Cambridge, University Library, MS Dd.8.49
Diktyon no.: Diktyon 12059
Contents
Language(s): Greek
Physical Description
Binding
18th-century reversed skin binding with brown full leather covering over couched-laminate boards, reused from a previous binding, with plain pastedowns. There is decorative blind tooling on the boards and gold tooling on the spine, along with the title ‘Evangelist. MS’ tooled in gold, and the classmark on labels.
The binding has been rebacked, and both outer joints are partially split, starting from the head.
290 × 236 × 93 mm.
Accompanying Material
A loose sheet of paper is inserted between f. 197 and f. 198, bearing a transcription of the text of f. iii recto.
History
Provenance and Acquisition
Owned by the deacon Ibrahīm , as indicated by his Greek and Arabic notes on ff. 21v-22r and 59v. The presence of two sequences of quire signatures in Armenian numerals indicates repeated rebindings by Armenian-speakers. This combination of features, combined with those of the text reused in the endleaves, suggests that the manuscript spent a considerable part of its history somewhere in the Levant, or in Cyprus.
John Moore (b. 1646, d. 1714), bishop of Ely : no. 34 in Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (1697).
Presented to the University Library in 1715 by George I .
Part 1 [Cambridge, University Library, MS Dd.8.49, ff. 1-199]
Contents
Language(s): Greek
Gregory-Aland l 4; Scrivener Evst. 4
Physical Description
Collation
The main body of the manuscript consists of 25 quires, all quaternia.
- Quires 1-198 ff. 1-152
- Quire 208-1 ff. 153-160 The sixth folio has been lost, with loss of text.
- Quires 21-238 ff. 161-184
- Quire 248-1 ff. 185-191 The sixth folio has been cancelled, without loss of text.
- Quire 258 ff. 192-199
There are early quire signatures in Greek numerals, in dark brown ink, on the first folio of each quire, recto, lower right, probably original to the production of the manuscript. Most have been lost to cropping. They survive on Quires 9-10 (θʹ-ιʹ) and 14 (ιδʹ).
There is a second sequence of signatures in large Greek numerals, in black ink, on the first folio of each quire, recto, upper right, and on the last folio of each quire, verso, upper left. At the end of Quire 1 (f. 8v), the number 2 (βʹ) has erroneously been placed. Apparently as a result of this, the correctly placed number 2 on the first folio of Quire 2 (f. 9r> has been erased and replaced with the number 3 (γʹ). Thereafter the numbers in this sequence remain too large by one.
A sequence of signatures in Armenian numerals, in pale red ink, has been placed on the first folio of each quire, recto, lower centre. Some of these have been lost to cropping.
Another sequence of signatures in Armenian numerals, in dark brown ink, has been placed close to these, and occasionally also on the last folio of each quire, verso, lower centre.
Modern quire signatures in Arabic numerals, in pencil, have been added to the first folio of each quire, recto, lower right.
Condition
Layout
Two columns of 23-27 lines. 195-232 × 155 mm. Pricking survives in places in the upper and outer margins, but has mostly been lost to cropping. Ruled in hardpoint, system Leroy 1, type Leroy 32C2. Text hangs from the lines. The number of lines ruled and written tends to increase slightly through the course of the manuscript, though not consistently.
Hand(s)
The main text has been copied by Hand A in mixed minuscule script, upright or slanting very slightly to the left, in dark brown ink. There is only slight variation in letter size. Tails are occasionally flourished into the lower margin (e.g. f. 81v), and these are sometimes decorated with an X-shape (e.g. f. 50r). There are deletions by erasure (e.g. f. 120r, col. b, lines 10-11), and by expunctuation (e.g. f. 125r, col. b, line 18), which has on occasion been followed by an attempt at erasure (e.g. f. 143v, col. b, lines 23-24. Words omitted have sometimes been inserted by the scribe, in position (e.g. 119v, col. b, lines 8-9) or by the use of a reference mark (f. 143r, col. b, line 25).
Syllabic abbreviations and superscript word endings appear only at the ends of lines, and extremely rarely, apart from the use of a horizontal stroke for nu. Breathings are angular and mute iota is in an early transitional form, in the adscript position but sometimes reduced in size. The double dot is used only functionally, and nomina sacra are accentuated only when more than three letters long or with enclitics.
