Cambridge, Trinity College, MS O.8.25
Alchemical Texts
Physical Description
16th-century foliation, with 20th and 21st century additions.
[aa]-[bb] + a | i-iii + 1-168 | [b] + [cc]-[dd]
Foliation sequence in use in this record. The core leaves (ff. 1-168) are foliated in ink in Hindu-Arabic numerals in the upper outer corner of each recto in a 16th century hand. The medieval flyleaves at the beginning of the volume are foliated in pencil in a 20th or 21st century hand in two groups, f. a for the parchment former-pastedown, and ff. i-iii for the three paper endleaves. The parchment former-pastedown at the rear of the volume is unfoliated and so has been assigned the designation [b] in this record. There are two unfoliated early-modern paper flyleaves at each end of the volume and these leaves have been assigned the designations ff. [aa]-[bb] and [cc]-[dd] in this record.Collation
- Two early-modern paper endleaves (ff. [aa]-[bb]) +
- One parchment endleaf (former pastedown) (f. a) |
- Three paper endleaves (ff. i-iii) +
- Quire 112-1? (ff. 1-11: ?1st leaf cancelled)
- Quire 212 (ff. 12-23)
- Quire 316+1 (ff. 24-40: 1st leaf added) |
- Quire 410 (ff. 41-50)
- Quires 5-68 (ff. 51-66)
- Quire 74 (ff. 67-70) |
- Quire 814 (ff. 71-84)
- Quires 9-1012 (ff. 85-108) |
- Quires 11-1310 (ff. 109-138) |
- Quire 1410 (ff. 139-148)
- Quire 1512 (ff. 149-160)
- Quire 168 (ff. 161-168) |
- One parchment endleaf (former pastedown) (f. [b]) +
- Two early-modern paper endleaves (ff. [cc]-[dd])
Two early-modern paper endleaves + parchment endleaf (former pastedown) | three paper endleaves + 112-1? (?1st cancelled) 212 316+1 (1st added) 410 5-68 74 814 9-1012 11-1310 1410 1512 168 one parchment endleaf (former pastedown) + two early-modern paper endleaves
No leaf signatures common to the entire volume.
No quire signatures common to the entire volume.
No catchwords common to the entire volume.Additions
Decorative fragments cut from another manuscript and pasted onto ff. 1r (two fragments), 24r (one fragment), 149v (one fragment), and 150v (one fragment). The fragments on f. 1r are a cutting of a decorative scene of a man (?wearing a turban) sitting up in bed and a section of a decorative foliate border, the fragment on f. 24r is another cutting from a decorative foliate border and the fragments on ff. 149v and 150v are small single decorative initials. Although it is not possible to be certain of the origin of the fragment without scientific analysis of their pigments, the cuttings are all aesthetically similar and are rendered in a style popular in England, France, and Flanders in the second half of the 15th century. The cuttings were added to the leaves before the text was written, and were possibly added by Giles Du Wés as some of the text copied by Giles Du Wés overlaps the decorative fragment in the outer margin of f. 1r.
Binding
?18th-century binding. Quarter-bound in white vellum with grey paper sides over paste- or mill-boards. No raised bands on spine (not photographed). Three small printed paper labels with the alphanumeric components of the present shelfmark ('O' '8' and '25') fixed to the spine with an adhesive.
Paper pastedowns pasted over the turn ins. The alpha-numeric components of the present shelfmark ('O.8.25') written in ink on the front pastedown as well as two former shelfmarks in ink, 'C. 46' and 'No. 177'. Rear pastedown blank.
Two paper flyleaves at the front of the volume (ff. [aa]-[bb] and two paper flyleaves at the rear of the volume (ff. [cc]-[dd]. Folio [aa] recto contains the alphanumeric components of the present shelfmark ('O.8.25') in pencil. All other paper endleaves blank.
The present ff. a and [b] are coated in an adhesive residue in a pattern consistent with the leaves having been used as pastedowns in a former binding. The text on f. a recto is upside down relative to the rest of the volume.
History
Provenance and Acquisition
Owned and largely copied by Giles Du Wés (Dewes) (d. 1535) , musician at the English royal court of King Henry VII, royal tutor in music and French to members of the English royal household, and royal librarian from c. 1506.
