Medieval Manuscripts in Cambridge Libraries

A catalogue of Western manuscripts and papyri at Cambridge University Library, the Fitzwilliam Museum and selected Cambridge colleges

Cambridge, University Library, MS Kk.1.6

Collection of devotional works

Contents

Introduction: This mid-15th-century manuscript contains an important collection of Middle English religious prose and verse. It features a commentary on the Seven Penitential Psalms, known as The Seven Psalms, and meditations on the Passion, known as the Meditations upon the Seven Days of the Week, which were both translated out of French into English by Eleanor [née Malet] Hull (c. 1394–1460), the daughter of Sir John Malet of Enmore, Somerset (d. before 1395), retainer of John of Gaunt, duke of Lancaster, and of his wife, Joan (c.1370–1426). Eleanor Hull is the first woman translator from French into English who is known by name. The copy of The Seven Psalms preserved in this manuscript is unique, and only one other extant copy of the Meditations is known (Chicago, University of Illinois, MS 80). It is only in this manuscript, however, that Eleanor is credited for her work: she is identified as the translator in rubrics at the end of each work (ff. 147r, 179v) and in another inscription by a different hand ('Alinor Hull', f. 148r). Eleanor is thought to have made her translations in the 1420s, following the death of her husband, Sir John Hull, and while residing at Sopwell Priory, a Benedictine nunnery in Hertfordshire that was dependent on the Benedictine abbey of St Albans. Eleanor was associated with the latter house for a large part of her life: in February 1417, she was admitted to St Albans' confraternity, earning her a place in the so-called St Albans Benefactors' Book (now London, British Library, Cotton MS Nero D.vii ) as 'Domina Elianora de Hulle'. Moreover, in 1456, together with the priest Roger Huswyf, she donated a four-volume copy of the Postillae of Nicholas of Lyra to the abbey, now Cambridge, University Library, MS Dd.7.7-10. Eleanor's connection with St Albans likely explains how her works came to Richard Fox (d. 1454), proctor or steward of St Albans. Fox copied a large section of MS Kk.1.6 (ff. 1r [table of contents], 194r-214v), perhaps in collaboration with the five other scribes who copied the manuscript's original contents. He also rubricated the entire volume after its completion and was responsible for writing out the rubrics that mention Eleanor by name (ff. 147r, 179v). Fox was the manuscript's first owner, as can be evidenced from his will of 1454, in which it is identifiable by its incipit as one of the 'vi bounde bokes' that he passed on to his son John. Dr Clarck Drieshen| Project Cataloguer| Curious Cures in Cambridge Libraries

Physical Description

Form: codex
Support: Paper folded in quarto, with outer and inner bifolia formed of parchment.
Extent: Codex: i + 1 + 244 + 2 + i leaves. 275 × 195 mm.
Foliation:

19th-century foliation:

[i]-[ii] + 1 + 2-147; 148-179; 180-193; 194-215; 216-245 | 246-247 + [iii]

Written in pencil in the upper right-hand corner of the recto of each leaf.

f. [ii] is a strip of parchment, perhaps a former endleaf guard.

Collation

This manuscript comprises two Parts: the main contents of the volume (Part 1) and leaves recycled as endleaves at the rear (Part 2). Part 1 is formed mainly of quires of ten leaves. These may be grouped into five codicological units, as follows:

  • 1: Quires 1-15 (ff. 2-147)
  • 2: Quires 16-19 (ff. 148-179)
  • 3: Quires 20-21 (ff. 180-193)
  • 4: Quires 22-24 (ff. 194-215)
  • 5: Quires 25-27 (ff. 216-245)
Each unit bears some evidence of different methods of preparation and production, though they appear to have been planned and produced contemporaneously, with the intention that they be bound together from the outset. The sequence of medieval leaf signatures also runs continuously across this Part. Each section ends with a blank space or page, except for the fourth unit, where the text ends imperfectly, with the loss of leaves or the loss of leaves and excision of remaining blanks.

