Medieval Manuscripts in Cambridge Libraries

A catalogue of Western manuscripts and papyri at Cambridge University Library, the Fitzwilliam Museum and selected Cambridge colleges

Cambridge, University Library, MS Kk.4.5

Augustine, Tractatus in evangelium Iohannis; Alexander Neckam, De natura rerum

Contents

Language(s): Latin

1. 2r-2v
List of capitula
Language(s): Latin
Rubric: 2r: Hic incipiunt capitula numero C . xxiiijor

For the following item.

2. 3r-144r
Tractatus in evangelium Iohannis Augustine
Language(s): Latin
Rubric: 2v: Aurelii Augustini doctoris eximii in exposicionem ewangelii secundum Iohannem tractatus primus incipit
Incipit: 3r: Intuentes quod modo audiuimus ex leccione apostolica
Explicit: 144r: etiam ipse compellerer meum terminare sermonem
Final rubric: 144r: Explicit tractatus centesimus uicesimus quartus
PL 35:1379-1976
CPL 278
Willems, CCSL 36 (1954) [MS not used in edition]
Stegmüller, Bibl., 1471
3. 146r-239r
De naturis rerum Alexander Neckam
Language(s): Latin
Incipit: 146r: Forma decens adiuracione dignis nature munifice dotata deliciis
Explicit: 239r: acciones uberrumas persoluentes deo omnium bonorum largitori ; cui honor et gloria per infinita seculorum secula
Final rubric: 239r: Explicit liber quintus
Colophon: 239r: Deo gracias BMFN

Book II (f. 161r, Book III (f. 191r), Book IV (f. 215v), Book V (f. 230r).

The meaning of the acronym in the colophon is unclear.

Stegmüller, Bibl., 1172
Wright (1863) [Books I-II only) [MS not used in edition]

Physical Description

Secundo Folio: 3r: Intuentes quod
Secundo Folio: 4r: Si autem non
Form: codex
Support: Parchment (HFFH)
Extent: Codex: iv + 1 + 144 ; 238 + iv leaves. 350 × 230 mm.
Foliation:

20th-century foliation:

[i-iv] + 1 + 2-145 ; 146-239 + [v-viii]

Written in pencil in the upper right-hand corner of the recto side of each leaf, by an unidentified hand of the 20th century.

Collation

With the exception of the final quire, the manuscript comprises entirely of regular gatherings of twelve leaves. The consistency in the copying of the text, its presentation and that of accompanying paratext, and in the execution of decorated initials, all points to the manuscript having been conceived and produced as a whole. However, as H.L. Pink observed in his unpublished description (see Source), there is at the end of several quires the word 'quaternus', written in the very bottom right-hand corner of the page. These have for the most part been lost when the edges were cropped during binding, however enough survives at the end of Quire 16 not only to confirm that these are quire signatures; since Quire 16 is 'quaternus iiijus', the numbering must have restarted at Quire 13, where a new text begins after three blank leaves at the end of Quire 12. It seems, then, that the quires at least were prepared separately, leading one to conclude that these were two codicological units. In the end, they may have been written on and decorated by the same scribe and the same artist, or by two or more hands capable of imitating one another's work, and the presence of medieval pagination (rather unusually) nevertheless confirms that they were soon bound together.

Both M.R. James and H.L. Pink thought Quire 20 was, like all its predecessors, another gathering of twelve leaves, but from which the last two leaves were excised. That may indeed have been the case. However, the formula presented here is more circumspect, in light of ambiguities in the material evidence. The leaves have signatures, though not in a form seen anywhere else in the volume ('i-vi', written in ink). At face value, these seem to confirm James and Pink's interpretation, but for the presence of two stubs between ff. 231 and 232. Comparison with a copy of De natura rerum in Cambridge, Trinity College, MS R.16.4 (at f. 219v) , confirms that no text is missing. If two leaves were cancelled here, the quire would originally have been of sixteen leaves, from which four leaves are absent at the end, not two. In a manuscript of otherwise entirely uniform structure, this seems unlikely, and in any case is contradicted by the medieval leaf signatures. It is possible that these were added later, though, in order to prevent any confusion at the point of binding the one irregular quire in the manuscript. Unfortunately, the leaves are sewn in at the head- and tailbands, and conservation repairs along the spinefolds of ff. 238 and 239, making it impossible to see how leaves in each half of the quire connect with one another and to what these two stubs are attached. Hence, this collation formula records simply the presence of ten leaves.

  • Quires 1-1212 (ff. 2-145) ;
  • Quires 13-1912 (ff. 146-229)
  • Quire 20ten (ff. 230-239

1-1212 ; 13-1912 20ten

Leaf signatures, written in plummet in the bottom right-hand corner or middle of the recto side of leaves in the first half of the quire (but see above, re: Quire 20). Usually in Arabic numerals, sometimes with horizontal bars through or above them; occasionally, minuscule letters or horizontal bars.