J.M. Rampling has suggested that Cambridge, Trinity College, MS O.8.25 was perhaps once owned by Robert Greene , a friend of Giles Du Wés (Dewes) (d. 1535) , to whom Du Wés bequeathed another autograph alchemical manuscript, Cambridge, Trinity College, MS O.8.24 ; in the case of MS O.8.24, Greene added a monogram in two places to one of the endleaves at the beginning of the volume, whereas no such monogram can be found in MS O.8.25.
Owned by a Bryan Fytzwyllyam , possibly the Brian Fitzwilliam born c. 1530, son of Sir William Fitzwilliam who was the son of Sir William FitzWilliam (Sheriff of London and servant of Cardinal Wolsey) and Anne (Sapcote) FitzWilliam. A Bryan Fytzwyllyam has signed his name on ff. 14r, 37v, 40v, and 107r.
Owned by Sir Thomas Knyvett (1539-1618) of Ashwellthorpe, book collector: inscription of name 'Thomas Knyuett' in upper margin of f. 1r. A catalogue of Knyvett's library was made in 1618 (now Cambridge, University Library, MS Ff.2.30), but, as noted by David McKitterick, Cambridge, Trinity College, MS O.8.25 is one of a small number of Knyvett's manuscripts not included in the 1618 Catalogue.
One of the manuscripts of Thomas Gale (1635/6-1702) , dean of York, antiquary, and fellow of Trinity College Cambridge.
One of the manuscripts of Roger Gale (1672-1744) , antiquary and scholar, son of Thomas Gale. Inherited from his father.
Donated to Trinity College by Thomas Gale , son of Roger Gale, in 1738. The Gale donation is recorded in .
Part 1: former pastedowns: fragment of a French legal text and a medical recipe [Cambridge, Trinity College, MS O.8.25, ff. a and [b]]
Contents
Language(s): Old French and Latin
Written by a 14th-century hand.
Written by a 16th-century hand.
Symbol in the outer margin that resembles the astrological symbol for Pisces.
Two alchemical recipes for cement, the first for 24-hour cement, the second for 6-hour cement.
Written by a 14th-century hand.
Physical Description
Collation
- One parchment former-pastedown (f. a)
- [intervening leaves not in this Part]
- One parchment former-pastedown (f. [b])
No leaf signatures particular to this Part.
No quire signatures particular to this Part.
No catchwords particular to this Part.Condition
In fair condition; both ff. a and [b] are from the same original manuscript, a 14th century legal manuscript in medieval French, and both leaves have adhesive residue suggestive of their use as pastedowns in a former binding. Both ff. a verso and [b] recto are palimpsest - the original French legal text has been erased to make space for other text.
Layout
170 Folios [a] recto and [b] verso are ruled in single-column format, frame and lines and the text is written above top line. Width of the text-box unestablished due to trimming of the leaf and situation of leaf within the present binding.
105 Folio a verso ruled in ink, frame and lines, ruling only occasionally visible, see e.g., under 'Gariofilorum' (ln. 3). Ruled in single-column format and written below top line, over an erased 14th century legal text in medieval French.
Hand(s)
Folio a recto and [b] verso written in a cursiva antiquior probably of French origin. Double-compartment a. Loops on the ascender of the letter d. Heavily forked ascenders on the ascender of h, k and l. The letters f, r and s are long and drop below the baseline.
Folio a verso probably written in the hand of Giles Du Wés. Du Wés writes a Cursiva Antiquior with strong anglicana, secretary and even humanist influences. Du Wés typically uses a more calligraphic script for rubrics and titles, and then different, less formal grades of script for the 'main text'.
Decoration
Folios a recto and [b] verso have paraph marks in red and blue to divide minor syntax units within the text.
Additions
Folio [b] recto: a note in ink in the upper margin, now partly trimmed away, 'Anno 1521 f . M . p . i . m. pridie nicolai G.d.d. Egidius du Wes a de vadis'.
History
Date and place of production based on palaeographical features.
Part 2: alchemical texts [Cambridge, Trinity College, MS O.8.25, ff. i-iii + 1-40]
Contents
Language(s): Latin
By the hand of Giles Du Wés.
In the hand of Giles Du Wés.