Prior to Quire 1, there is a single ruled leaf surviving (f. 1r), bearing text, and a further blank but similarly ruled stub (f. [ii]). Folio [ii] recto bears the impressions of five binding channels, indicating its use or (given the ruling) later re-purposing as a pastedown. Although it is possible that other leaves have been lost from what was originally a quire, the likelihood is that folio 1r has always been an endleaf, so these two leaves have not been included in the collation of the manuscript.

  • Quires 1-1410 (ff. 2-141)
  • Quire 1510-4 (ff. 142-147: 7th-10th leaves missing, with stubs remaining) ;
  • Quires 16-1710 (ff. 148-167)
  • Quire 188 (ff. 168-175)
  • Quire 196-2 (ff. 176-179: 5th and 6th leaves missing) ;
  • Quire 2010 (ff. 180-189)
  • Quire 2110-6 (ff. 190-193: 4th-7th and 10th leaves missing, with stubs remaining) ;
  • Quires 22-2310 (ff. 194-213
  • Quire 24two (ff. 214-215: perhaps also originally a quire of ten leaves, with only the 1st and 10th remaining, all of the rest missing or some missing and others perhaps blank and excised) ;
  • Quires 25-2710 (ff. 216-245) |
  • A bifolium (ff. 246-247)

1-1410 1510-4 (7th-10th excised); 16-1710 188 196-2 (5th-6th excised); 2010 2110-6 (4th-7th, 10th excised); 22-2310 24two; 25-2710 | a bifolium

Additions

A hand from the second half of the 16th century or first half of the 17th century has written names from the Gesta Romanorum in margins throughout ff. 216r-242r.

Table of contents add by an unidentified 18th-century hand to the former front pastedown (preserved in part on the inside upper cover).

Annotations in English added to empty margins and spaces by one or more 16th-century or early 17th-century hands:

  • 'prope ardor procull ardorum [...]' (f. 52r, outer margin).
  • 'Noverint [? universi] [...]' (f. 70v, upper margin).
  • Illegible (f. 74r, outer margin).
  • 'for vs god made all thinge better the we could deuise / and yet in our vses we do him disspise' (f. 89r, outer margin).
  • 'Let vs honor praise And gloryfy his name / And distribute to him his due honor and fame / Anno Domini 1571' (f. 97r, outer margin).
  • 'P[?ar] my humfre owen de suffolke amen / Selled and delyvered in the presens of master thomas hoopton' (f. 100r, upper margin).
  • Beginning: 'God made man to his owen lykenes, to the intent we should do good and not evill for yf we remember our selfes we are bound, and rebounde, to geve to him our maker [etc]' (f. 102r, outer margin).
  • 'Item payed to [...]' (f. 128r, upper margin).
  • Item payd to master harve of darsam / Item the county of Suffolke knave Amen' (f. 131v, upper margin).
  • 'I trvst he will vs to him call, and save vs from a bitter fall' (f. 147r, outer margin).
  • 'The trentall of Saynte Gregorie the bishope' (f. 215v).
  • 'My loue did watche me and when se did cacthe [sic] me then did she scrache me' [2x] (f. 215v).
  • 'Whill the grasse grouethe oft, the horse may starve / Trust in faire promises, oft times may swarve' (f. 215v).
  • 'Afflictus sum et humilatus sum nimis' (f. 242v, gap between text).
  • 'Suffolk and Norffolk / amen dico vobis' (f. 245r, outer margin).
  • 'To the ryght worshipfull / to his veary loving frind' (f. 247r, outer margin).

Quire signatures ('1-27') in the bottom right-hand corner of the recto side of the first leaf of each quire, and '+' in the same position on the first leaf after the centre of the quire, written in pencil by a hand of the 19th/20th century.

Collation formula by the hand of H.L. Pink (rear pastedown).

Binding

Binding by J.P. Gray and Son of Cambridge, 1958 (binder's stamp and note on the front pastedown. Millboard three-quarter binding with marbled cloth covering and brown leather spine. The title and classmark are tooled in gold on the spine (classmark labels from previous binding retained on the front pastedown).

