Cambridge, University Library, MS Gg.4.27(1)
Anthology of Geoffrey Chaucer's literary works, with other texts
Contents
Part 1: Anthology of Chaucer's literary works [Cambridge, University Library, MS Gg.4.27(1), ff. 5r-516v]
Contents
Language(s): Middle English, with occasional text (such as headings) in Latin and Middle French. Middle English is 'dialectically mixed' but localisable to Cambridgeshire (LALME).
Rubric added by a later hand.
Middle English and Middle French macaronic.
Middle French, Middle English and Latin macaronic.
DIMEV: Begins imperfectly (1.71) and ends imperfectly (5.1701).
DIMEV: I.1-36, 757-858 lost; 289 omitted with a blank following 290.
In the second opening line, 'conchusyoun' has been struck through in black ink, and 'condition' written alongside by a later (early modern) hand.
In the final line, 'natiȝt' has been struck through in black ink, and 'noȝt' written alongside by a later (medieval) hand.
DIMEV: I.859-964 lost; 3073-88 lost or partially lost; 2681-2 omitted; 1024, 1917 and 2411 inserted at foot. Bottom half of f. 175 torn away.
Opening rubric joins with closing rubric of prologue.
DIMEV: I.3721-22 omitted; 3276 inserted at foot; 3209-10 reversed; 3829-54 lost.
Fragments of text still visible on the stub of f. 185v.
Opening rubric for the missing tale: 'Here begynnyst the kok of lundene hi tale'.
The following leaf and all of the Cook's Tale are lost. Fragments of text are visible on the stub of f. 193r and 193v.
DIMEV: II.1-9, 82-98 lost.
Opening rubric added by a later hand.
DIMEV: III.1076 lost; 717-20 omitted.
Opening rubric for missing prologue: 'Here begynnyth the prologe of the frerys tale'.
DIMEV: III.1299-322, 1631-64 lost; 1491-92 omitted.
DIMEV: III.1709-46, 2285-94 lost; 1907-11 omitted.
DIMEV: IV.57-112 lost; 155-61 and 162-68 reversed.
Opening rubric for missing prologue: 'Heere folwith the prologe of the marchauntes tale'.
DIMEV: IV.1245-64, 2405-18 lost; 1362, 1658 inserted at foot.
Opening rubric added by a later hand.
DIMEV: V.23-32, 66-74 partially lost due to the upper half of f. 277 having been torn out.
DIMEV: V.47-65, 615-72 lost.
In the first line of the explicit, 'hire' has been cancelled through erasure.
Opening rubric added by a later hand.
DIMEV: V.1575-624 lost; 1132, 1455-56, 1473-74, 1493-98 omitted; spurious line follows 1109.
Opening rubric added by a later hand.
DIMEV: VI.1-166, 243-86 lost.
DIMEV: VI.329-86 lost.
DIMEV: VI.743-44 omitted; 646, 810, 896 inserted at foot; 672 inserted in margin.
Opening rubric added by a later hand.
DIMEV: VII.1-62, 373-434 lost; 114-19 omitted; 266 inserted at foot.
Opening rubric added by a later hand.
DIMEV: VII.488-557 lost.
Although the guide letter for the opening initial is 'L', the limner execited a 'T'.
Rhyming couplets accompanied by a brace and a third line of verse.
DIMEV: VII.906-18 lost; 805 omitted.
IMEP: Begins imperfectly at line 2173 and ends imperfectly at line 3049.
DIMEV: VII.1889-1918 lost.
DIMEV: VII.2425-62 lost; VII.2375-2462 (the 'Modern Instances', missing 2425-62) follow 2766.
Opening rubric added by a later hand.
Fragments of text visible on the stub of f. 364v.
DIMEV: VII.2821-58, 3391-446 lost; 2958, 3365 inserted at foot; 3365 follows 3390 as final surviving lines.
Opening rubric added by a later hand.
DIMEV: VIII.1-14, 85-140 lost.
DIMEV: VIII.120-40 lost; 158 omitted.
DIMEV: VIII.706-19 lost; 554-64, 592-602 partially lost due to decorated initial on f. 381r having been cut out.
DIMEV: VIII.720-57 lost; 1046-47 omitted; 941 inserted at foot.
DIMEV: IX.215-16 omitted.
DIMEV: X.25-104 lost.
IMEP: Begins imperfectly at line 105 and has several omissions due to the loss of leaves.
Opening rubric added by a later hand.
DIMEV: From the alpha group of witnesses.
Inserted as the penultimate stanza to 'Parlement of Fowles' by another hand of the 15th century, in space left by the original scribe.
DIMEV: Lines 1-254, 331-562 only; incomplete because f. 513 missing, and ends imperfectly because f. 517 missing.
Physical Description
19th-century foliation:
[i-iv] + 5-11, 14-27, 30-53, 55-79, 82-101, 103-126, 132-141, 145-184, 186-192, 194, 196-210, 212-227, 229-232, 235-241, 244-259, 261-275, 277-284, 287-297, 302, 305-312, 314-317, 321-324, 327-349, 351-362, 365-371, 373, 375-382, 384-398, 401-404, 406-411, 413-417, 419-424, 426-427, 430-443, 445-468, 470-512, 514-516 + [v-viii]
Written in pencil in the upper right-hand corner of the recto of each leaf by Henry Bradshaw , University Librarian 1867-1886. Bradshaw introduced the practice of assigning folio numbers to leaves that he judged to be missing on the basis of the manuscript's collation. Unfortunately, in the case of MS Gg.4.27(1), Bradshaw's interpretation of the structure of the manuscript's leaves in Quire 25 changed: having previously thought that one leaf was missing after f. 302v, he later decided that two leaves were missing. As a consequence, his first foliation sequence was thereafter cancelled and a second sequence added that differed from the first by 1. Some this second sequence has since been over-written by a later hand.
Although replacement leaves were added throughout the manuscript during its conservation, and although these technically carry a folio number (in accordance with Bradshaw's foliation practice), the foliation statement given above counts only medieval leaves and omits replacement leaves and stubs (see also Collation).