Six lines of poetry.
Full transcription:| Hexasticon ad Lectores | Inuide ne latres Linguam compesce furentem | Nec nimium rabidis garulus esto Labris | Aut pete tartareas superis incognitus vmbras | Et phlegetonteos labere adusque Lacus| At que illic pocius Lites et iurgia misce | Et vivis pacem concubitare sine
By the hand of Giles Du Wés.
By the hand of Giles Du Wés.
Twelve lines of poetry.
In the hand of Giles Du Wés.
Seven lines of poetry.
A note below, possibly in the hand of Giles Du Wés: 'Intellige ista vt ? quatre magis quia hic totum habes sine aliqua superfluitate ac mendacio aliquo
Written by a 16th-century hand.
The final entry on f. iii verso is in another hand.
Decorative fragments cut from another manuscript and pasted onto ff. 1r (two fragments), 24r (one fragment), 149v (one fragment), and 150v (one fragment). The fragments on f. 1r are a cutting of a decorative scene of a man (?wearing a turban) sitting up in bed and a section of a decorative foliate border, the fragment on f. 24r is another cutting from a decorative foliate border and the fragments on ff. 149v and 150v are small single decorative initials. Although it is not possible to be certain of the origin of the fragment without scientific analysis of their pigments, the cuttings are all aesthetically similar and are rendered in a style popular in England, France, and Flanders in the second half of the 15th century. The cuttings were added to the leaves before the text was written, and were possibly added by Giles Du Wés as some of the text copied by Giles Du Wés overlaps the decorative fragment in the outer margin of f. 1r.
The name 'Thomas Knyvett' in ink in the upper margin of f. 1r, see Provenance for further information.
An addition after the Final Rubric on f. 3r, 'et artem intelligenti necessaria'.
By the hand of Giles Du Wés.
A note below the last line of text on f. 3v, 'Experto crede Roberto'.
By the hand of Giles Du Wés.
Translated by Alfredus Sereshalensis.
This section of the text sometimes circulated separately from the preceding part.
By the hand of Giles Du Wés.
The words 'Aristoteles De mineralibus' in the upper margins of ff. 9r-11v in ink in an early-modern hand.
Note in the lower margin of f. 11r in a 16th century hand: 'Nota quod fere omnes lectores hic decapiuntur ... ex arte sola procedit , quod quidem a doctoris sophistica D
By the hand of Giles Du Wés.
A 16th-century reader has added notes directing the reader to the work of George Ripley, see e.g., the note on f. 14r after the final rubric, 'Vide philortium dicti Georgij Riplei et Ibi inuenies ipsum'.
A former owner, Brian Fitzwilliam ('Bryan Fytzwyllyam') has added his name to f. 14r.
By the hand of Giles Du Wés.
A 16th century reader has added a note after the final rubric on f. 20r, 'Antequam incipias consulto'.
By the hand of Giles Du Wés.
By the hand of Giles Du Wés.
Folios 23rv blank.
By the hand of Giles Du Wés.
Decorative fragments cut from another manuscript and pasted onto ff. 1r (two fragments), 24r (one fragment), 149v (one fragment), and 150v (one fragment). The fragments on f. 1r are a cutting of a decorative scene of a man (?wearing a turban) sitting up in bed and a section of a decorative foliate border, the fragment on f. 24r is another cutting from a decorative foliate border and the fragments on ff. 149v and 150v are small single decorative initials. Although it is not possible to be certain of the origin of the fragment without scientific analysis of their pigments, the cuttings are all aesthetically similar and are rendered in a style popular in England, France, and Flanders in the second half of the 15th century. The cuttings were added to the leaves before the text was written, and were possibly added by Giles Du Wés as some of the text copied by Giles Du Wés overlaps the decorative fragment in the outer margin of f. 1r.
An erasure (perhaps a name) in the lower margin of f. 24r.
A note in the outer margin of f. 24v attributes this text to Rasis.
Title added in the upper margin of f. 28r in light ink, 'Liber argenteus ceu 30 verborum'.
Title added in the upper margin of f. 32r in light ink, 'Liber de naturis corporum[sic]'.