Binding height: 282 mm, width: 210 mm, depth: 65 mm.

Red speckled fore-edge.

History

Provenance and Acquisition

The name of Arthur Hopton is inscribed in the upper margin of f. 242v ('Arturus Hopton'): he was a member of the Hopton family of Westwood in Blythburgh in North-East Suffolk, as a 16th-century or early 17th-century note suggests: 'P[our] my humfre owen de suffolke amen / Selled and delyvered in the presens of master thomas hoopton' (f. 100v, upper margin). The same hand has written a note with the date 'Anno Domini 1571' (f. 97r, outer margin); a note on a payment to master Harvey of Darsham in Suffolk: 'Item payd to master harve of darsam / Item the county of Suffolke knave Amen' (f. 131v, upper margin); and 'Suffolk and Norffolk / amen dico vobis' (f. 245r, outer margin). Darsham is situated a few miles to the south-east of Blythburgh. If these notes were written by Arthur Hopton (which is unclear because he writes his name in a different stylised script), then he almost certainly was Arthur Hopton (c. 1540-1607), High Sheriff of Suffolk.

The name of Arthur Melle : 'Arthur melle ded wryt thys' (f. 2r, lower margin). Perhaps Arthur Melle, son of Henry Melle and his wife Frances, born in 1548 at Bramfield, five miles south-west from Blythburgh.

One of the manuscripts of Richard Holdsworth (1590-1649) , Master of Emmanuel College.

Acquired by the University Library in July 1664: no. 4 in the inventory of Holdsworth's manuscripts compiled by William Crowe (MS Ff.4.27 / Dd.8.45).

Part 1 [Cambridge, University Library, MS Kk.1.6, ff. 1-245]

Contents

Language(s): Middle English and Latin

1. 1r
Table of contents (fragment)
Language(s): Middle English
Incipit: || 1r
Explicit: 1r: How seynt gregory saued his moderes sowle by his preyere thus endeth the contentus of this booke quod rychard ffox
Final rubric: 1v: Thus endeth the Contentes of this Book: Quod Rychard ffox

Due to the loss of a preceding folio (or folios), only the final item in the table of contents survives, referring to the Trental of Saint Gregory on ff. 242r-245v.

2. 1r-1v
Prophecies for the years 1552 and 1553
Language(s): English
Incipit: 1r: In the yer of ower lord Anno thowsand vC lij and one schalt theyr be doyng and done
Explicit: 1v: for after thys to your [...] shall no hurte ffalle
Final rubric: 1v: Anno Regny Marie Regene Anglie primi primo xix daye Julij

Added in the mid-16th century.

3. 2r-147r
Eleanor Hull, The Seven Psalms
Language(s): Middle English and Latin
Rubric: 2r: Veni domine Jhesu
Incipit: 2r: Ihesu cryst most mercyful haue mercy on me sinful and helpe me as hyt is nedful
Explicit: 147r: Venite benedicti patris mei percipite regnum quod vobis para cum est ab origine mundi quod nobis et illis prestare dignenetur qui cum patre et spiritu sancto vivit et regnat deus per omnia secula seculorum Amen
Final rubric: 147rv: Here endeth the .vij. Psalmes the wheche . dame Alyanore Hull Transelated out of ffrensche in to Englesche

Unique copy, beginning with a verse prayer to Christ; the name 'Richard ffox' written at the foot of f. 50r.

IMEV 1683-3
NIMEV 1683-3
DIMEV 2816-1
Wells (1967-), 2, p. 541, and 9, p. 3460
Barratt (1995), pp. 3-202
4. 148r-179v
Eleanor Hull, Meditations upon the Seven Days of the Week
Language(s): Middle English
Incipit: 2r: Thes orysons and thes meditacions þat folowen here ben in party takyn of seynt austyn party of seynt ancelm party of seynt barnard and party of oþer wrytynges for to enflawme the hert and the corage of hem þat redyn it in the love of god and for to make a man to know hymself thei be not to be red in noyse but in quyete
Explicit: 179v: the ioy of hymsylfe that ys all þe parfyt joy of heuyn ynto that most parfyt joy he bryng us all amen so be it amen
Final rubric: 179v: Explicit deo gracias Here ende the meditacyons upon the vij. dayes of the woke veni domine Jhesu Nomen scriptoris walterus plenus Amoris / Alyanore Hull drow out of ffrensche alle this before wreten in this lytylle Booke

Another copy survives in Chicago, University of Illinois, MS 80.

