Cambridge, University Library, MS Ff.4.2
Diktyon no.: Diktyon 12186
Contents
Language(s): Greek
Physical Description
Collation
Condition
Binding
18th-century quarter-leather binding with brown paper covering over couched-laminate boards, with plain pastedowns and a brown leather spine with gold tooling. The classmark appears on labels and the title ‘Procopius In Genesim &c.’ tooled in gold on a red leather label on the spine.
334 × 233 × 61 mm.
The inserted leaves ff. 110* and 293 bear leather tabs from leaf markers on the fore-edge.
Both boards are partly split.
History
Provenance and Acquisition
Owned by J.-B. Hautin , probably the grandson of Jean-Baptiste Hautin (ca. 1580-1640) (Easterling, 'Two Greek MSS.', p. 111, n. 1).
John Moore (1646-1714) , bishop of Ely: no. 975 in the handwritten supplementary list of Moore's manuscripts, now MS Oo.7.50(2), compiled by Thomas Tanner after the publication of Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (1697).
Presented to the University Library in 1715 by George I : donation bookplate engraved by John Pine (1690-1756) in 1736 on f. 1r.
Part 1: endleaves [Cambridge, University Library, MS Ff.4.2, ff. [i-iii], 293, [iv-v]]
Contents
Language(s): Latin
Physical Description
Additions
History
Part 2 [Cambridge, University Library, MS Ff.4.2, ff. 1-110]
Contents
Chapters 1-18:1
TLG 2598.020
f. 1r-1v is blank except for the author's name, ‘Προκοπίου σοφιστοῦ’
A substantial portion of the text of the prooimion, section 1, has been accidently repeated by the scribe and then crossed through, on ff. 5v-6r.
Physical Description
Collation
The first part of the manuscript consists of 14 quires, of which one is a ternion, and the rest are quaternia.
- Quires 1-68 ff. 1-48
- Quire 76 ff. 49-54
- Quires 8-148 ff. 55-110
Condition
Layout
A single column of 30 lines. 220 × 125 mm.
Hand(s)
ff. 2r-82v, line 20, ff. 83r-110v were copied by Hand A in a mixed minuscule script, slanting to the right, in brown or black ink, with modest variation in letter size. The slant grows increasingly pronounced in the course of the manuscript. There are deletions by strikethrough.
Syllabic abbreviations appear throughout the line, but superscript word endings only at the end of lines. Breathings are round and mute iota is absent. There is decorative use of the double dot, and accentuation of all nomina sacra . Horizontal strokes appear over proper names. Accents are sometimes joined to letters, breathings, abbreviations and nomina sacra strokes. There are frequent corrections to erroneous accents.
The modern eta, modern nu, sigma telikon and loop epsilon are present, and there are inclusions of letters within omicron. Majuscule gamma appears with a leftward turn at the foot and an upward-slanting horizontal. The abbreviation of περί appears in a distinctive form, with a long downward curve from the central stroke of the epsilon, and the abbreviation of καί also takes an unusual form.
Punctuation used includes the lower, middle and upper points, lower comma and full stop.
The heading on f. 2r was added by Hand B in mixed minuscule script, slanting to the right, in red ink.
f. 82v, lines 20-30 were copied by Hand C in a mixed minuscule script, upright or slanting slightly to the right, in brown ink, with modest variation in letter size. The line discipline of this hand is uneven.
Syllabic abbreviations appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot. Accents are sometimes joined to letters and breathings, and are sometimes erroneous.
The loop epsilon is present.
Punctuation used includes the middle and upper points and lower comma. A word is inappropriately hyphenated (‘ἀπολαμ-βανόμενα’).
Decoration
A plaited band in red ink precedes the beginning of the text (f. 2r).
The text begins with a slightly ornamented initial in red ink (f. 2r).
The end of the text is arranged in multiple tapering forms accompanied by simple cul-de-lampe ornament in red ink (110v).
Additions
History
Provenance
Metzler places the production of copies from this manuscript in the environs of the Council of Trent and in the workshop of Andreas Darmarios , which would place it in that area in about 1560-1563.
Part 3 [Cambridge, University Library, MS Ff.4.2, ff. 111-292]
Contents
Books 1-11
TLG 2896.008
Physical Description
Collation
The second part of the manuscript consists of 23 quires, of which one is a ternion, and the rest are quaternia.
- Quires 15-368 ff. 111-286
- Quire 376 ff. 287-292
Condition
Layout
A single column of 25-27 lines. 227 × 130 mm.
Hand(s)
ff. 111r-118r, 120v-126r, line 12, f. 126v, line 6-f. 157r, f. 158r, line 2-f. 161r, f. 162r, f. 163r, line 7-f. 167v, ff. 174r-174v, 175v-182v, 204r-204v, line 3, ff. 206v-209v, 211r-213v, 214v , 215v, 216v-217v, 218v-225v, 226v, 227v-231r, 232r-232v, line 9, ff. 233r-234v, 236v, 241r, 243v-244r, 245v-247v, line 11, f. 248r, line 4-f. 249v, ff. 250v-253r, 254r, line 5-f. 255r, ff. 256v-257v, 258v-259v, line 11, f. 261v, line 2-f. 262v, ff. 264r-264v, 268r, 272v, f. 279v, line 7-f. 280v, f. 282v, line 13-f. 289v, f. 290r, line 10-f. 292r were copied by Hand D in a flamboyant mixed minuscule script, slanting to the right, in brown or black ink, with significant variation in letter size and frequent flourishing of tails and accents into the margin. The same hand has added headings in red ink.