The leaves of parchment that have been inserted for missing leaves are: ff. 1-4, 12-13, 28-29, 54, 80-81, 102, 127-131, 142-144, 185, 193, 195, 211, 228, 233-234, 242-243, 260, 276, 285-286, 298-301, 303-304, 313, 318-320, 325-326, 350, 363-364, 372, 374, 383, 399-400, 405, 412, 418, 425, 428-429, 444, 469, 513, 517. The leaves of parchment that have been inserted for cancelled leaves are: ff. [109a], [118a], [123a], [123b], [430a], [430b], [493a], [508a], [515a]. As Parkes and Beadle (1979-80) explain (see vol. 3, p. 10), f. '444' is a questionable case. Bradshaw thought that a leaf was missing here, and thus assigned it a folio number: 'the recto could have contained the 'Retractions', and the verso would have been blank. However, the display at the foot of f. 443v could have been regarded as a colophon (the script is larger than that of other displayed headings and colophons in the Canterbury Tales...), in which case the leaf would have been blank'.
Blank, modern endleaves [ii]-[iv] and [v]-[vii] have not been digitised.
17th-century foliation:
5-482 (with gaps where leaves are missing)
Written in black ink in the upper right-hand corner of the recto side of each leaf, after the insertion of replacement leaves of text (which are now bound separately as Cambridge, University Library, MS Gg.4.27, additional leaves), probably by Joseph Holland (d. 1605) .Collation
The manuscript comprises 43 quires, mostly of 12 leaves, all but 9 of which are now imperfect due to the excision of leaves that bore decoration, whether initials and borders or narrator portraits. Two quires - Quires 10 and 43 - are regular, though in both cases one bifolium is formed of two separate half-sheets. Although replacement leaves were added throughout the manuscript during its conservation, and although these technically carry a folio number (in accordance with Bradshaw's foliation practice), the collation statement given below counts only medieval leaves and omits replacement leaves and stubs (see also Foliation). For further discussion of anomalous quires, see Parkes and Beadle (1979-80), vol. 3, pp. 9-10, 39.
- Quire 112-5 (ff. 5-11: 1st-4th leaves and 12th leaves missing, ff. '1-4' and '12')
- Quire 212-1 (ff. 13-24: 1st leaf missing, f. '13')
- Quire 312-2 (ff. 25-36: 4th and 5th leaves missing, ff. '28-29')
- Quire 412 (ff. 37-48)
- Quire 512-1 (ff. 49-60: 6th leaf missing, f. '54')
- Quire 612 (ff. 61-72)
- Quire 712-2 (ff. 73-84: 8th and 9th leaves missing, ff. '80-81')
- Quire 812 (ff. 85-96)
- Quire 912-1 (ff. 97-108: 6th leaf missing, f. '102')
- Quire 1012 (ff. 109-120: 2nd and 11th leaves are singletons, now attached to conservation leaves ff. [118a] and [109a])
- Quire 1112+2-5 (ff. 121-134: two singletons inserted before 10th leaf, ff. '130-131'; 7th-9th leaves, ff. '127-129', and the two inserted singletons, missing)
- Quire 1212-3 (ff. 135-146: 8th-10th leaves missing, ff. '142-144')
- Quires 13-1512 (ff. 147-182)
- Quire 1612-2 (ff. 183-194: 3rd and 11th leaves missing, ff. '185' and '193')
- Quire 1712-1 (ff. 196-206: 1st leaf missing, f. '195')
- Quire 1812-1 (ff. 207-218: 5th leaf missing, f. '211')
- Quire 1912-1 (ff. 219-230: 10th leaf missing, f. '228')
- Quire 2012-3 (ff. 231-241: 3rd, 4th and 12th leaves missing, ff. '233-234' and '242')
- Quire 2112-1 (ff. 244-254: 1st leaf missing, f. '243')
- Quire 2212-1 (ff. 255-266: 6th leaf missing, f. '260')
- Quire 2312-1 (ff. 267-278: 10th leaf missing, f. '276')
- Quire 2412-2 (ff. 279-290: 7th-8th leaves missing, ff. '285-286')
- Quire 2516-5 (ff. 291-306: 8th-11th and 13th-14th leaves missing, ff. '298-301' and '303-304')
- Quire 2612-2 (ff. 307-317: 7th and 12th leaves missing, ff. '313' and '318')
- Quire 2712-4 (ff. 321-330: 1st-2nd and 7th-8th missing, ff. '319-320' and '325-326')
- Quire 2812 (ff. 331-342)
- Quire 2912-1 (ff. 343-354: 8th leaf missing, f. '350')
- Quire 3014-2 (ff. 355-368: 8th-9th leaves missing, ff. '363-364')
- Quire 3114-2 (ff. 369-382: 4th and 6th leaves missing, ff. '372' and '374')
- Quire 3212-1 (ff. 384-394: 1st leaf missing, f. '383')
- Quire 3314-3 (ff. 395-408: 5th-6th and 11th leaves missing, ff. '399-400' and '405')
- Quire 3412-2 (ff. 409-420: 4th and 10th leaves missing, ff. '412' and '418')
- Quire 3512-5 (ff. 421-430: 5th, 8th and 9th leaves missing, ff. '425' and '428-429'; 11th and 12th leaves cancelled, ff. [430a-430b])
- Quire 3612 (ff. 431-442)
- Quire 378-1 (ff. 443-450: 2nd leaf ?missing or ?cancelled, f. '444')
- Quire 3812 (ff. 451-462)
- Quire 3912-1 (ff. 463-474: 7th leaf missing, f. '469')
- Quire 4012 (ff. 475-486: 475-486)
- Quire 418-1 (ff. 487-493: 8th leaf cancelled, f. [493a])
- Quire 4212 (ff. 494-505)
- Quire 4312-2 (ff. 506-516: 8th and 12th leaves missing, ff. '513' and '517'; 3rd and 10th leaves are singletons, ff. 508 and 515)
Leaf signatures added in the later 15th century (perhaps in place of an original sequence that had been lost to cropping; see Binding). The first signatures appear on Quire 2, 'a'; Quires 11-20 are signed 'a'-'i', but with 'k' on Quire 16 (without dislocation to the text). The other quires are signed by means of various symbols, and Quires 23 and 25 by numerical sequences only. (See Parkes and Beadle (1980), vol. 3, p. 63).
No quire signatures.