Conard (1995)
Connolly (2009), pp. 255-256 [for another copy]
5. 180r-192r
The Twenty-One Passions of Our Lord
Language(s): Middle English
Incipit: 180r: Our lord aperyd to an holy man and seyd hym ho þat louyth me record and haue ofte mynd of my passyon and he þat sekyth me on þe crosse he schal fynd me fac nos tuam bone iesu passyonem mortem et crucem digne uenarari ad lorare laudare et glorificare
Explicit: 192r: now blessed be ȝe wiþ your sone that ys and schall be wiþ god the fader and the haly gost o parfyt god per omnia secula secularum amen deo gracias
6. 193r
Medical and veterinary recipes
Language(s): Middle English
Incipit: 193r: For a hete in the stomake: Take sokore lange debeffe whyt endyffe sorell boraghe sowthystell vyolet leuis daundelyon off eche a handffull and seth them
Explicit: 193r: and may butter boyle them together and p[ut] it upon a playstere and lay it upon the sore

Added by four hands in the 16th century. They address the following:

  • 'For a hete in the stomake' (heat in the stomach, perhaps 'adustion')
  • 'For the [...] off the stomake' (illness not specified in the stomach, rubric incomplete)
  • 'For the red [...]' (illness not specified, rubric incomplete; involves applying a plaster to the back near the kidneys)
  • 'For ony payne in the backe' (back pain)
  • 'A medson for the glandrs' (an ailment of horses)
  • 'A drinke for a horsse'
  • 'For the collyke' (colic)
  • 'For the gowte' (gout)

7. 194r-196r
John Lydgate (attrib.), Meditation on the Passion
Language(s): Middle English
Rubric: 194r: Here begynneth an holy meditacion to oure lord criste Jhesus hangyng on the Croose compiled and made by John lidgate late a monke of the house of Seynt Edmundus of Bery on whose sowle God haue mercy. Amen.
Incipit: 194r: Man to reform þyn exile and þy loose / ffro paradyse place of moste plesaunce
Explicit: 196r: No bettur socour ner support in ȝoure neede / Than ofte tymes thyngk on Cristus Passion
Final rubric: 196r: Here enduth this holy preyere to the lord Criste jhesus hangyng on the Crosse: Veni domine jhesu

Here attributed to John Lydgate.

IMEV 2081
NIMEV 2081
DIMEV 3388-2
8. 196v-197r
John Lydgate (attrib.), Prayer on the Passion
Language(s): Middle English
Rubric: 196v: Another prayer to our lord Hangyng on þe Croosse
Incipit: 194r: Uppon the Croosse nayled y was for the / Suffred deth to pay þy raunsoun
Explicit: 197r: Nowe for þi moderes meeke mediacyoun / At her requeste be to vs merciable

Here attributed to John Lydgate.

IMEV 3845
NIMEV 3845
DIMEV 6132
9. 197r-197v
Prayer to Christ
Language(s): Middle English
Rubric: 197r: Here endith this preyere to oure lord And begynneth a nother
Incipit: 194r: Almyȝti god maker of Heuene / Erthe and Eyre Watur and Wynde
Explicit: 197r: In heuene þer to haue a place / Wher Jhesu þou haue mercy on me. Amen
IMEV 253.2
NIMEV 253.2
DIMEV 433.2
MacCracken (1913), 43-44
Brown (1939), pp. 214-215
10. 197v-199r
John Lydgate, The hymn Vexilla Regis Prodeunt
Language(s): Middle English
Rubric: 197v: Here endith þis preyore to our lord Jhesu And begynneth the ymne Vexilla regia prodeunte
Incipit: 198r: Royal Banerys unrolled of the kynge / Towarde his Batayle in Bosra steyned Reede
Explicit: 199r: To þe holy Gooste grace to haue memorie / On his ffyue woundes and his passioun

Here not attributed to John Lydgate, but in MacCracken's edition.

