟨β⟩ουλόμενος ἀριστοφάνης σκῶψαι ἀθηναίους ἀδικία καὶ συκοφαντία καὶ τοῖς τοιούτοις συνόντας
Explicit: f. 1:3r οὐκ αὐτοὶ μόνον ἀλλὰ καὶ ὅσοι βίου χρηστοῦ πρόσθεν ἀντεχόμενοι πένητες ἦσαν. ἐπιγέγραπται δὲ καὶ τὸ δράμα, πλοῦτος ἀριστοφάνους

TLG 5014.031

followed by the list of characters of the play

2.2. ff. 1:4r-1:68v
Aristophanes , Plutus Wealth
Incipit: f. 1:4r ⟨Ὡ⟩ς ἀργαλέον πρᾶγμ’ ἐστίν ὦ ζεῦ καὶ θεοί δοῦλον γενέσθαι παραφρονοῦντος δεσπότου
Explicit: f. 1:68v οὐκ ἔτι τοίνυν γ’ εἰκὸς μένειν οὐδ’ ἡμᾶς ἀλλ’ ἀναχωρεῖν εἰς τοὔπισθεν· δεῖ γὰρ κατόπιν τούτοις ἄδοντας ἕπεσθαι
Final rubric: f. 1:68v ἀριστοφάνους πλοῦτος τέλος

TLG 0019.029

extensive scholia and interlinear glosses by different hand in red and faded black ink accompany the text; f. 1:8v left blank without loss of text

3.1. ff. 1:69r-1:69v
Thomas, Magistros, active 1310-1327 , Hypothesis on Nubes Thoman Argumentum Nubium (Arg. Ia Koster 1974, Scholia in Aristophanem I.3.2)
Incipit: f. 1:69r ⟨Ἄ⟩νυτος καὶ Μέλητος Σωκράτει τῶ Σωφρονίσκου βασκήναντες, καὶ αὐτὸν μὴ δυνάμενοι βλάψαι, ἀργύριον ἱκανὸν ἀριστοφάνει δεδώκασιν
Explicit: f. 1:69v συνίσταται δὲ τὸ δράμα ἐκ χοροῦ νεφελῶν· ἔχει δὲ κατηγορίαν τοῦ σωκράτους· ὅτι τοὺς συνήθεις θεοὺς ἀφεὶς, καινὰ ἐνόμιζε δαιμόνια· ἀέρα· νεφέλας· καὶ τὰ τοιαῦτα

TLG 5014.005

followed by the list of characters of the play

3.2. ff. 1:70r-1:145v
Aristophanes , Nubes Clouds
Incipit: f. 1:70r ἰοὺ ἰού· ὦ ζεῦ βασιλεῦ τὸ χρῆμα τῶν νυκτῶν ὅσον ἀπέραντον· οὐδέποθ’ ἡμέρα γενήσεται;
Explicit: f. 1:145v ἡγεῖσθ’ ἔξω κεχόρευται γὰρ μετρίως τό γε τήμερον ἡμῖν
Final rubric: f. 1:145v τὸ τέρμ᾽ ὧδ᾽ ἐστὶ δράματος τοῦ δευτέρου

TLG 0019.021

final epigram: cf. DBBE type 3473

f. 1:143v: lines 1438-1468 omitted (as noted by H. Bradshaw)

extensive scholia and interlinear glosses by different hand in red and faded black ink accompany the text.

Physical Description

Form: codex
Support: ff. 1:2r-1:145v Western paper, folded in quarto. Watermark not visible.

Collation

Nn.3.16.1 consists of 18 quires and a single folio:

  • Quire 18-1 ff. 1:2r-1:8v (the first leaf missing);
  • Quires 2-188 ff. 9r-1:144v;
  • Single folio ff. 1:145r-1:145v.

A bifolium signature (Latin letters for quires, followed by Arabic numerals for bifolios) in pencil in the lower right-hand corner of the rectos of the first four folios, followed by a cross on the fifth, was added by Henry Bradshaw: a-i, k-t.

Condition

In fair condition; leaves are yellow with age. There are extensive stains and wormholes, ff. 1:2-1:8 are more damaged than the rest of the volume. Small tears have been repaired with glued paper that sometimes covers part of the text of the scholia. A small tear at f. 1:41 near the gutter is unrepaired. The lower outer corner of f. 1:2 was lost, and with it about a third of the text.

Layout

ff. 1:4r-1:145v: 130 × 80 mm. Scholia that accompany the main texts have a very variable number of lines per page, and are arranged in a orderly manner.

Hand(s)

The main text is written in a mixed minuscule in an upright slanting slightly to the right, in dark brown ink. There is only moderate variation in letter size.

Syllabic abbreviations and superscript word endings are nearly absent. Breathings are curved and mute iota is not used.

The small majuscules beta, gamma, eta, lambda phi are present. Beta has sometimes a bilobated shape, theta is both in open and round form, epsilon is both regular minuscule and rarely lunate and enlarged. The sigma telikon is present along with regular shape. Epsilon in ligature is deformed.

Punctuation used includes the middle and upper point, lower comma and full stop.

Additions

Ownership notes of the Monastery of Dionysiou (Mount Athos) have been added on f. 1:3v: ‘κτῆμα μονῆς τοῦ κυρίου Διονυσίου’.

History

Origin:

The characteristics of the script suggest that it was produced in the late 15th or early 16th century.