Catchwords by the main scribe, four of which have been lost to trimming and replaced, probably in the late 15th century (Quires 22, 25, 29 and 38). (See Parkes and Beadle (1979-80), vol. 3, p. 62).Condition
Layout
200-215 × 110-120 mm. Ruled in leadpoint, frame only, in single columns, 35-40 lines, written below top line.
Hand(s)
The manuscript was copied by two scribes. Almost all of the volume was copied by one scribe (A). Only the final quire contains the work of both the main scribe and another (B). Importantly, a leaf copied by A is conjoint with a leaf copied by B, which indicates that - for this quire at least - the two were collaborating (rather than B providing replacements for leaves that had been copied by A and then discarded). Quotations in what follows are taken from Parkes and Beadle (1979-80), vol. 3, pp. 44, 46; further palaeographical analysis of scribal practices and orthography may be found therein (pp. 46-56), together with discussion of punctuation and abbreviation (pp. 56-57) and correction (p. 62).
Scribe A: Quires 1-42 (ff. 5-505) and part of Quire 43 (ff. 506r-507v, 511r-512v and 515r-516v only). 'For the text, Scribe A adopted a mixed hand: Anglicana Formata in aspect, but with forms and features derived from different scripts', including Bastard Secretary, Textura Semi-quadrata, and a range of scripts for display purposes, including Secretary and Textura. Scribe A also copied Oxford, Bodleian Library, MS e Musaeo 116 , ff. 1r-56v.
Scribe B: part of Quire 43 (ff. 508r-510v and 514r-514v. Scribe B also wrote in Anglicana formata, but in a form distinct from that of Scribe A.
Decoration
?Full-page miniature (?perhaps an author portrait), now missing except for small pieces of marginal decoration preserved on the remaining stub (f. 130v).
Miniatures to the Canterbury Tales: one-third to one-half of a page in size, in colours with flourished borders sketched roughly in ink (apparently by a later hand). Tales narrators are each shown mounted on a horse. Most of the miniatures have been lost (see f. 174v for an example). 'Representations of the pilgrims, portrait figures on horses, occur in other manuscripts of the Canterbury Tales, but only the Ellesmere and 'Oxford' manuscripts have analogues of the figures which survive in Gg...The three surviving representations of the Vices and Virtues are unique in surviving Chaucer manuscripts... The style of surviving pictures in Gg.4.27(1) suggests that there was probably more than one artist involved in the production of the manuscript' (Parkes and Beadle (1979-80), vol. 3, pp. 58-59). Ellesmere = California, San Marino, Huntington Library MS. El. 26 C 9 . 'Oxford' = Manchester, John Rylands Library, MS English 63 + Philadelphia, Rosenbach Collection, MS 1084/2 .
- 186r: Reeve
- 192v: Cook
- 222r: Wife of Bath
- 306r: Pardoner
- 352r: Monk
- 395r: Manciple
- 416r: Envy (astride a dog, handing it a bone); Charity (wearing triple-crowned tiara and holding a sceptre and flaming winged heart); outline sketch in orange crayon for crowned female figure in the gutter margin to the left of Envy
- 432r: Gluttony (astride a bear, holding a bird and a piece of rope); Abstinence (holding a lily in one hand and a jug in the other)
- 433r: Lechery (astride a ram, holding it by a horn with one hand, and bearing a bird with lock and chain in the other); Chastity
Blue or purple and rose initials, 4-8 lines, filled with blue, purple, rose and orange leaves (with occasional dragon grotesques), on gold ground (ff. 5r, 175r, 176r, 186v, 192r, 222v, 287r, 306r, 323r, 352r, 395r, 416v, 423v, 427v, 432r, 433r, 445r, 481r). Some have been excised (e.g. f. 359r).
Gold, blue and purple bar borders by two artists, extending from illuminated initials into vines with blue, purple, rose and orange leaves, gold discs, pen sprays and tendrils in one- or three-sided borders. Short sprays with gold discs, blue and purple leaves, extending from gold initials.
Further fragments survive on stubs of folios whose initials have been cut out (e.g. ff. 193r, 277r, 381r).
'The style of the surviving borders is archaic and reminiscent of English border decoration at the beginning of the fifteenth century, although the large motifs in the infilling of the accompanying initials is more appropriate to a later date.' (Parkes and Beadle (1979-80), vol. 3, p. 60).
Initials in gold, 3-4 lines, on blue and rose or orange and rose ground (ff. 259r, 281r).
Initials in blue, 2-6 lines, with infill and marginal flourishing in red ink, some containing faces within the interstices (e.g. ff. 93v, 112r, 349v, 454r, 478v) or human heads or animal heads sprouting from the sides of the initials (e.g. human heads on ff. 10v, 336r, 345v; animal heads on ff. 333v, 478v).
Grotesques and profiles by the scribe extending from calligraphic letters, and sometimes touched in red (e.g. ff. 480v, 512r).
Additions
Rubrics added in a variety of coloured inks by a late 16th-/early 17th-century hand, commissioned by the manuscript's then owner, the antiquary Joseph Holland (d. 1605). See: ff. 5r, 194v, 275v, 284v, 297v, 312v, 317v, 362v, 371v, 398v, 443v, 453v, 456v, 462v, 466v, 474r, 476v, 478v. This scribe's work is evident in other manuscripts owned by Holland: see, for example, London, British Library, Cotton MS Vespasian E V , f. 18r and London, British Library, Harley MS 7026 , throughout.
These rubrics relate to the text that Holland instructed to be copied onto the replacement leaves he had added to the volume, along with other matter relating to Chaucer or the text, some of which was taken from an edition of Chaucer's works published in 1598 by Thomas Speght. These leaves were originally bound in at the relevant places in the manuscript. For the subsequent rearrangement of the manuscript and the placement of these leaves, see Custodial History. These leaves are described below in Part 2, with digital images following those of the main volume, here described as Part 1.
For further discussion of the material added by Joseph Holland, see Parkes and Beadle (1979-80), vol. 3, pp. 65-66.
