Cambridge, University Library, MS Ee.6.35
Diktyon no.: Diktyon 12176
Contents
Language(s): Greek
ff. 3v-4v are blank.
f. 94r-94v is blank.
TLG 9022.001
f. 295r is blank.
Defective at the end (ed. Leone, p. 32).
TLG 9022.005
f. 298r-298v is blank.
Physical Description
Collation
The manuscript consists of 37 quires, of which one consisted of ten folios and the rest are quaternia.
- Quire 18-1 ff. 2-8 The first folio has been cancelled or lost, without loss of text.
- Quires 2-368 ff. 9-288
- Quire 3710-1 ff. 289-298 The ninth folio has been cancelled or lost, probably without loss of text. (The text ends incompletely here, but the closely-related Munich manuscript breaks off at the same point, suggesting that their shared exemplar was incomplete at this point.)
Condition
Layout
ff. 2r-3r Two columns of 27-37 lines. 162-187 × 120-130 mm.
ff. 5r-296v A single column of 24 lines. 145 × 90 mm.
Hand(s)
ff. 2r-3r The contents list has been copied by Hand A (who has also added a heading, originally omitted, on f. 95r, and occasional marginal notes, e.g. f. 66r), in a mixed minuscule script, upright or slanting slightly to the right, with modest variation in letter size. The abbreviation of περὶ is accompanied by a double dot.
ff. 5r-8v, 16r, line 5-f. 38v, f. 39r, line 13-f. 42v, line 3, f. 42v, line 11-f. 72v, ff. 75r-93v, 95r-152v, 264v-287r, line 10, f. 287v, line 7-f. 294v were copied by Hand B: a mixed minuscule script, with variable slant, in brown ink, with modest variation in letter size.
Syllabic abbreviations and superscript word endings appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot and accentuation of all nomina sacra . Accents are sometimes joined to letters. The double grave accent is in use. Breathings are often shifted well to the right of the letter they accompany. Marginal quotation marks are used, and the hyphen is used to combine words. Horizontal strokes appear above proper names.
The modern nu and sigma telikon are present. The epsilon-upsilon ligature appears in a distinctive form in which the upper part forms a closed loop. Minuscule gamma often appears in a distinctive inward-curving form and majuscule lambda is positioned low and often with long descenders.
Punctuation used includes the middle and upper points, lower and middle commas, question mark and full stop.
This hand has added headings in the same style in red ink, as have the other copyists below
ff. 9r, 9v, line 5-16r, line 4 were copied by Hand C, similar in most respects to Hand B, but without its more distinctive letter-forms. Mute iota is occasionally present, in subscript form. Accents are sometimes joined to letters, nomina sacra strokes and abbreviations (including an unusual joining of a circumflex with the abbreviation of eta-sigma, e.g. f. 9r, line 21).
f. 9v, lines 1-4 were copied by Hand D in a rather stilted mixed minuscule with variable slant. Lambda takes the same form as in Hand B.
f. 39r, lines 1-12 were copied by Hand E in an untidy mixed minuscule, slanting to the right. There is frequent use of majuscule nu, while mu and majuscule omega take angular forms resembling the Latin letters M and W.
f. 42v, lines 4-10 were copied by Hand F in a small, rather untidy mixed minuscule with variable slant, with a similar range of unusual letter-forms to Hand E.
ff. 73r-74v were copied by Hand G in a slightly inelegant mixed minuscule script, upright or slanting slightly to the right.
ff. 153r-160r, line 14were copied by Hand H, similar to Hand C, with variable slant. Accents are sometimes joined to breathings and nomina sacra strokes. This hand uses two unusual types of full stop, comprising two dots followed by a horizontal stroke which turns downwards with a loop, the other two dots followed by a cross, the right-hand line of which becomes a curved downward line resembling an open-backed rho
f. 160r, line 15-f. 160v were copied by Hand I in a small script similar to Hand H.
ff. 161r-189r, line 16 were copied by Hand J, similar to Hands H and I, using one of the same distinctive types of full stop as Hand H.
f. 189r, line 17-f. 189v, line 4 were copied by Hand K in a slightly inelegant mixed minuscule script, slanting to the right.
f. 189v, line 5-f. 264v, f. 287r, line 9-f. 287v, line 6, ff. 295v-296v were copied by Hand L, similar to Hand C, slanting to the right. Double pi often appears as a minuscule followed by a majuscule letter. Mute iota occasionally appears, in subscript form. Accents are occasionally joined to breathings, including an unusual form with a circumflex placed wholly below a rough breathing (e.g. f. 193r, line 18).).
Decoration
The beginning of the text is preceded by a rather crude vignette in red ink (f. 5r).
One section of the text, on f. 9r, begins with an ornamented major initial in red.
Minor initials in red ink, with simple ornament, begin each section.
The colophon is accompanied by a crude rosette in brown ink (294v).
Additions
There are occasional brief marginal annotations by the scribes.
A note on f. 3r records the manuscript's donation by Cuthbert Tunstall: ‘Cuthebertus Londoniensis episcopus studiosis dono dedit’.
There is a note dated 21 March 1862 on f. [iv] recto, regarding extent, collation and missing and blank folios, by Henry Bradshaw (1831-1886), University Librarian 1867-1886.
A note of the former classmark 433 appears inside the left board.
Binding
Early modern binding, repaired and rebacked in 1966 by J.P. Gray and Son in Cambridge, according to a note on the left pastedown, retaining the existing boards. Brown full leather binding over couched-laminate boards, with printed waste pastedowns (from Pablo de Santa Maria, Bishop of Burgos, Dialogus Pauli et Sauli contra Judæos, sive Scrutinium scripturarum). There is a blind-tooled border on the boards. The classmark and the title ‘Tzetzae Chiliades, &c.’ are tooled in gold on the spine. The edges have been painted black. A label from a previous binding bearing the title ‘Poemata Graeca’ tooled in gold is pasted inside the left board.
208 × 169 × 55 mm.
History
Provenance and Acquisition
Presented to the University Library by Cuthbert Tunstall (b. 1474, d. 1559), Bishop of London in 1529.
Additional Information
Record Sources
Availability
Entry to read in the Library is permitted only on presentation of a valid reader's card. For information on eligibility and admissions procedures, see Joining the Library). For further enquiries, and to confirm the availability of the manuscript, please contact the Special Collections Reading Room.
Bibliography
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Lykophronos Alexandra, to skoteinon poiēma ... = Lycophronis
Chalcidensis Alexandra, siue Cassandra : poema quidem obscurum ... /
eruditissimis Isacii Tzetzis grammatici commentarijs ... illustratum ...
Adiectus quoque est Ioannis Tzetzae Variarum historiarum liber, versibus
politicis ab eodem Graece conscriptus, & Pauli Lacisii Veronensis opera ad
verbum Latine conuersus ..., , (Basle, Ex officina Ioannis Oporini, 1546)
Tzetzes: Historiae, Tzetzes, John (Napoli, 1968)
Ioannis Tzetzae epistvlae, Tzetzes, John (Leipzig, Teubner, 1972)
Cambridge University Library : a history. [1], From the
beginnings to the Copyright Act of Queen Anne, Oates, J. C. T. (Cambridge, Cambridge University Press, 1986)
Funding of Cataloguing
The Polonsky Foundation
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
