Medieval Manuscripts in Cambridge Libraries

A catalogue of Western manuscripts and papyri at Cambridge University Library, the Fitzwilliam Museum and selected Cambridge colleges

Cambridge, Trinity College, MS O.4.21

Diktyon no.: Diktyon 11993

Contents

Introduction: This manuscript contains a Greek Catena on the Psalms, a compilation of extracts of commentary on the text, covering Psalms 74-150. It was copied in Alexandria in 1604, as indicated by a colophon on f. 452v. A note on f. 1r records that the manuscript was at one time the property of Metrophanes Kritopoulos (1589-1639) , a monk of Mount Athos, who in about 1621 travelled to study at Oxford, presumably bringing this manuscript with him. He went at the instigation of the Patriarch of Constantinople Cyril Loukaris (1572-1638) , who had been Patriarch of Alexandria until 1620. In the early 17th century Loukaris established a close relationship with the Anglican Church, as a result of his attraction to Calvinist theology and the wish for cooperation against Catholic encroachment. He was particularly concerned to bolster the intellectual means available to counter the arguments of Catholic missionaries, owing to the limited character of the education the Orthodox Church could now provide. Loukaris made arrangements with the Archbishop of Canterbury, George Abbot (1562-1633) , to send Greek clerics to study at Oxford. The first of these was Kritopoulos, who studied for a time at Balliol College, but fell out with Abbot and left England in 1623, having seemingly given away or sold this manuscript in the meantime. He would pursue his studies and contacts with Protestant churches in other parts of Europe for several years before returning home around 1630, soon being elevated to the post of Bishop of Memphis and later Patriarch of Alexandria. The manuscript was afterwards found in the hands of the royal librarian Patrick Young (1584-1652), who may well have acquired it directly from Kritopoulos, along with another catena on the Psalms previously owned by Kritopoulos, now Cambridge, Trinity College MS O.3.15. He added and annotated on blank folios at the end of the manuscript (ff. 453r-454r) two brief introductory hypotheses to the Psalms by Eusebios of Caesarea. Dr Christopher Wright

Language(s): Greek

1. ff. 1r-452v
Catena on the Psalms

Psalms 74-150

Incipit: f. 1r Εἴρηται καὶ οὗτος ὁ ψαλμὸς ἐκ προσώπου τῶν ἐν Βαβυλῶνι δαρυαλάτων
Explicit: f. 452v παρ'οὗ πᾶν ἀνθρώποις τὸ κατορθούμενον· αὐτῷ ἡ δόξα εἰς τοὺς αἰῶνας, ἀμήν
Colophon: f. 452v Ἐν Αλεξανδρεία[sic] ͵αχδʹ σωτηρίου· Ἰουνίου, γʹ
2. f. 453r-453v
Eusebios of Caesarea (c. 260-c. 340), Commentaria in Psalmos

Excerpt: PG 23, coll. 68-72

Rubric: f. 453r Ὑπόθεσις Εὐσεβίου τοῦ Παμφίλου εἰς τοὺς ρνʹ ψαλμοὺς
Incipit: f. 453r Πρῶτος, προτροπὴ θεοσεβείας, καὶ ἀποτροπὴ τοῦ ἐναντίου
Explicit: f. 453v ρμθʹ ὕμνος σὺν προφητεία· ρνʹ παρακέλευσις ὕμνου καθολικὴ

TLG 2018.034

CPG 3467

3. f. 454r, lines 1-15
Eusebios of Caesarea (c. 260-c. 340), Commentaria in Psalmos

Excerpt: PG 23, coll. 66-68

Rubric: f. 454r Ετέρα[sic] ὑπόθεσις Εὐσεβίου τοῦ Παμφίλου εἰς τοὺς αὐτοῦ ρνʹ ψαλμοὺς
Incipit: f. 454r Τῆς βίβλου τῶν ψαλμῶν ἡ δὲ ἂν εἴη ἡ διαίρεσις ὡς τὰ ἀκριβῆ τῶν ἀντιγράφων
Explicit: f. 454r ὅσοι ἐπιγραφὰς μὲν ἔχουσιν, οὐ μὴν δηλοῦσι τίνος εἰσὶν, ὅμου ρνʹ

TLG 2018.034

CPG 3467

4. f. 454r, lines 16-25
Eusebios of Caesarea (c. 260-c. 340), Commentaria in Psalmos

Excerpt: PG 23, col. 76

Rubric: f. 454r Τοῦ αὐτοῦ Εὐσεβίου εἰς τὸ δίαψαλμα
Incipit: f. 454r Ἔγραψαν τὸ διάψαλμα οἱ ἑρμηνεύσαντες πέντε ἄρχοντες
Explicit: f. 454r καὶ πάντες ἐπεφώνουν τῷ ψάλλοντι, ἀλλήλουϊα

TLG 2018.034

CPG 3467

5. f. 454r, lines 25-45
Synaxarium mensis Octobris

Excerpt: Day 15, section 1

Incipit: f. 454r Τὸ διάψαλμα, ἢ πρόσωπον ἐναλλαγή ἐστιν, ἢ διανοίας μεταβολὴ
Explicit: f. 454r ἐν πυργίσκου τοίχῳ κονιάματι πρὸς ασφάλειαν[sic] διακεχρισμένῳ