The manuscript also contains Holland's distinctive annotation mark (a curved line above two dots) against references in the text to various items of apparent interest:
- f. 145r (a statue of Mars)
- f. 166v (a herald)
- f. 171r (the funeral of Arcite)
- f. 213v (a local custom, the Dunmow Flitch)
- f. 448v (the size of Chaucer's library)
- f. 397v ('Ne tellyth neuere no man In ȝoure lyf...')
- f. 481r ('For ofte of olde feldys as men sey...')
Holland was apparently responsible for having this manuscript bound together with what is now MS Gg.4.27(2), which also contains his annotation mark on f. 10r.
Leaf signatures added by Henry Bradshaw : written in pencil in the lower right-hand corner of the rectos, in the first half of each quire; '+' marks the first leaf of the second half of the quire. The sequence is a-k (Quires 1-10), A-Z (Quires 11-33) and Aa-Kk (Quires 34-43). It is unclear what Bradshaw intended to signify by the choice of different sequences of letter, since these do not coincide with changes in page preparation, scribal hand or other element of production, nor with changes in the textual contents.
Henry Bradshaw also made numerous annotations in pencil throughout the manuscript, identifying line and stanza numbers, as well as marking where the text had been disturbed (see ff. 112v, 349r, 450r-450v).
Further notes in pencil and ink, probably by Henry Bradshaw , on the pastedown and front endleaf of the 19th-century binding.
Binding
Full alum-tawed calf with jacket of the same material, bound by Jim Bloxam, Allan Farrant and Janet Coleby, Cambridge University Library, 1997. See Custodial History for further information.
Bound in 1896 by Stoakley and Son (late Hawes). Half bound brown pigskin with marbled paper sides. Mould-made paper ends. Sewn on five double cords. Turquoise, red and white endbands. Lower edge of both boards badly worn (from Cambridge University Library Conservation Report, 1997). This former binding has been retained and is stored with the manuscript.
Apparently rebound and the edges trimmed at some point in the later fifteenth century, based on the loss of catchwords to Quires 22, 25, 29 and 37, and their replacement by a hand of this period.
History
Provenance and Acquisition
5r, 516v: 'Ioseph Holland 1600'. Ownership inscription of Joseph Holland (d. 1605) , antiquary (inscription now erased but located directly beneath the Cambridge University Library stamp in the lower margin, and still visible under UV light). (See also Additions).
Apparently consulted by John Stow , antiquary: in the copy of the Temple of Glass in Oxford, Bodleian Library, MS Fairfax 16 (f. 82v), Stow noted: 'Here lacketh .6. leves that are in Joseph Holland's Boke'.
Perhaps consulted by Thomas Speght (d. 1621) , printer, prior to printing 'Chaucer's ABC' in his edition of 1602 (see Pace (1968)).
Almost certainly one of the manuscripts of Richard Holdsworth (1590-1649), Master of Emmanuel College .
Acquired by the University Library in July 1664. Probably no. 51 in the inventory of Holdsworth's manuscripts compiled by William Crowe (MS Ff.4.27 / Dd.8.45).
Part 2: 'Additional leaves': replacement leaves supplied by Joseph Holland [Cambridge, University Library, MS Gg.4.27(1), ff. (1-(35]
Contents
Language(s): Middle English in leaves supplying text missing from Part 1, early Modern English in leaves produced in late 16th / early 17th centuries or copied from printed edition of 1598
With a fourth stanza not found in other versions.
Copied from Speght's 1598 edition of Chaucer's works.
Two commendatory verses, extracted from Hoccleve's text, and copied from Thomas Speght's 1598 edition of Chaucer's works:
- 'Although his life be queint, the Resemblaunce...'
- 'Me deare maister, God his soule quite...'
Cut from a copy of Speght's 1598 edition of Chaucer's works, pasted onto a leaf of parchment and hand-coloured.
A false start of what appears on (4v, erased.
Attributed to Chaucer or to 'Merlin'.
Copied from Thomas Speght's 1598 edition of Chaucer's works.
Copied from Thomas Speght's 1598 edition of Chaucer's works, c ii recto.
Adapted and copied from Speght's 1598 edition of Chaucer's works. For the one substantial difference between this manuscript and Speght's 1598 edition, see Caldwell, Mod. Phil. (1943), p. 300.
The epitaph on f. (5v is not found in the 1598 edition, but it does appear in the 1602 edition (see Caldwell, n. 47).
Adapted from Speght's 1598 edition of Chaucer's works, c iii verso.
Supply leaf, copied from Speght's 1598 edition of Chaucer's works, ff. 151v-152r.
Copied from Speght's 1598 edition of Chaucer's works, f. 197r. Lines 582-609.
Copied from Speght's 1598 edition of Chaucer's works, A ii.
General Prologue A, lines 1-36, copied from Speght's 1598 edition of Chaucer's works, A ii.
General Prologue A, lines 757-760, 788-806, copied continuously from Speght's 1598 edition of Chaucer's works, A vi.
Knight's Tale A, lines 859-964, copied from Speght's 1598 edition of Chaucer's works, ff. 1r-1v.
Wide of Bath's Prologue D, lines 1-76, copied from Speght's 1598 edition of Chaucer's works, ff. 32v-33r.
Friar's Prologue D, 1265-1300, copied from Speght's 1598 edition of Chaucer's works, f. 38v.
Friar's Tale D, lines 1301-1322 and 1631-1663, copied from Speght's 1598 edition of Chaucer's works, ff. 38v-39r and 40r-40v.
Summoner's Prologue D, lines 1664-1707, copied from Speght's 1598 edition of Chaucer's works, f. 40v.
Summoner's Tale D, lines 1708-1746 and 2285-2294, copied from Speght's 1598 edition of Chaucer's works, ff. 40v-41r and 43r-43v.
Clerk's Prologue E, lines 1-56, copied from Speght's 1598 edition of Chaucer's works, f. 43v.
Clerk's Tale E, lines 57-112, copied from Speght's 1598 edition of Chaucer's works, ff. 43v-44r.
Words of the Merchant to the Squire equivalent to F, lines 673-708, copied from Speght's 1598 edition of Chaucer's works, f. 27r.
Merchant's Prologue E, lines 1213-1243, copied from Speght's 1598 edition of Chaucer's works, f. 27r.
Merchant's Tale E, lines 1244-1265, copied from Speght's 1598 edition of Chaucer's works, ff. 27r-27v.
