Cambridge, University Library, MS Ii.3.25
Diktyon no.: 12197
Contents
Language(s): Greek with few notes in Latin
- Homily 3: ff. 3r-14r (the end is much longer than editions, cf. CCG I, Appendix 17)
- Homily 4: ff. 14r-23r
- Homily 1: ff. 23r-32v
- Homily 2: ff. 33r-37v
- Homily 5: ff. 37v-43r
- Homily 6: ff. 43r-50v
CPG 4417
BHGa 129k-q; 124
PG 56, 97-142
TLG 2062.498
- Homily 1: ff. 50r-70r
- Homily 2: ff. 70v-81v
- Homily 3: ff. 81v-99v
- Homily 5: ff. 99v-111r
- Homily 4: ff. 111r-124r
- Homily 7: ff. 124r-136v
CPG 4329
BHGa 1700z; BHGn 2103i
PG 48, 963-1026, 1043-1054
TLG 2062.023
CPG 4328
BHGa 2212
PG 48, 953-962
TLG 2062.022
Physical Description
In the centre of the lower margins, there is an early red-ink foliation in Greek numerals starting anew when a new homily begins. It consists of the word φύλλον (leaf) followed by the relevant Greek numeral.
Red-ink running titles on rectos, indicating the number of folios occupied by the corresponding homily.
Collation
The manuscript consists of 18 quaternions and one leaf from the last quire of the second part of the original volume.
- One leaf ff. 3r-3v
- Quires 1-188 ff. 4r-147v
Condition
Layout
ff. 3r-147v: A double column of 27 lines, written space 225 × 150 mm. Pricking does not survive. Ruled in hardpoint, system Leroy 1, type Leroy Leroy 34C2df .
Hand(s)
The manuscript was copied in a mixed archaizing minuscule, upright slanting, pending from the ruling line, in brown ink, with variation in letter size and some flourishing of tails into the lower margin. The same hand has added the headings, in the same script but with wider use of majuscule, and running titles in a smaller script, in red ink.
Syllabic abbreviations and superscript word endings are in use only at the end of lines or for nomina sacra. Breathings are curved and not joined to accents; mute iota is usually absent but occasionally used with no consistency. Marginal quotation marks of curved shape are used.
The handwriting is characterized by enlarged letters on the first line of columns; the letters have different alternative forms used indiscriminately, majuscule beta both in enlarged or small shape, along with the old u-shape one; zeta is à trompe; psi is both in regular and cross-shape.
Ligatures of double lambda are overlapping. Those with rho are traced from below and usually in stirrup-shape if with the following letter, open if with the preceding letter.
Punctuation includes the middle and upper point, lower comma and full stop.
Decoration
Ornamental friezes in red ink are drawn on the top of the rubrics beginning each homily: ff. 3r, 14r, 33r, 37v, 43r, 50r, 70v, 81v, 99v, 111r, 124r, 136v
Flourished major initials in red ink marking the start of homilies.
Presence of set-out minor initials in a red-ink uncial script.
Additions
A few annotations have been added by some later western hands: the front pastedown contains an early modern Latin inscription about the history and acquisition of the manuscript written by Matthew Parker in 1564, and the title ‘Homiliae Chrysostomi’ written in brown ink by a 18th or 19th century hand.
In the upper outer corner of the same pastedown the old shelfmark "#D.β.4" remains, in use before the introduction of the current shelfmark.
A label containing a late medieval or early modern gothic inscription reading ‘Homiliae Chrysostomi’ was stuck on the recto of f. 1r, possibly extracted from the former binding of the manuscript.
A western hand has added references in all likelihood to a printed edition pages for each homily.
The inscription ‘Homil. Chrys. Grec.’ (Homiliae Chrysostomi Graece) in a thick and hardly legible hand is written on the fore edge.
Binding
18th or 19th century binding with much worn paper boards covered with thin black paper. Four raised bands. An orange tanned skin covers the spine and a part of the boards. The classmark of the manuscript is gold-tooled on the spine. The edges have been gilded.
334 × 253 × 50 mm.
History
Provenance and Acquisition
Toward the middle of the 16th century, the manuscript was conserved in Rochester Cathedral.
Given by the dean of Rochester Cathedral to Matthew Parker (1504-1574) , archbishop of Canterbury, in 1564, as stated in the Latin inscription on the left pastedown: ‘Hic grecus codex quonda(m) fuit Theodori Archiepi(scopi) Cant(uariensis) et servatus in Eccl(es)ia Cathedrali Roffensi: eius eccl(es)ie Decanus dedit eu(m) Mattheo Cantuar(iensi) a(nno) 1564.’ The manuscript was counted by Matthew Parker among the books believed to have belonged to Theodore of Tarsus (d. 690) , archbishop of Canterbury.
Presented to the University Library in 1574 by Matthew Parker (1504-1575) , archbishop of Canterbury. No. 8 in the list of 25 'Libri Scripti in pergameno' published to commemorate Parker's gift (see Early catalogues of manuscripts, up to c. 1600.
Additional Information
Record Sources
Availability
Entry to read in the Library is permitted only on presentation of a valid reader's card. For information on eligibility and admissions procedures, see Joining the Library). For further enquiries, and to confirm the availability of the manuscript, please contact the Special Collections Reading Room.
Bibliography
-
A catalogue of the manuscripts preserved in the library of the University of Cambridge, (Cambridge, 3, Cambridge University Press, 1858)
The dispersal of the monastic libraries and the beginning of Anglo-Saxon studies:
Matthew Parker and his
circle. A preliminary Study Transactions of the Cambridge Bibliographical Society, Wright, C. E. (1, 3, 208-237, 1951)
Codices Chrysostomici Graeci I Codices Britanniae et Hiberniae, Aubineau, Michel (Paris, CNRS éditions, 1968)
Before palaeography: notes on early descriptions and datings of Greek manuscripts
Studia Codicologica, Easterling, P. E. (124, 179-88, 1977)
From Britain to Byzantium: the study of Greek manuscripts Through the looking glass:
Byzantium through British eyes : papers from the twenty-ninth Spring Symposium
of Byzantine Studies, London, March 1995 Society for the Promotion of Byzantine Studies
publications, Easterling, P. E. (Aldershot, Ashgate, 2000)
Funding of Cataloguing
The Polonsky Foundation
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