Syllabic abbreviations and superscript word endings appear throughout the line. Breathings are round and mute iota is subscript. There is decorative use of the double dot, and accentuation of all nomina sacra . Accents are sometimes joined to letters, breathings, abbreviations and nomina sacra strokes. The hyphen is used to merge words. Marginal quotation marks are in use.
The modern eta, modern nu, sigma telikon and loop epsilon are present. Xi and chi frequently appear with extravagant downward flourishes.
Punctuation used includes the middle and upper points, lower and middle commas and full stop.
ff. 118v-120r, f. 126r, line 12-f. 126v, line 6, ff. 157v-158r, line 1, ff. 161v, 162v-163r, line 7, ff. 168r-173v, 175r, 183r-203v, 204v, line 3-f. 206r, ff. 210r-210v, 214r, 215r, 216r, 218r, 226r, 227r, 231v, 232v, lines 9-25, ff. 235r-236r, 237r-240v, 241v-243r, 244v-245r, 247v, line 11-f. 284, line 4, ff. 250r, 263v-254r, line 5, ff. 255v-256r, 258r, 259v, line 11-f. 261v, line 2, ff. 263r-263v, 265r-267v, 268v-272r, 273r-279r, line 7, ff. 281r-282v, line 13, f. 290r, lines 1-10 were copied by Hand E in a blocky mixed minuscule script with variable slant, in brown or black ink, with modest variation in letter size. The same hand has added headings in red ink.
Syllabic abbreviations and superscript word endings appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot, and accentuation of all nomina sacra . Accents are sometimes joined to abbreviations and nomina sacra strokes. Marginal quotation marks are in use.
The modern eta, modern nu, sigma telikon and loop epsilon are present.
Punctuation used includes the middle and upper points, lower comma and question mark.
Decoration
The beginning of the text is preceded by a rectangular headpiece in brown and red ink, containing the title (f. 111r).
Bands of decoration in red ink, some very simple and others more elaborate, precede the beginning of some sections:- ff. 115r, 128v, 134r, 146v, 168r, 176r, 202r, 221r, 232v, 251r, f. 267v. One of these is in a combination of brown and red ink, now discoloured (f. 267v).
Each section begins with an ornamented initial in red ink: 111r, 115r, 117v, 129r, 134r, 146v, 168r, 176r, 190v, 202r, 221r, 232v, 251r, f. 267v
Minor initials in red ink appear very occasionally in the middle of the text (e.g. f. 238v).
The end of one section is accompanied by a line-filler in red ink (f. 190v).
The text at the end of a section on f. 175v is arranged in multiple tapering forms accompanied by simple cul-de-lampe ornament in red ink.
Additions
History
Part 4 [Cambridge, University Library, MS Ff.4.2, ff. 294-297]
Contents
Extract (ed. B. Charles Mercier, La liturgie de saint Jacques: édition critique du texte grec avec traduction latine (Paris 1946), Patrologia Orientalis 26.2, pp. 200-206)
f. 297v is blank.
Physical Description
Layout
A single column of 21 lines. 190 × 105 mm. Single vertical lines defining the left and right margins, ruled in hardpoint.
Hand(s)
ff. 294r-297r were copied by Konstantinos Palaiokappas (Hand F) in a mixed minuscule script, slanting to the right, in black ink, with modest variation in letter size.
Syllabic abbreviations appear throughout the line, while there is no superscription of word endings. Breathings are round and mute iota is subscript or in a transitional position, below and the right of the letter. The use of the double dot is functional only, and nomina sacra are uncontracted.
The modern eta, modern nu and sigma telikon and loop epsilon are present.
Punctuation used includes the middle and upper points and the lower and middle commas.
History
Additional Information
Record Sources
Availability
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Bibliography
-
Specimen eines Repertoriums der griechischen Kopisten. Jahrbuch der österreichischen
Byzantinistik, Gamillscheg, ErnstHarlfinger, Dieter (27, 293-322, 1978)
Repertorium der griechischen Kopisten, 800-1600. I. Grossbritannien Veröffentlichungen
der Kommission für Byzantinistik, Gamillscheg, ErnstHarlfinger, Dieter (Wien, Verlag der Österreichischen Akademie
der Wissenschaften, 1981)
Cambridge University Library : a history [2], The eighteenth and nineteenth centuries, McKitterick, David (Cambridge, vol. 2, Cambridge University Press, 1986)
A catalogue of the manuscripts preserved in the library of the University of Cambridge, (Cambridge, 2, Cambridge University Press, 1861)
Eclogarum in libros historicos Veteris Testamenti epitome. Teil 1, Der Genesiskommentar
Genesiskommentar, , (Berlin, De Gruyter, 2015)
Hexaemeron, , (Rome, Pontificio istituto orientale, 2007)
The Greek Manuscripts of John Moore and Etienne Baluze Codices Manuscripti, , (56/57, 29-42, 2006)
Funding of Cataloguing
The Polonsky Foundation
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