Physician's Tale C, lines 1-166, copied from Speght's 1598 edition of Chaucer's works, ff. 61v-62r.
Tale of Melibee B2, lines *2096-*2172, copied from Speght's 1598 edition of Chaucer's works, ff. 25r-26v.
Nun's Priest's Tale B2, lines *4011-*4048, copied from Speght's 1598 edition of Chaucer's works, ff. 85r-85v.
Chaucer's Retractions, I, lines 1083-1091, copied from Caxton's second edition (see Caldwell (1943), p. 299n.
Adapted from Speght's 1598 edition of Chaucer's works, Aaaa i-Bbbb i.
For Chaucer's ABC, the legends in the Legend of Good Women, and the Temple of Glass.
Copied from Speght's 1598 edition of Chaucer's works, c iii-c vi, except for the last entry, 'The Temple of glasse and Supplicatio Amamtis [sic] not in the prynted booke'.
Copied from Speght's 1598 edition of Chaucer's works, Ttt iiiiv.
Physical Description
19th-century foliation:
[i]-[ii] + (1-(35 + [iii]-[iv]
Numbering in pencil in the upper right-hand corner of the recto side of each leaf, by Henry Bradshaw , University Librarian 1867-1886.17th-century foliation:
Written in black ink in the upper right-hand corner of the recto side of each leaf, according to the original position of leaves added to Part 1 in order to supply missing text or supplement the contents of the manuscript, probably by Joseph Holland (d. 1605) .Condition
Layout
90-285 × 100-130 mm. Highly variable layout, with text copied by several different hands and to different specifications. Leaves supplying text lost from Chaucer are written in single columns, usually ruled in leadpoint, written above top line. Glossary in three columns.
Hand(s)
Folios (1v, (2v, (4v-(22v, (29v and (35r copied in Humanistic cursive script by a late 16th-/early 17th-century hand, commissioned by the manuscript's then owner, the antiquary Joseph Holland (d. 1605). This hand was also responsible for copying in rubrics in a variety of coloured inks: see Part 1, Additions, for further details. This scribe's work is evident in other manuscripts owned by Holland: see, for example, London, British Library, Cotton MS Vespasian E V , f. 18r and London, British Library, Harley MS 7026 , throughout. Perhaps the same hand or another writing in the same script also copied parts of the Glossary on ff. (30r-(32v.
Folios (23r-(28v copied in Secretary script by a late 16th-/early 17th-century hand, also commissioned by the manuscript's then owner, the antiquary Joseph Holland (d. 1605). Perhaps the same hand or another writing in the same script also copied ff. (33r-(34v and parts of the Glossary on ff. (30r-(32v.
Decoration
Engraved portrait of Chaucer, surrounded by a genealogical diagram illustrating his parentage, descendants and relations, and showing his tomb, coloured by hand (f. (3r. Taken from a copy of Speght's 1598 edition of Chaucer's works.
Additions
Folio 2r: note concerning the position of leaves now bound separately as MS Gg.4.27(2) , by 'J.M.K.' - i.e. John Mitchell Kemble (1807-1857) : 'Note: After p. 482b of this volume are inserted fourteen folios on parchment, containing a fine copy of the fragment of Floriz and Blaunchefleur, a copy of King Horn and a poem on the assumption of our Lady. To the best of my knowledge these have never been noticed. J.M.K.'
Binding
A softcover parchment binding, by Jim Bloxam, Allan Farrant and Janet Coleby, Cambridge University Library, 1997. See Custodial History for further information.
Formerly bound in at the back of the binding of Part 1: 1896 by Stoakley (late Hawes). Half bound brown pigskin with marbled paper sides. Mould-made paper ends. Sewn on five double cords. Turquoise, red and white endbands. Lower edge of both boards badly worn (from Cambridge University Library Conservation Report, 1997). This former binding has been retained and is stored with the manuscript.
History
The leaves comprising Part 2 were commissioned by the antiquary Joseph Holland (d. 1605) and were for the most part copied from Thomas Speght's 1598 edition of Chaucer's works.
Provenance and Acquisition
5r, 516v: 'Ioseph Holland 1600'. Ownership inscription of Joseph Holland (d. 1605) , antiquary (inscription now erased but located directly beneath the Cambridge University Library stamp in the lower margin, and still visible under UV light). (See also Additions).
Apparently consulted by John Stow , antiquary: in the copy of the Temple of Glass in Oxford, Bodleian Library, MS Fairfax 16 (f. 82v), Stow noted: 'Here lacketh .6. leves that are in Joseph Holland's Boke'.
Perhaps consulted by Thomas Speght (d. 1621) , printer, prior to printing 'Chaucer's ABC' in his edition of 1602 (see Pace (1968)).
Almost certainly one of the manuscripts of Richard Holdsworth (1590-1649), Master of Emmanuel College .
Acquired by the University Library in July 1664. Probably no. 51 in the inventory of Holdsworth's manuscripts compiled by William Crowe (MS Ff.4.27 / Dd.8.45).
Additional Information
Record Sources
- Paul Binski and Patrick Zutshi, with the collaboration of Stella Panayotova, Western Illuminated Manuscripts: A Catalogue of the Collection in Cambridge University Library (Cambridge: Cambridge University Press, 2011) (used here by kind permission of Cambridge University Press)
- The Index of Middle English Prose, Handlist 19: Cambridge University Library, by Margaret Connolly (Cambridge: D.S. Brewer, 2009)
- The Digital Index of Middle English Verse , ed. by Linne R. Mooney, Daniel W. Mosser and Elizabeth Solopova (2008-)
- M.B. Parkes and Richard Beadle, Poetical Works [of] Geoffrey Chaucer: A Facsimile of Cambridge University Library MS. Gg.4.27 (Cambridge: D.S. Brewer, 1979-80), 3 vols
Availability
Entry to read in the Library is permitted only on presentation of a valid reader's card. For information on eligibility and admissions procedures, see Joining the Library). For further enquiries, and to confirm the availability of the manuscript, please contact the Special Collections Reading Room.