IMEV 2833
NIMEV 2833
DIMEV 4518-1
MacCracken (1961), pp. 25-27
11. 199r-200v
John Lydgate, Verses On the Five Joys addressed to the Virgin Mary
Language(s): Middle English
Rubric: 199r: Here endith the ymne vexilla regis prodeunt And begyneth an holy preyer to oure moste blesset lady Seynt mari of here .v. joyes. lydgate
Incipit: 198r: Qvene of heuene of Helle eeke Emperesse / Lady of this worlde O verrey loode sterre
Explicit: 200v: On cristus Passion and on here Joyes ffyue / To make ȝow stronge be war for get hem nought
Final rubric: 200v Quod dan John lydgate
IMEV 2791
NIMEV 2791
DIMEV 4431-6
12. 200v-201v
Prayer on the Seven Joys of the Virgin Mary in Heaven Thomas Hoccleve (attrib.)
Language(s): Middle English
Incipit: 200v: Heyle be glad and joye with outen ende / Modyr of god to whome he doth honoure
Explicit: 201vr: And to þat Ioye þat neuer schall haue ffyne / Os gyde and leede þe ryght redy waye

Attributed to Thomas Hoccleve by MacCracken.

IMEV 1025
NIMEV 1025
DIMEV 1681-1
MacCracken (1909), pp. 260-262
13. 201v-202r
Regina celi letare
Language(s): Middle English and Latin
Rubric: 202r Here endith a preyere to our lady And begynneth Regina celi letare
Incipit: 202r In whome fyrste þis worlde began / Whan Gabriell grete þe on his knee
Explicit: 203v As ȝe to geder were bounden in fere Regina celi letare
IMEV 2802
NIMEV 2802
DIMEV 4454-1
MacCracken (1913), pp. 48-49
Brown (1939), pp. 52-53
14. 202r-203v
John Lydgate, Prayer to St Edmund
Language(s): Middle English
Rubric: 202r: Here endith regina celi And begyneth an holy preyer to seynt Edmund kyng . Martyr and mayden
Incipit: 202r: Glorious Edmunde kyng of Estyngelonde / Calde of martyris Charboncle and Rubie
Explicit: 203v: Aue rex gentis schall eche day be ther songe / Callynge to the for helpe in þer mooste neede
IMEV 915
NIMEV 915
DIMEV 1520-2
15. 203v-205v
John Lydgate (attrib.) , A Song of Virtue
Language(s): Middle English
Rubric: 203r: Here enduth þis holy preyere of Seynt Edmunde the whyche D. j. lydgate made And begynneth a songe of vertu of þe seyde John lydgatis makyng
Incipit: 203v: Off hony men gaderen out swetnesse / Of wyne and spisus is made good Ipocrase
Explicit: 205v: Cleyme of his mercy to haue possession / Wyth hym to dwelle aboue þe sterres clere

Here attributed to John Lydgate.

IMEV 401
NIMEV 401
DIMEV 663-3
16. 205v-208v
John Lydgate (attrib.), Verses against Haste
Language(s): Middle English
Rubric: 205v: Here endith the songe on þis worde Who sueth vertu vertu schalt he leere And begyneth the dite on þis worde He hasteth weel that wisely can abide
Incipit: 205v: Alle haste is odious where as discressioun / Off wylfulnesse hath non intresse
Explicit: 208v: Haste in alle perylys to Cristus Passioun / Enbrace þat Baner and do þer by a byde
Final rubric: 208v: Explicit quod lydgate

Here attributed to John Lydgate.