TLG 4411.002

Physical Description

Form: codex
Support: ff. 1-40, 105r-152 Western paper, folded in folio. Watermark: Anchor ( 51 × 42 mm. ) in the centre of the folio. ff. 41-104 Western paper, folded in folio. Watermark: Anchor ( 58 × 37 mm. ) in the centre of the folio. ff. 153-160, 346-349, 352-406 Western paper, folded in folio. Watermark: Anchor ( 51 × 42 mm. ) in the centre of the folio. ff 161-192v Western paper, folded in folio. Watermark: Crown ( 54 × 39 mm. ) in the centre of the folio. ff. 193-345v, 350-351, 438-445 Western paper, folded in folio. Watermark: Anchor ( 50 × 40 mm. ) in the centre of the folio, similar to Mošin 2292. This example is dated to 1614. ff. 407-437 Western paper, folded in folio. Watermark: Anchor ( 50 × 38 mm. ) in the centre of the folio. ff. 446-454 Western paper, folded in folio. Watermark: Anchor ( 50 × 38 mm. ) in the centre of the folio, comparable but not identical to Mošin 2335-2336. These examples are dated to 1590-1610.
Extent: Codex: 4 + 457 + 3 leaves. 310 × 210 mm.
Foliation: The manuscript is foliated with the numbers [i-iv] + 1-226, 226a, 227-401, 401a, 402-427, 427a, 428-454 + 455, [v-vi] in Arabic numerals, in pencil, recto, upper right.

Collation

The manuscript consists of 57 quires, all quaternia.

  • Quires 1-568 ff. 1-445
  • Quire 578+1 ff. 446-454

There are small quire signatures in Greek numerals, in black ink, on the last folio of each quire of Quires 1-21 (ff. 1-208), verso, lower left. Many have been lost to cropping. Signatures survive in whole or in part on Quires 6, 8-10, 12-14, 22-24 (ϛʹ, ηʹ-ιʹ, ιβʹ-ιδʹ, κβʹ-κδʹ). There are larger quire signatures in Greek numerals, in black ink, on the first folio of each quire of Quires 27-57 (ff. 209-454), recto, lower centre, and the last folio of each of these quires, verso, lower centre. Many have been lost to cropping. Signatures survive in whole or in part on all quires of this portion of the manuscript (κζʹ-νζʹ).

Condition

There are minor tears to a few folios. There is extensive but mild water staining throughout, and extensive areas of dirt and stains from contact with the binding on the flyleaves.

Layout

A single column of 36 lines. 225 × 130 mm.

Hand(s)

ff. 1r-452v were copied by Hand A in mixed minuscule script, with variable slant, in brown ink, with modest variation in letter size.

Syllabic abbreviations and superscript word endings appear throughout the line. Breathings are both round, and mute iota is subscript. There is decorative use of the double dot, and accentuation of all nomina sacra .

Punctuation used includes the middle and upper points, lower and middle commas, question mark and full stop.

Headings are written in the same style in red ink.

ff. 453r-454r were copied by Patrick Young (Hand B) in mixed minuscule script of western European type, similar to early printing, in brown ink.

Decoration

The beginning of the portion of the catena for some psalms is preceded by a narrow headpiece or vignette in red ink.

The portion for each psalm begins with an ornamented initial in red ink. The beginnings of some sections are marked by smaller, simpler initials in red ink.

The beginnings of other sections are marked by small initials in brown ink.

Portions for psalms not preceded by full-width headpieces or vignettes are preceded by line-fillers in red ink.

Additions

As part of the original production of the manuscript, the abbreviated name of the author has been marked in the margin each time the author of the adjacent text changes.

On f. 1r is an ownership note of Metrophanes Kritopoulos: ‘Ἐκ τῶν Μητροφάνους τοῦ Κριτοπούλου’.

The title ‘Catena in Psalmos’ is written on f. [i] recto, along with the present classmark, the former classmark G.13 and the numbers 298 and 299. The former classmark O.4.40 is marked on f. 1r.

The texts on ff. 453r-454r have been annotated in Greek and Latin by Patrick Young.

Binding

17th-century full leather binding over wooden boards, with unsupported sewing. Two metallic pins are set into the foredge of the left board. Corresponding to the pins there are two sets of three holes through the right board that retain lengths of three plaited leather straps each. The classmark appears on patches on the spine.

320 × 230 × 95 mm.

History

Origin:

The main content of the manuscript was copied in Alexandria and completed in 3 June 1604, as indicated by the colophon on f. 452v.

The texts on ff. 453r-454v were added later, probably in England, as indicated by the style of script, and in the period 1621-1652, between the arrival of its owner Metrophanes Kritopoulos in England and the death of Patrick Young, whose hand appears here.

Provenance and Acquisition

Owned by Metrophanes Kritopoulos (1588-1639) , as indicated by the note on f. 1r.

Owned by the Biblical scholar and royal librarian Patrick Young (1584-1652) , as indicated by the presence of his hand in the manuscript.

Purchased after his death by the antiquary Thomas Gale (c. 1635-1702) , Fellow of Trinity and Dean of York. It appears in the 1697 catalogue of Gale's collection contained in Trinity College MS O.5.38 (p. 150).

Donated to Trinity College by Thomas's son, the antiquary Roger Gale (1672-1744) , in 1738.

Additional Information

Availability

Visitors to Trinity College who wish to consult Special Collections material are required to apply to the Library in advance of their visit. For information on eligibility and admission procedures see: Trinity College: Information for Readers.

Funding of Cataloguing

The Polonsky Foundation

Digital Images

Cambridge Digital Library