Custodial History
By February 1866 at the latest, but probably not before November 1864, Henry Bradshaw had the leaves containing King Horn and other fragmentary Middle English texts removed from MS Gg.4.27. In his personal copy of the catalogue of manuscripts (now Cambridge, University Library, Adv.c.77.52), Bradshaw had noted against Gg.4.27, 'out on a bond 14th Novr 64'. Records of Bradshaw's borrowing of the manuscript are preserved in H.R. Luard, A chronological list of the graces, documents, and other papers in the University Registry which concern the University Library (Cambridge, 1870). Entries nos 755 and 760 confirm that by February 1866, the manuscript had been separated into two volumes thereafter referred to as 'MS Gg.4.27.1' and the King Horn leaves as 'MS Gg.4.27.2'. See: Beadle (2019) for further details. (The separation of the final running number by a full-stop reflects 19th- and early 20th-century practice, though brackets were also in use during this period and is the preferred approach today).
It is not certain at which date MS Gg.4.27(1) as a whole was disbound, but the likelihood is that it occurred around that same time. Bradshaw removed the leaves that Joseph Holland had added and assigned them a separate foliation sequence prefaced by an opening bracket '('. In the process of understanding the structure of the leaves of MS Gg.4.27(1), Bradshaw then added slips of paper to this volume, which he marked with the folio numbers of leaves that he judged to be missing.
It is unclear whether Henry Bradshaw had MS Gg.4.27(1) rebound during his lifetime or whether the manuscript was left unbound at the time of his death in 1886. Certainly, it was bound in 1896 by Stoakley (late Hawes) (see Binding for further details). These former covers are now preserved with the manuscript. At that juncture, the leaves that Holland had added and that Bradshaw had refoliated were bound in at the back of the manuscript.
During rebinding in 1997, a number of changes were made to MS Gg.4.27(1). The covers that had been added by Stoakley were removed and preserved. The leaves that had been added by Holland were removed and bound separately in a soft-cover parchment binding, and stored in a box marked 'MS Gg.4.27.1. Additional leaves'. The slips of paper that Bradshaw had added were also removed and preserved. In their place were added fresh sheets of parchment that signified missing or cancelled leaves (but see Foliation for further details). Mistakes in the ordering of the leaves that predated Stoakley's binding and Bradshaw's examination of the volume were also corrected, as follows:
- Quire 16: 3rd and 11th leaves missing: their stubs were previously bound as the 2nd and 10th leaves (hence Bradshaw's initial misnumbering of f. 184 as '185', and f. 192 as '193').
- Quire 22: 6th leaf missing: its stub was previously bound as the 7th leaf (hence Bradshaw's initial misnumbering of f. 261 as '260'.
The main part of MS Gg.4.27(1) was then fully rebound: full alum-tawed calf with jacket of the same material, by Jim Bloxam, Allan Farrant and Janet Coleby, Cambridge University Library, 1997.
Bibliography
Facsimile:
Poetical works [of] Geoffrey Chaucer: a facsimile of Cambridge University Library MS. Gg.4.27, Parkes, M.B.Beadle, Richard (Cambridge, D.S. Brewer, 1979-80)Bibliography
Editions:
On early English pronunciation, with especial reference to Shakespeare and Chaucer...: including a rearrangement of F.J. Child's memoirs on the language of Chaucer and Gower, and reprints of the rare tracts by Salesbury on English, 1547, and Welch, 1567, and by Barcley on French, 1521 Early English Text Society (Series). Extra series, (London, Trübner for the Early English Text Society and the Chaucer Society, 1867) A one-text print of Chaucer's minor poems, being the best text of each poem in the Parallel-text edition, for handy use by editors and readers Chaucer Society. First series, (London, Pub. for the Chaucer Society by N. Trübner & Co., 1868) The Cambridge ms (Cambridge Univ. Library, Gg. 4.27) of Chaucer's <hi rend="italics">Canterbury tales</hi> Chaucer Society. First series, (London, Pub. for the Chaucer Society by N. Trübner & Co, 1868) A parallel-text edition of Chaucer's minor poems Chaucer Society. First series, (London; New York, Oxford University Press, 1871) A parallel-text print of Chaucer's Troilus and Criseyde from the Campsall ms. of Mr. Bacon Frank, copied for Henry V. when Prince of Wales, the Harleian ms. 2280 in the British Museum and the Cambridge University Library ms. Gg. 4. 27 Chaucer Society. First series, (London, Pub. for the Chaucer Society by N. Trübner & Co, 1881) The Poems of William Dunbar Scottish Text Society. [Original series], (Edinburgh; London, 3, Printed for the Society by W. Blackwood and Sons, 1889) The complete works of Geoffrey Chaucer, edited, from numerous manuscripts, (Oxford, 1, Clarendon Press, 1897) A Parliament of Birds The Journal of English and Germanic Philology, Hammond, Eleanor Prescott (7, 1, 105-109, 1908, https://www.jstor.org/stable/27699896) The macaronic hymn tradition in medieval English literature, Wehrle, William Otto (Washington, D.C., 1933) The Oxford book of English verse: 1250-1918, (Oxford, The Clarendon press, 1939) The complete works of Geoffrey Chaucer, (London, Oxford University Press, 1957) Medieval English: an Old English and Middle English anthology, Kaiser, Rolf (Berlin, The Author, 1958) The parlement of foulys, (London, Thomas Nelson and Sons Ltd, 1960) Medieval English lyrics: a critical anthology, Davies, Reginald Thorne (London, Faber and Faber, 1963) Early English lyrics: amorous, divine, moral and trivial, (London, Sidgwick & Jackson, 1966) The Oxford book of medieval English verse, (Oxford, Clarendon Press, 1970) The Riverside Chaucer, (Boston (MA), Houghton Mifflin, 1987) Middle English debate poetry: a critical anthology, Conlee, John W. (East Lansing, Mich., Colleagues Press, 1991) <hi rend="italics">The Wife of Bath's prologue</hi> on CD-ROM, (Cambridge, Cambridge University Press, 1996) <hi rend="italics">The General prologue</hi> on CD-ROM, (Cambridge, Cambridge University Press, 2000) The Multitext Edition The Norman Blake Editions of <hi rend="italics">The Canterbury Tales</hi>, Stubbs, EstellePidd, MichaelDa Rold, OriettaHorobin, Simon (2013, https://www.chaucermss.org/?manuscript=Hg&tale=GP&version=multitext&page=home)Bibliography