IMEV 186
NIMEV 186
DIMEV 335-2
MacCracken (1934), 759-764
17. 208v-214v
John Lydgate (attrib.), The Churl and the Bird
Language(s): Middle English
Incipit: 208v: Problemus lykenessus and ffygurys / Whiche prued byn ffructuous of sentensse
Explicit: 214v: In other tymes sche hath no ffantesy / Thus euerythynge as Clerkes specyfye||

Ending imperfectly.

Attributed to John Lydgate in another manuscript.

IMEV 2784
NIMEV 2784
DIMEV 4420-5
18. 215v
The Trental of Saint Gregory (Summary)
Language(s): Middle English
Rubric: 215v: The Trentall of Syntt Gregoree the Byschope
Incipit: 215v: De Nativitate done three masses
Explicit: 215v: Summa xxx masses

Summary of the text on ff. 242v-245v added in a late 15th- or early 16th-century hand.

19. 216r-242v
Collection of thirty-two tales from the Gesta Romanorum translated from Latin
Language(s): Middle English
Incipit: 216r: Inclides in the cite of rome regnyd a fulle wyse man and aboue all þyng he was mercyfull it happyd ones as he walked by a forest he met wiþ a pore man
Explicit: 242v: whan he saw this wiþ shame and confusioun he went away and þe pore man dwellyd þere all his lyf after
Final rubric: 242v: Here endith a ffewe of the Tales of Gestes Romonorum
Madden (1838)
Wells (1967-), 9, pp. 3567-3568
Connolly (2009), p. 257 [for other copies]
20. 242v-245v
The Trental of Saint Gregory
Language(s): Middle English
Incipit: 242v: Sum tyme in rome a pope þer was / that hadde a moder fayre of face
Explicit: 245v: fowre aungellys he sey with her goo / In to blysse there god bryng ows to. Amen
Final rubric: 245v: Explicit quod Rycardus ffox
IMEV 3184
NIMEV 3184
DIMEV 4979-1
Kaufman (1889), p. 25

Physical Description

Secundo Folio: 3r ner for to here
Form: codex
Support: Paper quires with parchment guards at the beginning, middle and end. Paper, folded in quarto. Fleur ( 50 × 50 mm. ), in the margins and divided over two leaves, comparable to Briquet (1907), 6648, 66649-6652, but with a different leaf structure. These examples are dated to 1442-1554 (e.g. see f. 4). Fleur ( 30 × 35 mm. ), in the margins and divided over two leaves, comparable to Briquet (1907), 6381, but the watermark is barely visible. These examples are dated to 1376-1390 (e.g. see f. 69). Cercle ( 30 × 35 mm. ), in the margins and divided over two leaves, comparable to Briquet (1907), 3126, but the watermark is barely visible. These examples are dated to 1358 (e.g. see f. 73). Char ( 45 × 42 mm. ), in the margins and divided over two leaves, comparable to Briquet (1907), 3520, but with only two wheels. These examples are dated to 1450-1453 (e.g. see f. 134).
Extent: Codex: 1 + 244 leaves. 275 × 195 mm.

Collation

  • Quires 1-1410 (ff. 2-141)
  • Quire 1510-4 (ff. 142-147: 7th-10th leaves missing, with stubs remaining);
  • Quires 16-1710 (ff. 148-167)
  • Quire 188 (ff. 168-175)
  • Quire 196-2 (ff. 176-179: 5th and 6th leaves missing);
  • Quire 2010 (ff. 180-189)
  • Quire 2110-6 (ff. 190-193: 4th-7th and 10th leaves missing, with stubs remaining);
  • Quires 22-2310 (ff. 194-213
  • Quire 24two (ff. 214-215: perhaps also originally a quire of ten leaves, with only the 1st and 10th remaining, all of the rest missing or some missing and others perhaps blank and excised);
  • Quires 25-2710 (ff. 216-245)

Leaf signatures comprising lower case letters and Roman numerals - a-z, et [Tironian note], con [Tironian note], title [symbol], and 'est' - in the lower right-hand corner of the first halves of each quire.

Catchwords in lower right-hand corner of the last verso of each leaf of each quire.

