Cambridge, University Library, MS Add. 4087
Collection of alchemical works
Contents
Language(s): Latin
A fragmentary (?) flyleaf with text written in the late 14th or early 15th century; includes the words ‘mortificat’ and ‘purificat’.
Not transcribed; added in the 15th or 16th century.
This collection begins with Prologue to the Eighty-eight Natural Experiments of Abū Bakr Muḥammad ibn Zakarīyā al-Rāzī [Rhazes], immediately followed on f. 30v by the Liber Ignium Comburendos of Marcus Graecus, and a collection os miscellaneous receipt (ff. 33r-36v)
Featuring numerical tables drawn in red ink.
Text repeated on ff. 193v-195v. Also attested in Oxford, Corpus Christi College, MS 125, ff. 47v-51v, but not difference in wording at the beginning ('Habeatur de limatura eris W. G. vel plus secundum quantitatem operis tui' - see Singer).
Followed by an alphatical index (ff. 125v-128v).
Featuring numerical tables drawn in red ink.
Text repeated on ff. 44r-46v. Also attested in Oxford, Corpus Christi College, MS 125, ff. 47v-51v, but not difference in wording at the beginning ('Habeatur de limatura eris W. G. vel plus secundum quantitatem operis tui' - see Singer).
Mostly extracted and abbreviated, with some additional material, from Books XXII-XXVI of Albertus Magnus, De animalibus.
This is a commentary on Hermes, Tabula Smaragdina.
The first is for a water that shines by night like the moon. On the following page, the text provides instructions 'if you should wish to make pretty jokes/entertainments' ('Et si volueris facere pulcros ludos'). It is followed by instructions to make a crystal that will illuminate one's house, to make a knife resistant to venom/poison, to make marvellous bottles in the manner of urine flasks, for making invisible ink that is revealed when warmed by fire, and for making aromatic wax candles.
Physical Description
18th-century foliation:
[a] + i-iii + 1-232, 234-262, 262bis, 263-278
Numbering in brown ink in the upper right-hand corner of the rectos.Collation
- Quire 1-312 (ff. 1-36)
- Quire 412-1 (ff. 37-47: 2nd leaf missing)
- Quire 5-1712 (ff. 48-203)
- Quire 1812-1 (ff. 204-214: 6th leaf missing)
- Quire 19-2212 (ff. 215-262bis)
- Quire 2310 (ff. 263-272)
- Quire 2412-6 (ff. 273-278: 7th-12th leaves missing)
1-312 412-1 (2nd missing) 5-1712 1812-1 (6th missing) 19-2212 2310 2410-6 (7th-12th missing)
Leaf signatures comprising: Roman numerals written in plummet, partially visible (Quires 1-2); 'a i'-'a vi' written in plummet (Quire 3); 'a i'-'a vi' written in ink (Quire 4), continuing thereafter to 'v' (Quire 23) and presumably 'x' (Quire 24, not visible).
Catchwords in brown ink in the lower right-hand corners of the last versos of quires.Condition
Layout
135 × 85 mm. Ruled in leadpoint, frame only, with occasional line ruling. Single columns. 34 lines to the page, written below top line.
Hand(s)
Written in a small informal Anglicana.
Decoration
Diagrams of alchemical instruments and proceses in brown and red ink drawn in the margins of ff. 56v, 57v, and 85v; a circular space has been left blank on f. 100r for a wind diagram.
Full serrated border in blue and red ink with penwork foliage at the four corners.
Large (2- or 5-line) blue initials with red penwork decoration and pen-flourishing throughout. Their style and motifs - serrated acanthus / cabbage leaves, hatched backgrounds and lion's head in profile (f. 269v) is closely similar to that found in the group of manuscripts studied by Lynda Dennison and Nicholas Rogers.
Capitals in the text sometimes touched with red.
Headers in red ink.
Paraphs in blue or red.
Additions
A printed description of the manuscript (probably taken from a sale catalogue), pasted on f. [a] recto, with later annotations concerning the manuscript in pencil written next to it.
Quire numbers ('I-III', 'a-v') in the bottom right-hand corner of the recto side of the first leaf of each quire (Quires 1-23, and '+' in the same position on the first leaf after the centre of the quire, written in pencil by a hand of the 19th/20th century.
Binding
Late 14th- or early 15th-century binding of brown leather over wooden boards to five bands with blind-tooling of irregular patterns, featuring flowers, with marks that possibly represent alchemical symbols, initials, and a merchant's mark; with the remains of brass seatings for a catch and clasp, the latter now gone.
Binding height: 200mm; widht: 140mm; depth: 70mm
History
Provenance and Acquisition
Edmund Ley (fl. 15th/16th century) : his ownership inscription on f. iii recto: ‘Liber Edmundi Ley (?)habentes in Su[...]’.
George Pen (fl. 17th century) : his ownership inscription in the upper margin of f. 1r: ‘Georgii Pen liber’; and at the foot of f. 278v: ‘G.P. Georgius Pen’.