Manuscript descriptions:
The manuscripts of Chaucer's <hi rend="italics">Canterbury tales</hi>: a critical description of their contents, McCormick, William (Oxford, Clarendon Press, 1933) The text of the Canterbury Tales studied on the basis of all known manuscripts, Manly, John M.Rickert, Edith (Chicago, 1, University of Chicago Press, 1940) An Elizabethan Chaucer Glossary Modern Language Notes, Caldwell, Robert A. (58, 5, 374-375, 1943, https://www.jstor.org/stable/2910379) The Scribe of the Chaucer Ms, Cambridge University Library Gg 4. 27 Modern Language Quarterly, Caldwell, Robert A. (5, 1, 33-44, 1944, https://doi.org/10.1215/00267929-5-1-33) The adorned initials of Chaucer's A.B.C. Manuscripta, Pace, George B. (23, 2, 88-98, 1979) Poetical works [of] Geoffrey Chaucer: a facsimile of Cambridge University Library MS. Gg.4.27, Parkes, M.B.Beadle, Richard (Cambridge, D.S. Brewer, 1979-80) The text of <hi rend="italics">The Legend of Good Women</hi> in CUL MS Gg.4.27 Middle English Studies Presented to Norman Davis in Honour of his Seventieth Birthday, Kane, George (Oxford, 39-58, Clarendon Press, 1983) The layout of <hi rend="italics">Sir Thopas</hi> in the Ellesmere, Hengwrt, Cambridge Dd.4.24, and Cambridge Gg.4.27 manuscripts Chaucer Review: A Journal of Medieval Studies and Literary Criticism, Tschann, Judith Ann (20, 1, 1-13, 1985) The "Prologue" to Chaucer's <hi rend="italics">Legend of Good Women</hi> in Cambridge University Library MS Gg.4.27 and John Urry's </hi>Works of Chaucer</hi> Notes and Queries, Wright, Constance S. (n.s. 34, 4, 456, 1987) The manuscripts of <hi rend="italics">The Canterbury Tales</hi> Chaucer studies, Owen, Charles A. (Cambridge, Brewer, 1991) The manuscript of Chaucer's <hi rend="italics">Troilus</hi> Scriptorium: Revue internationale des études relatives aux manuscrits / International Review of Manuscript Studies, Seymour, Michael C. (46, 1, 107-121, 1992) The manuscripts of Chaucer's <hi rend="italics">Legend of Good Women</hi> Scriptorium: Revue internationale des études relatives aux manuscrits / International Review of Manuscript Studies, Seymour, Michael C. (47, 1, 73-90, 1993) The manuscripts of Chaucer's <hi rend="italics">Parlement of Foules</hi> Scriptorium: Revue internationale des études relatives aux manuscrits / International Review of Manuscript Studies, Seymour, Michael C. (47, 1, 192-204, 1993) Annotation in some manuscripts of <hi rend="italics">Troilus and Criseyde</hi> English Manuscript Studies: 1100-1700, Boffey, Julia (5, 1-17, 1995) Constructing the Chaucer Corpus: A Study of Cambridge, University Library, MS Gg.4.27, Clarke Wolfe, Matthew (1995, unpublished PhD dissertation) Chaucer's articulation of the narrative in <hi rend="italics">Troilus</hi>: the manuscript evidence Chaucer Review: A Journal of Medieval Studies and Literary Criticism, Hardman, Phillipa (30, 2, 111-133, 1995) A catalogue of Chaucer manuscripts, Seymour, M.C. (Aldershot, 1: Works before the Canterbury Tales, Scolar Press, 1995) Later Gothic manuscripts, 1390-1490 A survey of manuscripts illuminated in the British Isles, Scott, Kathleen L. (London, I: Text and Illustrations & II: Catalogue and Indexes, Harvey Miller, 1996) A catalogue of Chaucer manuscripts, Seymour, M.C. (Aldershot, 2: The Canterbury Tales, Scolar Press, 1997) Some Lydgate manuscripts: 'The Troy Book' Edinburgh Bibliographical Society Transactions, Seymour, M.C. (6, 7, 257-291, 1998) The Cambridge Illuminations: Ten Centuries of Book Production in the Medieval West, (London, Harvey Miller, 2005) Late Medieval English Scribes: CUL MS Gg.4.27 Manuscript Description: Cambridge, CUL MS Gg.4.27, Mooney, LinneStubbs, Estelle (2011, http://www.medievalscribes.com/index.php?navtype=manuscripts&navlocation=Cambridge&browse=manuscripts&navlibrary=Cambridge+University+Library&id=19&nav=off) Cambridge, University Library, MS Gg.4.27 Digital Catalogue of the Manuscripts of the Canterbury Tales, Mosser, Daniel W. (2011, https://www.mossercatalogue.net/record.php?recID=Gg) Designing the Page The Production of Books in England, 1350- 1500, Stephen, Patridge (Cambridge, 79-103, Cambridge University Press, 2011)Bibliography
Secondary literature:
Linguistic peculiarities of the Cambridge University Library manuscript Gg 4. 27., Caldwell, Robert Atchison (Chicago, 1938) Joseph Holand, Collector and Antiquary Modern Philology, Caldwell, Robert A. (40, 4, 295-301, 1943, http://www.jstor.org/stable/434142) A new Chaucer manuscript PMLA: Publications of the Modern Language Association of America, Pace, George B.Doyle, Anthony Ian (83, 22-34, 1968) A fifteenth-century East Anglian scribe Medium Ævum, Seymour, Michael C. (37, 166-175, 1968) Speght's Chaucer and MS. Gg.4.27 Studies in Bibliography, Pace, George B. (21, 225-235, 1968, https://www.jstor.org/stable/40371467) Chaucer's <hi rend="italics">Gentilesse</hi>: a forgotten manuscript, with some proverbs The Review of English Studies, Davis, Norman (20, 77, 43-50, 1969, https://doi.org/10.1093/res/XX.77.43) Geoffrey Chaucer: Troilus & Criseyde, (London, Longman, 1984) A linguistic atlas of late mediaeval English, McIntosh, AngusSamuels, M.L.Benskin, Michael (Aberdeen, Aberdeen University Press, 