Layout

195-225 × 125-145 mm. Ruled in leadpoint, frame only, with occasional line ruling. Single columns. 29-39 lines to the page, written below top line.

Hand(s)

Scribe A, Richard Fox (d. 1454) , copied f. 1r (fragmentary table of contents), and ff. 194r-214v in a script with the overall appearance ofAnglicana (e.g. double-compartment 'a' and hour-glass shaped 'g'), but with a strong Secretary influence: note the regular use of an open 'w' (alongside the Anglicana 'w' that is closed by two bows); the consistent use of 'r' on the baseline, often 2-shaped, and the absence of the Anglicana long-r; and the lack of loops on ascenders. Also note the dominant 8-shaped 's' at the end of words, perhaps a stylized kidney-shaped Secretary 's', with the occasional occurence of Anglicana sigma-shaped 's'.

Scribe B copied ff. 2r-147v in a clear Secretary script, but with regular use of Anglicana 'g', and consistent use of Textualis for Latin quotations.

Scribe C, who identifies himself as 'Walterus plenus Amoris (Walter ? Fullalove) on f. 179v, copied ff. 148r-179v in Secretary script, but with Anglicana forms, including the long 'r', and 'w' closed with two bows.

Scribe D copied ff. 180r-192r almost wholly in an Anglicana script, including double-compartment 'a', round 'e', long 'r', sigma-shaped 's' in final positions, 'w' closed with 2 bows, and loops on ascenders. However, the angle of the script, and the rare appereance of unlooped 'w', betray the influence of Secretary script.

Scribe E copied ff. 216r-242v in a Secretary script (e.g. note the one-compartment 'a' and open 'g'), but with a strong Anglicana influence, as can be witness from the regular use of long 'r', sigma-shaped 's' in final positions, looped 'w' (alongside the Secretary 'w'), and consistently looped ascenders.

Scribe F copied ff. 242v-245v in a script predominantly featuring Anglicana letter forms, featuring the two-compartment 'a', round 'e', hour-glass shaped 'g', long 'r', looped 'w', and looped ascenders. However, the script's angularity and occasional use of single-compartment 'a', indicate the influence of Secretary as well.

Texts added to empty spaces on pages and in margins have been written in Secretary scripts

Decoration

One- to nine-line blue initial with red penwork decoration and pen-flourishing throughout, some of which are heavily stained, see ff. 82v, 131r, 148r, and 148v.

One-line plain capitals in blue or red ink.

Small capitals highlighted in red throughout.

Paraphs alternately in blue and red (ff. 2r-147r), and in red (ff. 148r-179v), but with occasional blue ones on ff. 160v, 176v, 176v, 177v

Underlining and corrections in red ink.

Line-fillers in red ink.

Cadels with human and zoomorphic faces on ff. 171r, 172v, 174r.

Introductory and final rubrics, and Latin quotations rubricated in red ink.

Additions

A hand from the mid-15th centuyr or second half of the 15th century has inscribed 'Christi' at the top of f. 2r, 'Alinor Hulle' at the top of 148r, and 'lydgate' at the top of 148r.

History

Origin: 1449×1454. ; England (perhaps St Albans).

Written partly or entirely after c. 1449, since 'An holy meditation to Our Lord Christ Jesus hanging on the cross' refers to John Lydgate (c. 1370-1449/50?) as 'late a monke of the house of Seynt Edmundus of Bery on whose sowle God have mercy' (f. 194r); and before 1454, since Richard Fox refers to the manuscript in his will dated 12 August 1454. Perhaps partly or entirely written at St Albans, Benedictine abbey of St Albans . Richard Fox, who copied the fragmentary table of contents on f. 1r and the Middle English verse on ff. 194r-214v and rubricated the entire manuscript, was the proctor or steward of St Albans Abbey between c. 1435 and 1454.

