Cambridge, Trinity College, MS O.2.39
Diktyon no.: Diktyon 11975
Contents
Physical Description
Collation
ff. [i]-[iii] | ff. I-II, 1-2 6, 3-4 4, 5 6, 6-9 4, 10 6, 11-12 6, 13 8 | 14-16 8, 17 4 | ff. [iv]-[vi]
Condition
In poor general condition, with large spots and humidity stains, and tears along the edges of the leaves, which were not trimmed. In the upper margin of pp. [111a]-[111b], 124-202 there are signs of fire damages. The binding is damaged, the left board is detached.
Binding
Early modern western full leather binding over pasteboards. Blind tooled double frame motif with palmette motif on the boards. Gold tooled borders on both boards. O yje spine are pasted paper labels for the shelfmark. 225 × 165 × 25 mm.
There are scraps and stains on both covers. The spine is detached from the left board.
Accompanying Material
With the manuscript is preserved a leaf with an annotation by Wilhelm Meyer of 04/10/1906, stating that Henri II Estienne wrote titles at pp. 1, 33, 52, 147, and the texts at pp. 1-146. The leaf contains also some corrections to the transcription by James (1902, vol. 3 p. 141) of some lines written by Estienne on p. 134.
Ff. [i]-[iii] and [iv]-[vi] are later endleaves. On the left pastedown there is a possession note by Thomas Gale (see Carolla 2008, p. 151 for the attribution to his hand) with the date of 1687 (see Provenance). On f. [i] are written the manuscript's numbers and shelfmarks: ‘B. 14.’ (crossed out), ‘n° 80’ (previous number), ‘O.15.14’ (crossed out), ‘O.2.39’ (present shelfmark). ff. [i]-[iii], [iv]-[vi] are western paper leaves, folded in quarto ( 220 × 162 mm. ), with wartermarks:
- ff. [i]-[iii] Shield with lily, surmounted by a crown, in the gutter, the watermark is not completely visible.
- ff. [iv]-[vi] Lions, in the gutter The watermark is not completely visible.
History
Provenance and Acquisition
Both parts of Trinity O.2.39 were owned by Henri II Estienne (1531-1598) . He wrote the texts in part I and annotations in both parts of the manuscript. A possession note by his hand on p. 147 attests moreover his ownership of part II: Ἐκ τῶν Ἑρρίκου τοῦ Στεφάνου.
The manuscript was later in the hands of Patrick Young (Patricius Junius, 1584-1652) , Greek scholar and Royal librarian, who sent transcriptions from this codex to Denis Pétau for his edition of Julian's works of 1630 ( J. Bidez, La tradition manuscrite et les éditions des discours de l'empereur Julien, Paris 1929, pp. 14-20).
The manuscipt passed in 1687 to Thomas Gale (1635/1636-1702) , Regius professor of Greek at the University of Cambridge, High Master of St Paul's School and Dean of York, as it is stated in a note on the left pastedown: ‘ Olim Liber Henrici Stephani; nunc Thomae Gale. Anno Domini 1687°’.
The manuscript was donated to the library by the antiquary Roger Gale (1672-1744) in 1738. On f. II verso is pasted the Trinity College Library bookplate. On pp. 1, 111, 112, 124, 134, 135, 146, 147, 202 there are stamps of Trinity College Library.
Part 1 [Cambridge, Trinity College, MS O.2.39, ff. I-II, pp. 1-[146b]]
Contents
Language(s): Greek and Latin (one text)
TLG 2003.001
f. I verso and p. 31[a] are blank
TLG 2003.002
pp. [51a]-[51b] are blank
TLG 2003.003
pp. [111a]-[111b] are blank
The text is incomplete and ends at C. Lacombrade (ed.), L'empereur Julien. Oeuvres complètes, 2.2, Paris 1964, pp. 100-138 : p. 122, 147 a l. 2
TLG 2003.011
The text begins imperfectly at G. Rochefort (ed.), L'empereur Julien. Oeuvres complètes, 2.1, Paris 1963, pp. 103-131: p. 116, 168 d l. 4
TLG 2003.008
p. [133a] is blank
Transcription of the text in James (1902), p. 141
This pinax was copied from MS Leid. Voss. gr. F° 77, see Bidez 1929, pp. 15-16
TLG 2003.005
pp. [146a]-[146b] are blank
Physical Description
Collation
The first quire is formed by later endleaves; they form a binion; being the left board detached, it is not clear whether the first leaf is the left pastedown or whether it is missing. Two endleaves, contemporary to the manuscript, appear now detached from one another. The following quires are ternions and binions; at the end of part I there is a quaternion.
- 2 endleaves (16th century) ff. I-II
- Quires 1-26 pp. 1-24 (α΄-βʹ)
- Quires 3-44 pp. 25-31, [31a], 32-39(γ΄)
- Quire 56 pp. 40-51
- Quires 6-94 pp. [51a]-[51b], 52-61, 82-101 (α΄-δʹ)
- Quires 10-126 pp. 102-111, [111a]-[111b], 112-133, [133a], 134 (ε΄-g)
- Quire 138 pp. 135-140, 141a, 141b, 142a, 142b, 143-146, [146a]-[146b]
- big Greek numerals in the centre of the lower margin, from α΄ (p. 1) to γ΄ (p. 25)
- small Greek numerals (or letters) in the lower margin of the leaf, from α΄ ( p. [51a]) to ε΄ (p. 102)
- small Latin letters near the lower edge of the leaf, from f (p. 112) to h (p. 135).
Condition
Layout
pp. 1-146: A single column of 26-36 lines. 170-175 × 110-120 mm. On pp. 52-123 the writing space is shifted to the right, near the gutter, leaving a larger left margin.