Part 2 [Cambridge, University Library, MS Nn.3.16.1, ff. 2:1r-2:34v]

Contents

Language(s): Greek

4.1. f. 2:1r
Moschopoulos, Manuel, approximately 1265? , Introduction to Hesiod's Works and days
Incipit: f. 2:1r ἰστέον ὅτι πάντα οἱ ἕλληνες, ἃ δύναμιν ἔχοντα ἑώρων, οὐκ ἄνευ ἐπιστασίας
Explicit: f. 2:1r ἵνα μὴ τῆς τοῦ διὸς ὀργῆς πειραθῆ τὴν πλεονεξίαν ὁρῶντος αὐτοῦ

TLG 9025.005

f. 2:1v bears scholia by Moschopoulus on lines 1-10

4.2. ff. 2:2r-2:34r
Hesiod , Opera et dies Works and days
Rubric: f. 2:2r ἡσιόδου ἔργα καὶ ἡμέραι (nearly faded, on the edge of the upper margin)
Incipit: f. 2:2r Μοῦσαι πιερίηθεν ἀειδῇσι κλείουσαι δεῦτε δὴ ἐννέπετε σφέτερον πατέρ’ ὑμνείουσαι
Explicit: f. 2:34r εἰδὼς, ἐργάζηται ἀναίτιος ἀθανάτοισιν· ὄρνιθας κρίνων· καὶ ὑπερβασίας ἀλεείνων
Final rubric: f. 2:34r τέλος τῶν ἔργων καὶ ἡμερῶν ἡσιόδου

TLG 0020.002

extensive interlinear glosses in red ink and some scholia in brown ink accompany the text

5. f. 2:34v
Note on conjugation of verbs
Incipit: f. 2:34v ἴσθι καὶ ὕπαρχε
Explicit: f. 2:34v τὸ προστακτικὸν δέδιθι

Physical Description

Form: codex
Support: ff. 2:1r-2:34v Western paper, folded in quarto. Watermark: Shield with pale partially visible on ff. 2:5, 2:9, 2:19 ( 25 × 30 mm. ) near the gutter.

Collation

Part 2 of the manuscript consists of three quaternions and one quinion:

  • Quires 20-228 ff. 1r-24v;
  • Quire 2310 ff. 25r-34v.

There is a bifolium signature (Latin letters for quires and Arabic numerals for bifolios) by Henry Bradshaw in pencil in the lower right-hand corner of the rectos: a-d.

Condition

In good condition. Leaves are yellow with age and stains are rare.

Layout

ff. 2r-34r: 165 × 85 mm. Scholia and prefatory materials that accompany the main texts have a very variable number of lines per page, and are arranged in a orderly manner.

Hand(s)

The main texts are written in a mixed minuscule in an upright, scribal hand, in brown ink script.

There is not a marked variation in letter size. Syllabic abbreviations and superscript word endings are rare, and usually appear only at the end of lines. Breathings are curved and mute iota is not used.

The small majuscules beta, gamma, eta, kappa and phi are present. Gamma and tau are oftenly high. The majuscule beta has a curled bilobate shape, and epsilon is both regular minuscule and lunate. The sigma telikon is not present. Omega is always closed.

Punctuation used includes the middle and upper point, lower comma and full stop.

Decoration

The beginning of the text on f. 2:2r is preceded by rectangular headpieces in brown ink.

An ornated initial, outlined in red ink on f. 2:2r.

History

Origin:

The characteristics of the script and the watermarks suggest that it was produced in the late 15th century.

Additional Information

Record Sources

Description (2019) draws on A catalogue of the Manuscripts preserved in the Library of the University of Cambridge, vol. 4, Cambridge University Press, Cambridge, 1861, p. 486-487.

Availability

Entry to read in the Library is permitted only on presentation of a valid reader's card. For information on eligibility and admissions procedures, see Joining the Library). For further enquiries, and to confirm the availability of the manuscript, please contact the Special Collections Reading Room.

Bibliography

    A catalogue of the manuscripts preserved in the library of the University of Cambridge , (Cambridge, 4, Cambridge University Press, 1861) The Manuscripts of Aristophanes. I Classical Philology, White, John Williams (1, 1, 1-20, 1906) Historia tēs paradoseōs tou keimenou tou Hēsiodou, Livadaras, Nikolaos A (Athēnais, 1963) Per la storia degli attrezzi agricoli: una tradizione iconografia nei codici esiodei? Le Machine: bollettino dell'Istituto italiano per la storia della tecnica, Derenzini, GiovannaMaccagni, Carlo (6-7, 1970) The Medieval Manuscripts of the Works and Days The Classical Quarterly, West, M. L. (24, 2, 161-185, 1974) Anthony Askew's "Liber amicorum" Transactions of the Cambridge Bibliographical Society, Stubbings, Frank (6, 5, 306-321, 1976) Cambridge University Library : a history [2], The eighteenth and nineteenth centuries, McKitterick, David (Cambridge, Cambridge University Press, 1986) Clouds, , (Oxford, Clarendon, 1989) From Britain to Byzantium: the study of Greek manuscripts Through the looking glass: Byzantium through British eyes: papers from the twenty-ninth Spring Symposium of Byzantine Studies, London, March 1995 Society for the Promotion of Byzantine Studies publications, Easterling, P. E. (Aldershot, Ashgate, 2000)

Funding of Cataloguing

The Polonsky Foundation

Digital Images

Cambridge Digital Library