Cambridge, Trinity College, MS O.3.8
Diktyon no.: Diktyon 11979
Contents
Language(s): Greek
The text is incomplete, see also C. Macé, P. Andrist, 'Elias of Crete’s Commentary on Gregory of Nazianzus’s Homilies in Codex Basel AN i 8 : A Philological and Codicological Approach', in: Νέα Ῥώμη. Rivista di Studi Bizantinistici, 13 (2016), pp. 171-239: 194
The text of Gregory of Nazianzus is signalled by citations marks in the margin
CPG 3028
PG 36, 757-759
Physical Description
Modern foliation in pencil, in Arabic numerals, in the upper margin, right, from 1 to 220; there are two unnumbered later endleaves at the beginning of the manuscript (ff. [i]-[ii]), two unnumbered blank leaves (ff. [iii]-[iv]) and two unnumbered later endleaves ([v]-[vi]) at the end: [i]-[ii] + 1-220 + [iii]-[vi].
Collation
The manuscript consists of quaternions. Two later endleaves are bound at the beginning (ff. [i]-[ii]) and at the end of the manuscript (ff. [v]-[vi]).
- 2 endleaves ff. [i]-[ii]
- Quires 1-278 ff. 1-216
- Quire 286 ff. 217-220, [iii]-[iv]
- 2 endleaves (17th century) ff. [v]-[vi]
Condition
Layout
A single column of 30 lines. 210 × 110 mm.
Hand(s)
ff. 1r-220v Hand A: the manuscript was copied in a minuscule script by Manuel Glynzounios (1540-1596) (Μανουὴλ Γλυνζούνιος, RGK I, 248; on him see also II 341, III 490).
The text is written in a brown ink.
Hand a: Passim, in the margins (see e.g. ff. 7r, 9v, 48v, 102r, 107r, 143r), there are notes by another hand, in Latin and Greek. The script seems to be identifiable as the hand of Isaac Casaubon (1559-1614) , who owned the manuscript (see Provenance). Similar notes in his hand are detectable in the first leaves and in the margins of two manuscripts copied by Glynzounios from the same exemplar of Trinity O.3.8, both owned by Casaubon:
- London, British Library, Royal MS 16 D.v , f. 1r
- London, British Library, Royal 16 D.vi , ff. 2r-49
The ink is light brown.
Decoration
On f. 1r there is a very simple frieze, in brown ink, traced by the scribe, formed by a repeating pattern of points, commas and lines.
Thick initials in ekthesis in brown ink. Some have a small decoration of pearls, see f. 1v.
Additions
On the left pastedown is written, in pencil, the present shelmark, ‘ O.3.8’.
In the upper margin of f. 1r is written, in brown ink, the shelfmark, ‘ O.3.8’. Below, in brown ink, there is a note about the author of the text, with a reference to the Latin partial version of the text by Leunclavius (Johann Löwenklau), published in Basel in 1571.
Binding
Modern binding; full leather cover over pasteboards; gold tooling on spine with title ‘ Elias Cretensis M.S.’; the remains of two paper labels with the shelfmark are visible on the spine, ‘ O’. ‘ 3’. 304 × 220 × ca. 47 mm.
Accompanying Material
Within the manuscript leaves is preserved a paper fragment ( f. [161a]) ( 85 × ca. 23 mm. ), with traces of script, probably in Latin, in brown ink.
History
The manuscript was copied by Manuel Glynzounios in the second half of the 16th century, before 1596, when the scribe died. The text was copied from MS Vat. gr. 1219 (see Sajdak (1914), pp. 105-106), a codex which was owned by a prominent member of the pontifical Curia, Cardinal Antonio Carafa, who had bought it in 1576 from the collection of Annibal Caro, secretary to the Farnese family in Rome (see G. Cardinali, 'Un acquisto "poco giuditioso" del cardinale Antonio Carafa: il Gregorio Nazianzeno commentato da Elia di Creta Vat. gr. 1219', Νέα Ῥώμη 10 (2013), pp. 303-318). So, Trinity O.3.8 was probably copied in Rome. Moreover, since the majority of manuscripts copied by Glynzounios are datable around the 1580s (see Sicherl (1956), p. 53), and the scribe was in Rome immediately before his travels to Spain in 1582 (see Sicherl (1956), p. 38), the copy of the manuscript could be more precisely dated around this period. The possible origin of the manuscript in the 1580s is also suggested by the anvil watermark of the paper.
Provenance and Acquisition
The manuscript was owned by Isaac Casaubon (1559-1614) (see Craster (1926-1928), p. 98; Calvié (2020), p. 160).
It was subsequently part of the collection of the English classical scholar and antiquarian Thomas Gale (ca. 1635-1702) , Regius professor of Greek at the University of Cambridge, High Master of St Paul's School and Dean of York (see James (1902), pp. xix seqq.). The manuscript is not identifiable among the list of Thomas Gale's Greek manuscripts in E. Bernard, Catalogi librorum manuscriptorum Angliæ et Hiberniæ (Oxoniæ, 1697).
It afterwards became part of the collection of the antiquary Roger Gale (1672-1744) (no. 300, see James (1902), p. xxiv).
The manuscript was donated to the Library by Roger Gale in 1738. On the left pastedown is pasted the Trinity College bookplate; in the lower margin of f. 1r is pasted the Trinity College library bookplate. On ff. 1r and 220v there are stamps of Trinity College.
Additional Information
Record Sources
Availability
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Bibliography
-
The western manuscripts in the library of
Trinity College: a descriptive catalogue, James, M.R. (Cambridge, 3, Cambridge University Press, 1902)
Historia critica scholiastarum et commentatorum
Gregorii Nazianzeni, Sajdak, Jan (Cracoviae, Sumptibus Academiae Litterarum, 1914)
Casaubon’s Greek Manuscripts Bodleian Quarterly Record, Craster, E. (5, 97-100, 1926)
Specimen eines Repertoriums der griechischen
Kopisten Jahrbuch der österreichischen
Byzantinistik, Gamillscheg, ErnstHarlfinger, Dieter (27, 293-322, 1978)
Repertorium der griechischen Kopisten,
800-1600 Veröffentlichungen der Kommission für
Byzantinistik, Gamillscheg, ErnstHarlfinger, Dieter (Wien, I. Grossbritannien, Verlag der Österreichischen
Akademie der
Wissenschaften, 1981)
Repertorium Nazianzenum. Orationes, textus
Graecus. 2, Codices Americae, Angliae, Austriae Studien zur Geschichte und Kultur
des
Altertums. Reihe 2, Forschungen zu Gregor von
Nazianz, Mossay, Justin (Paderborn, Schöningh, 1987)
Le commerce transalpin du copiste-libraire
vénitien Andréas Darmarios entre 1582 et 1585 Revue d'Histoire des Textes, Calvié, L. (15, 89-168, 2020)
Manolis Glyzounis, Greek Publisher and Copyist
in Venice in the Second Half of the Sixteenth
Century Greeks, Books and Libraries in Renaissance
Venice Transmissions, Papadaki, I.Piccione, R.M. (Berlin; Boston, De Gruyter, 2020)
Funding of Cataloguing
The Polonsky Foundation
Digital Images
Abbreviations
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