According to Baroni, Brun, and Travaglio (2013), this text is variously attributed to 'Alcuin, Alquindus, Alkindi, Arnaldus de Villa Nova, Morienus, Johannes and others' and circulated with titles including 'Liber sacerdotum, Liber coniunctionum, Liber de naturis colorum, Liber administrationum, Flos de coloribus and others.'
The name 'Bryan fytzwyllyam' added to f. 37v.
Baroni, Brun and Travaglio (2013) treat these three texts (ff. 32r-37v) as a single item (De vitri coloribus).
According to Baroni, Brun, and Travaglio (2013), this text is variously attributed to 'Alcuin, Alquindus, Alkindi, Arnaldus de Villa Nova, Morienus, Johannes and others' and circulated with titles including 'Liber sacerdotum, Liber coniunctionum, Liber de naturis colorum Liber administrationum, Flos de coloribus and others.'
Text ends abruptly on f. 37v, folio 38r blank.
Title added in the upper margin of ff. 38v-39r in light ink, 'Liber Saturni'.
Timmerman notes that this text is sometimes attributed to Vincent de Beauvais, and is also sometimes known as pseudo-Geber, Liber saturni.
By the hand of Giles Du Wés.
The name 'Bryan fytzwyllyam' on f. 40v.
Timmerman notes that this text is variously attributed to pseudo-Rasis, pseudo-Geber, and pseudo-Aristotle.
Physical Description
Collation
- Three paper flyleaves (ff. i-iii) +
- Quire 112-1? (ff. 1-11: ?1st leaf cancelled)
- Quire 212 (ff. 12-23)
- Quire 316+1 (ff. 24-40: 1st leaf added)
No leaf signatures particular to this Part.
No quire signatures particular to this Part.
No catchwords particular to this Part.Condition
Layout
150 × 100 mm. No visible ruling, script follows to grain of paper. Written in single-column format, typically 30 lines to the page. Folio iii contains a list of the contents of the volume in the hand of Giles Du Wés and is written in double-column format.
Hand(s)
All leaves apart from f. ii verso written in the hand of Giles Du Wés. Du Wés writes a Cursiva Antiquior with strong anglicana, secretary and even humanist influences. Du Wés typically uses a more calligraphic script for rubrics and titles, and then different, less formal grades of script for the 'main text'.
Folio ii verso written in a humanist minuscule with italic influences.
Decoration
Paraph marks in red on f. iii to mark each lemma.
Additions
A (?misplaced) title in the upper margin of f. iii recto in a 16th century hand, 'Aristoteles De mineralibus Libro 3o'.
Trinity College armorial bookplate on f. iii verso.
Two fragments from another manuscript (?mid-late 15th century?) pasted onto f. 1r, perhaps for decorative puposes. A fragment similar to the one pasted into the outer margin of f. 1r has also been pasted onto the outer margin of f. 24r.
History
Copied by Giles Du Wés (d. 1535).
Part 3: Liber rebis [Cambridge, Trinity College, MS O.8.25, ff. 41-70]
Contents
Language(s): Latin
Physical Description
Collation
- Quire 410 (ff. 41-50)
- Quires 5-68 (ff. 51-66)
- Quire 74 (ff. 67-70)
No leaf signatures particular to this Part.
No quire signatures particular to this Part.
No catchwords particular to this Part.Condition
Layout
150 × 100 mm. Ruled in leadpoint, frame and lines. Ruled in single-column format, typically 33 lines to the page and written above top line. Ruling not visible on all leaves, but see e.g., f. 66v
Hand(s)
Written in a calligraphic northern textualis libraria. Double-compartment a. Forked and wedged ascenders on b, h and l. The letter s is long except in the terminal position and occasionally the initial position. The letters f and long-s sit on the baseline or drop only very slightly below. Small flicked feet on minims. The 'et' abbreviation strongly resembles a Hindu-Arabic numeral 7 with a crossbar.
Decoration
Plain enlarged initials in red, some with minor 'Arabesque' flourishing at the minor divisions of the text.
Headings and sub-headings in red throughout.
History
Date and place of production based on palaeographical features.
Part 4: Alchemical texts [Cambridge, Trinity College, MS O.8.25, ff. 71-108]
Contents
Language(s): Latin
Sixteen lines of poetry.
Four lines of poetry.
