Cambridge, University Library, MS Ff.5.5
Legal texts
Contents
Language(s): Latin and Middle English
Full transcription; added in the late 15th century.
Full transcription; added in the late 15th century.
Two medical recipes to purge phlegm ('to avoyde flewme') and to sharpen one's mind ('to sharpe a mannys witts'), added in the 15th century.
Physical Description
Mid-20th-century foliation:
[a], i, 1-205, [b]
Numbering in pencil in the upper right-hand corner of the rectos.Collation
- Quires 1-58 (ff. i recto-39v)
- Quire 612 (ff. 40r-51v)
- Quire 7-88 (ff. 52r-67v)
- Quire 910 (ff. 68r-77v)
- Quire 10-258 (ff. 78r-205v)
1-58 612 7-88 910 10-258
Quire signatures ('B-S') in the lower margins of the first rectos of quires 3-19.
Horizontal catchwords in the hand of the scribe in brown ink in the right lower margin of last versos of quires.Layout
175 × 120 mm. Ruled in pencil, frame and line ruling. Single columns. 40-41 lines to the page, written below top line.
Hand(s)
Written by a single scribe in an Anglicana script.
The added Middle English poems and recipes on ff. 204v-205r are written by two hands writing in cursive scripts with Anglicana features, dating to the late 15th and/or early 16th century.
Decoration
On f. 8r is a large (10-line) blue and pink initial on a gold ground and with partial (3-sided) bar borders with acanthus leaves in gold, blue, purple, and white. Inside the intial is a miniature of King Richard II, seated, with crown and sceptre.
Two-line initials in blue or red in frames of penwork decoration in the opposite colour, used only on ff. 2r-6r.
Three-line initials in blue or purple on gold-stamped grounds with sprays of foliate in blue, purple, and white, used only on ff. 8r-201v.
Paraphs in blue or red.
Additions
Quire signatures ('1-25') in the bottom right-hand corner of the recto side of the first leaf of each quire, and '+' in the same position on the first leaf after the centre of the quire, written in pencil by a hand of the 20th century.
Collation formula written in pencil by the hand of H.L. Pink on the rear pastedown.
Binding
Quarter brown goatskin with marbled paper sides and vellum corner tips; the spine with four raised bands and two rectangles of black leather gold-stamped with the inscriptions: ‘Registrum Brevium’ and ‘Ff.5.5’
The binding was made by Douglas Cockerell and Son , Grantchester, August 1966 (see inscription by H.L. Pink on the front pastedown).
Binding height: 235mm; width: 170mm; depth: 50 mm.
History
Provenance and Acquisition
Corbett (fl. 16th century) : ‘Registrum Corbet’ inscribed on ff. i recto, 1r, 1v, and 2r. The Middle English poems on 204v have the added title: ‘Consulare Cura Corbettes’. According to Baker and Ringrose (1996), he may have been Reynold Corbert (d. 1566), J.Q.B.
Francis Tate (d. 1616) , bencher of the Middle Temple: ? his number '41' inscribed on f. 205v (see Baker and Ringrose (1996)).
John Moore (1646-1714) , bishop of Ely: no. 501 (f. 1r) in Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (c. 1697), Volume 2 Part 1, p. 373 (no. 9649).
Presented to the University Library in 1715 by George I : donation bookplate engraved by John Pine in 1736 on the inside cover.
Additional Information
Record Sources
Availability
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Bibliography
-
A Catalogue of the Manuscripts Preserved in the Library of the University of Cambridge, (Cambridge, 2: Ee-Ff, Cambridge University Press, 1857)
The History of the Register of Original Writs, III Harvard Law Review, Maitland, F. W. (3, 5, 212-225, 1889, https://www.jstor.org/stable/1321839)
Early Registers of Writs Publications of the Selden Society, De Haas, ElsaHall, G. D. G. (London, Quaritch, 1970)
A Catalogue of English Legal Manuscripts in Cambridge University Library, with Codicological
Descriptions of the Early Manuscripts, Baker, J.H.Ringrose, J.S. (Woodbridge, Boydell Press, 1996)
Manuscripts in the University Library, Cambridge (Dd-Oo) Index of Middle English prose, Connolly, Margaret (Woodbridge, D.S. Brewer, 2009)
Funding of Cataloguing
Wellcome
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