Quire signatures: 'quaternus' in the bottom right-hand corner of the verso side of the last leaf of each quire, with numbering (see above), mostly cropped.

Catchwords, enclosed in simple decorative frames or outlines.

Layout

270-275 × 170-175 mm. Ruled in leadpoint, frame and line. Two columns, 62 lines to the page, written below top line. Authors and titles in running headers in the top margin.

Hand(s)

Text and running headers written in Anglicana formata by the same hand/s. A larger module of the same script is sometimes used for book and chapter headings.

Decoration

Six- to twenty-line geometric ('puzzle') initials in blue and gold, with contrasting infill and marginal flourishing in red, at the beginning of the two books and the first chapter thereafter (ff. 3r and 4v with a single rectilinear border in red and blue, and f. 146r (x2)).

Seven-line initial in blue and internal void decoration, with contrasting marginal flourishing in red, with a single rectilinear border in red and blue, at the beginning of the list of capitula (f. 1r).

Two- to five-line initials in blue, with contrasting infill and marginal flourishing in red, at chapter and other minor textual divisions.

Diagram drawn in red ink, illustrating a chapter in De natura rerum on vision (f. 173v).

Additions

Quire signatures ('1-20') in the bottom right-hand corner of the recto side of the first leaf of each quire, and '+' in the same position on the first leaf after the centre of the quire, written in pencil by a hand of the 20th century.

Note by H.L. Pink concerning the loss of two leaves (f. 239v, but see Collation).

Binding

Quarter goatskin with marbled paper sides and vellum tips. According to H.L. Pink's unpublished description (see Source), done by J.P. Gray and Son of Cambridge (not dated, but mid-20th century: see Cambridge, University Library, MS Dd.1.11 for a similar example).

Evidence of a (presumably medieval) chain staple in the centre of the bottom margin of f. 1.

Accompanying Material

A sheet of paper bearing the names of the authors and titles of the text, post-medieval (perhaps 17th- or 18th-century), its original purpose uncertain. The ink has in many places completely corroded the paper.

History

Origin: Second half of the 14th century. ; England.

Provenance and Acquisition

'M.xiii': pressmark of Norwich Cathedral Priory (f. 1v).

Ker (1949), p. 20 (no. 66)
Ker (1964), p. 137

Table of contents by the hand of Robert Talbot (1505/06-1558) , prebendary of Norwich Cathedral 1547-58 (f. 1v). N.R. Ker recorded finding Talbot's notes 'in twenty-one manuscripts either certainly or probably from Norwich' (including this one).

Ker (1949), p. 3 n. 5

Probably came to Cambridge University Library via or through the agency of Andrew Perne (?1519-1589) , Vice-Chancellor and Master of Peterhouse, either in 1584-85 or after his death. The manuscript is not recorded in the list of books compiled in 1583, but appears as no. 108 in Thomas James, Ecloga Oxonio-Cantabrigiensis (1600), suggesting its arrival between those two dates (see Early catalogues of manuscripts, up to c. 1600 for further details). The James number is written on f. 2r and painted onto the fore-edge (not photographed).

Ker (1949)
J.C.T. Oates, Cambridge University Library: A History, 2 vols (Cambridge: Cambridge University Press, 1986), 1: From the beginnings to the Copyright Act of Queen Anne, pp. 136-37

Additional Information

Record Sources

This catalogue entry draws on an unpublished description of the manuscript composed between 1926 and 1930 by M.R. James (1862-1936) , now held in the University Archives (UA ULIB 7/3/74), and another composed between 1948 and 1970 by H.L. Pink (UA ULIB 7/3/75).

Availability

Entry to read in the Library is permitted only on presentation of a valid reader's card. For information on eligibility and admissions procedures, see Joining the Library). For further enquiries, and to confirm the availability of the manuscript, please contact the Special Collections Reading Room.

Bibliography

    Alexandri Neckam, <hi rend="italics">De naturis rerum</hi>. Libri duo; with the poem of the same author, <hi rend="italics">De laudibus divinae sapientiae</hi> Rerum Britannicarum Medii Aevi scriptores, (London, HMS, 1863) Medieval Manuscripts from Norwich Cathedral Priory Transactions of the Cambridge Bibliographical Society, Ker, N.R. (1, 1, 1-28, 1949, http://www.jstor.org/stable/41337242) Sancti Aurelii Augustini in Johannis Evangelium tractatus CXXIV Corpus Christianorum Series Latina, (Turnholt, Brepols, 1954) Medieval Libraries of Great Britain: A List of Surviving Books Royal Historical Society Guides and Handbooks, Ker, N.R. (London, Offices of the Royal Historical Society, 1964) The schools and the cloister: the life and writings of Alexander Nequam (1157-1217), Hunt, Richard William (Oxford, Clarendon Press, 1984)

Digital Images

Cambridge Digital Library