Folio 71v blank.
According to Ferrario (see Appendix 4-A), Julius Ruska the editor of the Latin text of On Alums and Salts (OAS) analysed Trinity MS O.8.25 'for his edition of the Latin OAS and discarded it as a work different from the OAS'.
Title added in light ink in the upper margin of each opening, 'Liber Salium et Aluminum'
Divided into two books; Book 2 begins on f. 87r, 'Incipit secundus qui est de eorum preparationibus'.
Contains two 'experimenta' sub-texts, an 'Experimenta ad album (ff. 98v-103r) and an 'Experimenta ad rubeum (ff. 103r-105v).
Folios 107v-108v blank.
The name 'Bryan fytzwyllyam' added to f. 107r.
Physical Description
Collation
- Quire 814 (ff. 71-84)
- Quires 9-1012 (ff. 85-108)
No leaf signatures particular to this Part.
No quire signatures particular to this Part.
No catchwords particular to this Part.Condition
Layout
150 × 100 mm. Written in single-column format, typically 33 lines to the page. No ruling visible, text-lines conform to grain of paper.
Hand(s)
Folios 71r-108v written by the hand of Giles Du Wés. Du Wés writes a Cursiva Antiquior with strong anglicana secretary and even humanist influences. Du Wés typically uses a more calligraphic script for rubrics and titles, and then different, less formal grades of script for the 'main text'.
Decoration
Plain initials in a murky-red ink in a 'Lombardic' style at the minor divisions of the texts.
Headings and sub-headings in a murky-red ink. Running titles in the upper margins in the same murky-red ink.
History
Copied by Giles Du Wés (d. 1535).
Part 5: Alchemical texts [Cambridge, Trinity College, MS O.8.25, ff. 109-138]
Contents
Language(s): Latin
Timmerman notes that this text is variously attributed to pseudo-Rasis, pseudo-Geber, and pseudo-Aristotle.
Title in the upper margin of f. 109r by a 16th-century hand, 'Iste liber qui lumen luminum dicitur continet 10. libros de 70 rasis'.
Title added in the upper margin of f. 131r in an early-modern hand, 'Escarus'.
Ends imperfectly on f. 138v. Giles Du Wés continues the text on ff. 139r-140v.
Physical Description
Collation
- Quires 11-1310 (ff. 109-138)
No leaf signatures particular to this Part.
No quire signatures particular to this Part.
No catchwords particular to this Part.Condition
Layout
155 × 100 mm. Ruled in leadpoint, frame and lines. Ruled in single-column format, typically 32 lines to the page and written below top line. Ruling not visible on all pages, but see e.g., f. 109v.
Hand(s)
Folios 109r-138v are written in a northern textualis libraria. Double-compartment a. Wedges with slight forking on the ascenders of b, h, l. A mix of straight- and sloping-back-d. Small flicked feet on minims. Diamond-shaped wedges at the top of minims. The letters f and long-s sit on the baseline.
Decoration
Plain initials in red with 'Arabesque' and 'Lombardic' influences at the minor divisions of the texts, see e.g., ff. 121v-122r.
History
Date and place of production based on palaeographical features.
Part 6: Alchemical texts [Cambridge, Trinity College, MS O.8.25, ff. 139-168]
Contents
Language(s): Latin
By the hand of Giles Du Wés.
The first part of this text is ff. 133r-138v - Giles Du Wés seems to have obtained an atelous copy of the text and completed the missing portion himself on ff. 139r-140v.
The colophon on f. 140v offers a date for the completion of the translation: the 8th hour of the 11th of February, 1082.
There is a partially erased note underneath the text in an early-modern hand, 'O delectabile colloquium , ?(?) intelligenti'.
Written in two-column format with marginal annotations.