There are some irregularities in the use of breathings. In compound words where the main part of the word after the prefix begins with a vowel, breathings are sometimes placed on this (e.g. ‘ἐἂν’, f. 7v, col. a, line 6; ‘ὅτἂν’, f. 8r, col. b, line 19).
The words or prefixes πρό and πρός generally appear with an upward diagonal stroke from the foot of the tail of the rho (e.g. f. 52r, col. a, line 23-col. b, line 1, f. 52r, col. b, lines 8-9 ). Majuscule lambda often appears in a distinctive form with the right-hand descender bent down parallel to the left-hand one (e.g. f. 10v, col. a, line 9).
Punctuation used includes the middle and upper points and full stop.
Headings for lections are by the same hand, in Alexandrine majuscule script, in red ink. The headings at the start of the synaxarion (f. 1r) and of the menologion (f. 141v) are by the same hand in epigraphic display majuscule, also in red ink.
Decoration
The beginning of the synaxarion (f. 1r) is marked by a pyle, outlined in red ink with partial green paint infill, and the beginning of the menologion (f. 141v) by another pyle in red ink. Small rectangular headpieces mark the beginnings of the main sub-sections of the synaxarion and most of the months of the menologion:-
- f. 38r weeks of Matthew
- f. 61v weeks of Luke
- f. 85r weeks of Mark (Lent)
- f. 153r October
- f. 160v November
- f. 163r December
- f. 182v March
- f. 184r April
- f. 185v May
- f. 192v July
- f. 194r August
A few of these have been partially infilled with paint in a single colour, either grey (f. 38r), red (f. 61v), or yellow (f. 163r). It seems possible that additional colours were intended to be added later, and the other headpieces to receive similar treatment.
Other sections are marked with simple vignettes in red ink:-
- f. 117r lections of the Passion
- f. 138r eothina lections
- f. 172r January
- f. 179v February
- f. 187v June
The text of each lection begins with an enlarged ornamental initial, outlined in red ink (e.g. ff. f. 3v, 7r, 13r, 34v, 36r, ). Epsilon often incorporates a blessing hand (e.g. f. 117r) A few of these initials have been partially infilled with paint in a single colour, either green (ff. 1r-2r) or grey (ff. 37v-38r, 47v-49r . As with the headpieces, this may represent the beginning of an unfinished process of adding paint to these initials in general.
Minor initials in red ink sometimes appear in the main text at the beginning of lines, and at the beginning of lection headings in the menologion.
Additions
Occasional marginal corrections, using reference marks, have been added by an early Greek hand (e.g. ff. 17r, 138v).
There are a number of annotations in Arabic (1r, 21v-22r, 59v, 136v, 138r, 139r). An ownership note, on f. 21v, names the deacon Ibrahīm, listing a lineage of priests from whom he was descended: ‘قرى النجيل المقدس بسم الشماس ابرهيم ابن القسيس موسى ابن القسيس ابرهيم المعروف بالبعلبكي ابن القسيس يعقوب ابن القسيس جرجس ابن القسيس نور المعروف بالدليوري (…) وقع في الله بذكره’ (This holy Gospel was read in the name of the deacon Ibrahīm, son of the priest Mūsá, son of the priest Ibrahīm, known as al-Baʿlabakī , son of the priest Yaʿqūb, son of the priest Jirjis, son of the priest Nūr, known as al-Dalyūrī (…) that he may be remembered by God). The toponyms identify Ibrahīm's grandfather as a native of Baalbek in Lebanon and his great-great-great-grandfather as coming from a place called Dalyūr, possibly a small town near Tanta, Egypt. A facing note on f. 22r, curses anyone who stole the manuscript: ‘بالذي يقدر الله عليه والله المكلله في كل ما يعمل الحسنات وايمن استعاره وما بدله كان المسيح خصمه يوم الحساب امين امين امين’ (… by that which God has determined for him, and God is crowned by every performance of good deeds, and if anyone borrows it [this book] and does not replace it, then let Christ be his enemy on the Day of Reckoning, Amen, Amen, Amen).