Hand(s)
Hand A: all the texts were written by Henri II Estienne (1531-1598) , in an informal minuscule script, vertical. (attribution by W. Meyer on a leaf preserved within the manuscript; on Estienne's Greek script see RGK I, 116bis).
Titles and final rubrics are written in a more "baroque" variant of the script, sometimes with monocondyles (see e.g. p. 51).
The text is written in a light brown ink; titles in red.
Estienne wrote annotations in the margins in Greek and Latin, as well as notes on ff. I recto and II recto.
Decoration
Small line-fillers in red ink with vegetal motifs, not very accurately realised, accompany titles on pp. 1 and 32.
Initial with a simple decoration in a branch motif on p. 2.
Initials written in red ink on pp. 1 and 32.
Sketch of an ornamental vegetal motif in red ink on p. 51. Vegetal motif in brown ink in the margin on p. 24.
Additions
On ff. I recto and II recto Henri II Estienne wrote annotations about the text, and passages of it with the indication of the page of the manuscript where they can be found.
Estienne wrote also annotations in the margins, both in Greek and in Latin, underlining passages of interest, see e.g. pp. 57-58, 111.
A later hand wrote two annotations in black ink:
- in the upper margin, left, of p. 124, indicating the change of text
- in the right margin of p. 132 indicating the title of the text ‘ Hymnus εἰς μητέρα τῶν θεῶν’.
p. 134 Small brown wax seal with the form of a flower with 5 petals.
12 × 12 mm.
History
Part 2 [Cambridge, Trinity College, MS O.2.39, pp. 147-202]
Contents
Language(s): Greek
TLG 2003.012
ff. [iv] recto-[vi] verso are blank
Physical Description
Collation
Part II consists of 3 quaternions and 1 binion. The last quire is formed by later endleaves pertaining to the binding; they form a binion; being the left board detached, it is not clear whether the last leaf is the right pastedown or whether it is missing.
- Quires 14-168 pp. 147-194
- Quire 174 pp. 195-202
Condition
Layout
pp. 147-202: A single column of 20 lines. 150 × 85 mm.
Hand(s)
pp. 147-202 Hand B: the text has been written by Iakobos Diassorinos (16th c.) (RGK II, 191. See also RGK I, 143; RGK III, 241), in the less calligraphic variant of his script. The script is a minuscule, with "baroque" features, vertical.
The text is written in black ink; titles and initials in red ink, now faded to a sepia colour.
Decoration
P. 147 wavy line in red ink with leaves in the loops.
P. 147 thick red-ink major initial in ekthesis with a small branch motif.
Additions
The margins are filled with annotations by Henri II Estienne, both in Greek and in Latin, see e.g. pp. 178-179. In some cases he added in the margins passages omitted by the scribe, see e.g. p. 196 l. 11
History
This part of the manuscript was copied by Iakobos Diassorinos between 1534 (first dated manuscript copied by him) and 1552, when Estienne copied Part I from Leid. Voss. F° 77, since this part of the manuscript shows variants in the margins copied by Estienne from the same manuscript.
Additional Information
Record Sources
Availability
Visitors to Trinity College who wish to consult Special Collections material are required to apply to the Library in advance of their visit. For information on eligibility and admission procedures see: Trinity College: Information for Readers.
Bibliography
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The western manuscripts in the library of Trinity College : a descriptive catalogue, James, M. R. (Montague Rhodes) (Cambridge, 3, Cambridge University Press, 1902)
La tradition manuscrite et les éditions des discours de l'empereur Julien Université
de Gand. Recueil de travaux publiés par la Faculté de Philosophie et Lettres, Bidez, J. (Gand :, Paris, Van Rysselberghe and amp; Rombaut, Champion, 1929)
The Date of Julian's Letter to Themistius Greek, Roman, and Byzantine Studies, Bradbury, S. (28, 2, 235-251, 1987)
Repertorium der griechischen Kopisten, 800-1600 Veröffentlichungen der Kommission
für Byzantinistik, Gamillscheg, ErnstHarlfinger, Dieter, (Wien, II. Frankreich, Verlag der Österreichischen
Akademie der Wissenschaften, 1989)
Non deteriores. Copisti e filigrane di alcuni manoscritti degli Excerpta de legationibus
Miscellanea Bibliothecae apostolicae vaticanae. 15., Carolla, Pia (Città del Vaticano, 129-170, Biblioteca apostolica vaticana, 2008)
Iuliani Augusti Opera Bibliotheca scriptorum Graecorum et Romanorum Teubneriana, , (Berlin ;Boston, De Gruyter, 2015, ©2015, 2015)
El copista griego Jacobo Diasorino (s. XVI): estudio paleográfico y codicológico de
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manuscritos, García Bueno, Carmen (2017, 2019-10-03T15:23:34Z, http://hdl.handle.net/10803/456128)
Jacobo Diasorino en Italia ΠΗΓΗ/Fons, García Bueno, C. (3, 51-69, 2018)
Appunti in margine alla tradizione degli scritti di Giuliano l'Apostata: il Par. gr.
2964 Segno e testo, Giacomelli, C. (16, 247-263, 2018)
Le commerce transalpin du copiste-libraire vénitien Andréas Darmarios entre 1582 et
1585 Revue d'Histoire des Textes, Calvié, L. (15, 89-168, 2020)
The evolution of Jacobos Diassorinos’ handwriting in context Griechisch-byzantinische
Handschriftenforschung : Traditionen, Entwicklungen, neue Wege, García Bueno, C.Brockmann, C.Harlfinger, D.Valente, S.Deckers, D. (Berlin ; Boston,
201-210, De Gruyter, 2020)
Funding of Cataloguing
The Polonsky Foundation
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