Robinson (1988), no. 62
Barratt (1995), pp. xix, xxii

Provenance

The manuscript's first owner was Richard Fox (d. 1454) , steward of the Benedictine abbey of St Albans , as is indicated by his will of 12 August 1454 in which he bequeaths the manuscript (identified by its opening text: 'Domine ne in furore') to his son John.

Part 2 [Cambridge, University Library, MS Kk.1.6, ff. 246-247]

Contents

Language(s): Latin

22. 246r-247v
Music for three polyphonic liturgical compositions
Language(s): Latin
Incipit: 246v
Explicit: 247v

Musical settings for 'Deo gracias' (f. 246r), 'Paradisi porta per euam' and 'Sancta maria uirgo intercede' (f. 246v), and the Magnificat (ff. 247r-247v, imperfect (missing the last four lines), written in the 2nd half of 14th century.

Frere (1894-1932), II, no. 864

Physical Description

Form: codex
Support: Parchment
Extent: Fragment, comprising a bifolium: 2 leaves. 268 × 160-185 mm.

Hand(s)

The fragmentary music leaves are written in Northern Textualis.

Decoration

One-line plain capitals in red ink

History

Origin: 15th century. ; England.

Provenance

'Richard'Richard : his name inscribed in a late 15th- or early 16th-century hand on f. 246; the hand does not seem to match that of Richard Fox (d. 1454).

Additional Information

Record Sources

This catalogue entry draws on Margaret Connolly Manuscripts in the University Library, Cambridge (Dd-Oo), The Index of Middle English Prose, 17 (Cambridge: Brewer, 2009), and an unpublished description of the manuscript composed between 1926 and 1930 by M.R. James , now held in the University Archives (UA ULIB 7/3/74).

Availability

Entry to read in the Library is permitted only on presentation of a valid reader's card. For information on eligibility and admissions procedures, see Joining the Library). For further enquiries, and to confirm the availability of the manuscript, please contact the Special Collections Reading Room.

Custodial History

No. 455 in a handlist of the University Library's manuscripts compiled c. 1672 (now MS Oo.7.59), which continued the sequence of numbers used by Thomas James in the Ecloga of 1600.

Bibliography

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(London, 2, 1894) The Minor Poems Early English Text Society, Original series, 192, Lydgate, John (London, Oxford University Press for E.E.T.S., 1934) Religious Lyrics of the XVth Century, Brown, Carleton Fairchild (Oxford, Clarendon Press, The Clarendon Press, 1939) Literature and Pulpit in Medieval England: A Neglected Chapter in the History of English Letters and of the English People, Owst, G.R. (Oxford, B. Blackwell, 1961) A Manual of the Writings in Middle English, 1050-1500, (New Haven, Connecticut Academy of Arts and Sciences, 1967) The English Devotion of St. Gregory's Trental Speculum: A Journal of Medieval Studies, Pfaff, R. (49, 1, 75-90, 1974) Sir Frederic Madden at Cambridge: Extracts from Madden's Diaries 1831, 1838, 1841-2, 1846, 1859 and 1863 Cambridge Bibliographical Society Monographs, (Cambridge, Cambridge University Library for the Cambridge Bibliographical Society, 1980) Catalogue of Dated and Datable Manuscripts c. 737-1600 in Cambridge Libraries, Robinson, P.R. 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(London, British Library, 2005) Performing Piety: Musical Culture in Medieval English Nunneries New Middle Ages, Yardley, Anne Bagnall (Basingstoke, Palgrave Macmillan, 2006) Practical Reading for Body and Soul in Some Later Medieval Manuscript Miscellanies Journal of the Early Book Society, Connolly, Margaret (10, 151-174, 2007) Privately-Owned English Urban Manuscripts, 1300-1476 (Urban Manuscript Project) Archaeology Data Service, Riddy, Felicity (2008, https://archaeologydataservice.ac.uk/archives/view/ump_ahrc_2008/index.cfm) Manuscripts in the University Library, Cambridge (Dd-Oo) Index of Middle English prose, Connolly, Margaret (Woodbridge, D.S. 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Funding of Cataloguing

Wellcome

Digital Images

Cambridge Digital Library