Another note, containing a prayer for Ibrahīm, appears on f. 59v: ‘اذكر يا رب الشماس ابرهيم في الكوار السماوية’ (Oh Lord, remember the deacon Ibrahīm in the celestial spheres). This is accompanied by a very crudely-written note in Greek by the same man, giving his name in its Greek form as Avraam (‘Μνιστιτι Κύριε ο διακο Αβρααμ’).
Other Arabic notes identify the manuscript as a Byzantine Bible (1r), and provide numbers for the first few eothina lections (ff. 138r, 139r).
A later hand has added frequent annotations in English, Latin and Greek regarding lections and variant readings.
Notes in English, in pencil have been added regarding lost and cancelled folios, by Henry Bradshaw (1831-1886) , on f. ii recto, University Librarian 1867-1886.
History
Part 2 [Cambridge, University Library, MS Dd.8.49, ff. iii-vii]
Contents
Language(s): Greek
Physical Description
Condition
Layout
A single column of 18-23 lines. 215-235 × 195 mm. No ruling.
Hand(s)
This text, by Hand B, is written in a large, upright mixed minuscule script, in black ink, with a thick pen. There is moderate variation in letter size.
Syllabic abreviations and superscript word endings appear only at the end of lines. Breathings are round, mute iota is absent. The double dot is occasionally used decoratively and nomina sacra are intermittently accentuated, regardless of length.
Punctuation used includes the middle and upper points and full stop.
Minuscule zeta and xi appear in a distinctive form, tilted sharply to the left, so that xi resembles sampi
Headings are by the same hand, in red ink.
Decoration
Hymn sections begin with minor initial letters in red ink.
History
Part 3 [Cambridge, University Library, MS Dd.8.49, fragment]
Contents
Language(s): Greek
Physical Description
Condition
Layout
Two columns of 26 lines each. 216 × 155 mm. Pricking does not survive. Ruled in hardpoint, type Leroy 30C2. Text hangs from the lines.
Hand(s)
The text is by Hand A, in the same style as the main body of the manuscript.
History
Provenance
Having become detached from its original manuscript, the folio seems to have been erroneously bound into the rear of this one, to which it appeared to belong because of the similarity of its script and other characteristics, upside down. It was later paginated as part of it. It was still attached when the manuscript was catalogued in 1856, but has since become detached.
Additional Information
Record Sources
Availability
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Bibliography
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Hē Kainē Diathēkē = Novum
Testamentum : cum lectionibus variantibus MSS
exemplarium, versionum, editionum, SS patrum &
scriptorum ecclesiasticorum, Mill, JohnMoore, JohnBowles, W.Middleton, Francis WilloughbyMiddleton, Thomas Willoughby
(Oxford, E Theatro Sheldoniano, 1707)
A catalogue of the manuscripts
preserved in the library of the University of
Cambridge Catalogue of manuscripts
(Dd), (Cambridge, 1: Dd, Cambridge University Press, 1856)
Plain Introduction to the
Criticism of the New Testament, Scrivener, Frederick Henry Ambrose (Cambridge, 1, Deighton, Bell, 1874)
Novum Testamentum Graece: ad
antiquissimos testes denuo recensuit apparatum
criticum apposuit Constantinus Tischendorf, Gregory, Caspar René (Leipzig, 3:
Prolegomena, J.C. Hinrichs, 1894)
Textkritik des Neuen
Testamentes, Gregory, Caspar René (Leipzig, J. C. Hinrichs, 1900)
Synopsis of the first three
Gospels, with the addition of the Johannine
parallels, Huck, Albert (Tubingen, Mohr, 1981)
Cambridge University Library: a
history, McKitterick, David (Cambridge, 2: The eighteenth and
nineteenth centuries, Cambridge University Press, 1986)
The letters of Humpfrey Wanley:
palaeographer, Anglo-Saxonist, librarian,
1672-1726: with an appendix of documents The letters of Humpfrey
Wanley, (Oxford, Clarendon Press, 1989)
The Greek Manuscripts of John
Moore and Etienne Baluze Codices Manuscripti, Jackson, Donald F. (56/57, 29-42, 2006)
Funding of Cataloguing
The Polonsky Foundation
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