1986) Anthologies and miscellanies: production and choice of texts Book production and publishing in Britain 1375-1475 Cambridge studies in publishing and printing history, Boffey, JuliaThompson, John J. (Cambridge, 279-315, Cambridge University Press, 1989) The manuscripts of the major English poetic texts Book production and publishing in Britain 1375-1475 Cambridge studies in publishing and printing history, Edwards, A.S.G.Pearsall, Derek (Cambridge, 257-278, Cambridge University Press, 1989) The marriage of the robin and the wren Folklore, Lockwood, W. B. (100, 237-39, 1989) Prolegomena to a literary geography of later medieval Norfolk Regionalism in late medieval manuscripts and texts: essays celebrating the publication of 'A linguistic atlas of late mediaeval English' York manuscripts conferences: proceedings, Beadle, Richard (Cambridge, 89-108, D.S. Brewer, 1991) Anchor texts and literary manuscripts in early Middle English Regionalism in late medieval manuscripts and texts: essays celebrating the publication of 'A linguistic atlas of late mediaeval English' York manuscripts conferences: proceedings, Laing, Margaret (Cambridge, 27-52, D.S. Brewer, 1991) Scribes and manuscript traditions Regionalism in late medieval manuscripts and texts: essays celebrating the publication of 'A linguistic atlas of late mediaeval English' York manuscripts conferences: proceedings, Samuels, M. L. (Cambridge, 1-7, D.S. Brewer, 1991) Chaucer's spelling reconsidered English Manuscript Studies: 1100-1700, Benson, Larry (3, 1-28, 1992) The notions of text and variant in the prologue to Chaucer's <hi rend="italics">Legend of Good Women</hi>: MS Gg, lines 127-38 Papers of the Bibliographical Society of America, Dane, Joseph A. (87, 1, 65-80, 1993) Leven en werken van Geoffrey Chaucer (1342?-1400). Naar aanleiding van Derek Pearsalls <hi rend="italics">The Life of Geoffrey Chaucer</hi> Madoc: Tijdschrift voor Mediëvistiek (later Madoc: Tijdschrift over de Middeleeuwen), Kooper, Erik S. (7, 3, 155-159, 1993) The variant passages in the Wife of Bath's prologue and the textual transmission of the <hi rend="italics">Canterbury Tales</hi>: the "Great Tradition" revisited Women, the Book and the Worldly: Selected Proceedings of the St Hilda's Conference, 1993, II, Kennedy, Beverly (Cambridge, 85-101, D.S. Brewer, 1995) Interpreting the Incomplete Scheme of Illustration in Cambridge, Corpus Christi College, MS 61 English Manuscript Studies: 1100-1700, Hardman, Phillipa (6, 52-69, 1997) A newly identified manuscript by the scribe of the New College <hi rend="italics">Canterbury Tales</hi> English Manuscript Studies: 1100-1700, Partridge, Stephen (6, 229-236, 1997) Chaucer's revision of the prologue of <hi rend="italics">The Legend of Good Women</hi> Modern Language Review, Seymour, Michael C. (92, 4, 832-841, 1997) Spelling practices in three manuscripts of the <hi rend="italics">Canterbury Tales</hi> Studia anglica Posnaniensia, Hans, Aleksandra (34, 123-132, 1999) Placing Chaucer's 'Retraction' for a Reception of Closure The Chaucer Review, Wolfe, Matthew C. (33, 4, 427-431, 1999, https://www.jstor.org/stable/25096067) Orthography, Codicology, and Textual Studies: The Cambridge University Library, Gg.4.27 <hi rend="italics">Canterbury Tales</hi> Boletín Millares Carlo, Thaisen, Jacob (24-25, 379-394, 2005) Corrected mistakes in Cambridge University Library MS Gg.4.27 Design and distribution of late medieval manuscripts in England, Kato, Takako (York, 61-87, York Medieval Press in association with the Boydell Press and with the Centre for Medieval Studies, University of York, 2008) "Chaucer's scribe", Adam and the Hengwrt project Design and distribution of late medieval manuscripts in England, Mosser, Daniel W. (York, 11-40, York Medieval Press in association with the Boydell Press and with the Centre for Medieval Studies, University of York, 2008) The Trinity Gower D scribe's two <hi rend="italics">Canterbury Tales</hi> manuscripts revisited Design and distribution of late medieval manuscripts in England, Thaisen, Jacob (York, 41-60, York Medieval Press in association with the Boydell Press and with the Centre for Medieval Studies, University of York, 2008) The Linguistic Stratification in the Cambridge Dd Copy of Chaucer's <hi rend="italics">Canterbury Tales</hi> Neuphilologische Mitteilungen, Thaisen, JacobDa Rold, Orietta (110, 3, 283-297, 2009, http://www.jstor.org/stable/43344419) Editorial certainty and the editor's choice The Genesis of books: studies in the scribal culture of medieval England in honour of A.N. Doane Studies in the early Middle Ages, Machan, Tim William (Turnhout, 286-303, Brepols, 2011) Shirley, Trinity College Cambridge MS R.3.20, and the Circumstances of Lydgate's Temple of Glass: Coterie Verse over Time Studies in the Age of Chaucer, Boffey, Julia (38, 1, 265-273, 2016, https://muse.jhu.edu/article/644450) Studies in the history of the English language VII: generalizing vs. particularizing methodologies in historical linguistic analysis Topics in English linguistics, (Berlin, De Gruyter/Mouton, 2016) Joseph Holland and the Idea of the Chaucerian Book Manuscript Studies: A Journal of the Schoenberg Institute for Manuscript Studies, Cook, Megan L. (1, 2, 165-188, 2016, https://muse.jhu.edu/article/635585) Bradshaw’s Chaucer: Some Preliminary Observations Transactions of the Cambridge Bibliographical Society, Beadle, Richard (16, 4, 557-574, 2019, https://www.jstor.org/stable/27099640) The Poet and the Antiquaries, Cook, Megan L. (Philadelphia, University of Pennsylvania Press, 2019, https://www.degruyter.com/document/doi/10.9783/9780812295825/html) Chaucer's early modern readers: reception in print and manuscript, Singh, Devani (Cambridge, University Press, 2023)Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