Reginald Cholmondeley (1826–1896) of Condover Hall, Shropshire: his armorial bookplate pasted on the inside of the front cover, recorded and described in detail by Alfred J. Horwood, 'The manuscripts of Reginald Cholmondeley, esq., of Condover Hall, Shropshire', Fifth Report of the Royal Commission on Historical Manuscripts (London: H.M. Stationary Office, 1876), pp. 333-335 (p. 334); probably sold with his library on 24 November 1887.
Samuel Sandars (1837-1894) , librarian and benefactor: bought from Quaritch in 21 August 1889, his armorial bookplate pasted on f. [a] verso and his name inscribed on f. [a] recto: ‘Samuel Sandars. Trinity Coll. Cant. AM / London 1889’.
Bequeathed to the University Library in 1894 by Samuel Sandars (1837-1894) : ‘SSS. 16. 1’ inscribed on the Condover Hall bookplate pasted on the inside of the front cover and on the Sandars donation bookplate pasted on the inside of the rear cover.
Additional Information
Record Sources
Availability
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Bibliography
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Theatrum chemicum, Zetzner, Lazarus (IV, 1659)
Two Lives of St. Cuthbert, Colgrave, Bertram (Cambridge, Cambrdge University Press, 1940)
Bibliotheca chemica curiosa, seu rerum ad alchemiam pertinentium thesaurus
instructissimus, Manget, Jean-Jacques (Geneva, Chouët, 1702)
Analecta hymnica medii aevi / herausgegeben von Guido Maria Dreves und Clemens Blume., Blume, ClemensDreves, Guido Maria (Leipzig, Fues, 1886)
B. Alberti Magni Ratisbonensis episcopi, ordinis Prædicatorum, Opera omnia: Commentarii
in
Sententiarum, , (Paris, V, Ludovicus Vivès, 1890)
Textes latins et vieux français relatifs aux Cyranides / édités par Louis Delatte.
Bibliothèque de la Faculté de philosophie et lettres de l'Université de Liège ; Fasc.
XCIII, Delatte, Louis (Paris, Sociéte d'édition les belles lettres, 1942)
Review of "Catalogue des manuscrits alchimiques latins. 2 Manuscrits des bibliothèques
publiques
des départements français antérieurs au XVII. siècle. Described by James Corbett.
(Bruxelles: Union
AcadCatalogue des manuscrits alchimiques latins. 2 Manuscrits des bibliothèques publiques
des départements
français antérieurs au XVII. siècle (Bruxelles: Union Académique Internationale: Secrétariat
Administratif de
L'U.A.I. Palais des Académies. 1951. Pp. 200.) The Catholic Historical Review, , (38, 2, 206-208, 1952)
The Original Text of the Latin 'Morienus' Ambix: The Journal of the Society for the
Study of Alchemy and Early Christianity, Stavenhagen, Lee (17, 1, 1-12, 1970)
Die Werke des Albertus Magnus in ihrer handschriftlichen Überlieferung = Codices manuscripti
operum Alberti Magni Alberti Magni opera omnia. Tomus subsidiarius, Fauser, Winfried (Monasterii Westfalorum, Aschendorff, 1982)
Littérature et alchimie au Moyen Âge: de quelques textes alchimiques attribués à Arthur
et à
Merlin Micrologus Library, Kahn, Didier (3, 461-479, 1995)
Le Travail des quatre éléments ou lorsqu’un alchimiste byzantin s’inspire de Jabir
Occident et Proche-Orient: contacts scientifiques au temps des Croisades: Actes du
colloque de
Louvain-la-Neuve, 24 et 25 mars 1997, Colinet, Andrée (Turnhout, 165-190, Brepols, 2000)
The Art of All Colours: Mediaeval Recipe Books for Painters and Illuminators, Clarke, Mark (London, Archetype Publications, 2001)
St Augustine's Abbey, Canterbury Corpus of British medieval library catalogues, Barker-Benfield, B.C. (London, British Library in association with the British Academy,
2008)
Summary Catalogue of the Additional Medieval Manuscripts in Cambridge University Library
Acquired
before 1940, Ringrose, Jayne (Woodbridge, Boydell Press, 2009)
Catalogue of Medieval Manuscripts of Latin Commentaries on Aristotle in British Libraries
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Volume II: Cambridge, Thomson, Rodney M. (Turnhout, Brepols, 2013)
Magic in the Cloister: Pious Motives, Illicit Interests, and Occult Approaches to
the Medieval
Universe Magic in the Cloister Magic in History, Page, Sophie (University Park, PA, Penn State University Press, 2013)
The Transmission of Azarquiel's Magic Squares in Latin Europe Medieval Textual Cultures:
Agents of Transmission, Translation and Transformation, Comes, Rosa (Berlin, 159-198, De Gruyter, 2016, https://doi-org.ezp.lib.cam.ac.uk/10.1515/9783110467307)
De la Risālat Maryānus au De compositione alchemiae: Quelques réflexions sur la tradition
d'un
traité d'alchimie Studia graeco-arabica, Dapsens, Marion (6, 121-140, 2016)
Le De arte alchemica (inc.: Dixit Arturus explicator huius operis) est-il une œuvre
authentique
de Richard de Fournival? Micrologus Library, Calvet, Antoine (88, 243-282, 2018)
Funding of Cataloguing
Wellcome
Digital Images
Abbreviations
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