Note by Giles Du Wés on f. 150rfollowing his translation of the poem: | Si quis me culpauerit propter ruditatem vocabulorum atque incongruitatem[sic] faciat ipse melius hortor . Egidus de Vadis
Decorative fragments cut from another manuscript and pasted onto ff. 1r (two fragments), 24r (one fragment), 149v (one fragment), and 150v (one fragment). The fragments on f. 1r are a cutting of a decorative scene of a man (?wearing a turban) sitting up in bed and a section of a decorative foliate border, the fragment on f. 24r is another cutting from a decorative foliate border and the fragments on ff. 149v and 150v are small single decorative initials. Although it is not possible to be certain of the origin of the fragment without scientific analysis of their pigments, the cuttings are all aesthetically similar and are rendered in a style popular in England, France, and Flanders in the second half of the 15th century. The cuttings were added to the leaves before the text was written, and were possibly added by Giles Du Wés as some of the text copied by Giles Du Wés overlaps the decorative fragment in the outer margin of f. 1r.
Title in the upper margins in red ink, 'Dialogus Rosini ad Euthesiam'.
Decorative fragments cut from another manuscript and pasted onto ff. 1r (two fragments), 24r (one fragment), 149v (one fragment), and 150v (one fragment). The fragments on f. 1r are a cutting of a decorative scene of a man (?wearing a turban) sitting up in bed and a section of a decorative foliate border, the fragment on f. 24r is another cutting from a decorative foliate border and the fragments on ff. 149v and 150v are small single decorative initials. Although it is not possible to be certain of the origin of the fragment without scientific analysis of their pigments, the cuttings are all aesthetically similar and are rendered in a style popular in England, France, and Flanders in the second half of the 15th century. The cuttings were added to the leaves before the text was written, and were possibly added by Giles Du Wés as some of the text copied by Giles Du Wés overlaps the decorative fragment in the outer margin of f. 1r.
This note appears to comment on the Liber Rosini ad Euthesiam and involves a calculation of duration.
Written in double-column format.
A small monogram-like symbol of a rounded w or ω bisected in half vertically by a j or an l at the end of the text on f. 166r.
Folios blank.
Physical Description
Collation
- Quire 1410 (ff. 139-148)
- Quire 1512 (ff. 149-160)
- Quire 168 (ff. 161-168)|
No leaf signatures particular to this Part.
No quire signatures particular to this Part.
No catchwords particular to this Part.Condition
Layout
150 × 100 mm. Folios 139-148 are ruled in leadpoint, frame and lines. Ruled in single-column format, typically 29 lines to the page and written below top line.
150 × 100 mm. Folios 139-167 are unruled. Written in single-column format, typically 33 lines to the page; writing conforms to the grain of the paper.
Hand(s)
Folios 139r-167v written in the hand of Giles Du Wés. Du Wés writes a Cursiva Antiquior with strong anglicana, secretary and even humanist influences. Du Wés uses a more formal and calligraphic hand for his scribal stint on ff. 139-148v, and in particular on ff. 139r-140v where he supplies the missing end to an atelous text in an earlier medieval hand on ff. 133r-138v. Du Wés writes a much more informal minuscule for his scribal stint on ff. 149r-167v.
Folios 139r-148v written in the hand of Giles Du Wés. Du Wés writes a Cursiva Antiquior with strong anglicana secretary and even humanist influences. Du Wés typically uses a more calligraphic script for rubrics and titles, and then different, less formal grades of script for the 'main text'.
Decoration
Decorative initials in red at the major and some of the minor divisions of the texts.
Occasional titles and chapter headings in red.
History
Copied by Giles Du Wés (d. 1535).
Additional Information
Record Sources
Availability
Visitors to Trinity College who wish to consult Special Collections material are required to apply to the Library in advance of their visit. For information on eligibility and admission procedures see: Trinity College: Information for Readers.
Bibliography
-
Das Buch der Alaune und Salze: ein Grundwerk der Spätlateinischer Alchemie, Ruska, Julius (Berlin, )
The library of Sir Thomas Knyvett of Ashwellthorpe, c.1539-1618 Cambridge University
Library historical bibliography series, McKitterick, David (Cambridge, Cambridge University Library,, 1978)
Augurello's Chrysopoeia (1515): a turning point in the literary tradition of alchemical
texts Early Science and Medicine, von Martels, Zweder (5, 2, 178-195, 2000)
Alchemy in Cambridge: An Annotated Catalogue of Alchemical Texts and Illustrations
in Cambridge
Repositories Nuncius: Journal of the Material and Visual History of Science, Timmermann, Anke (30, 2, 345-511, 2015)
De vitri coloribus: fortuna medievale di un trattato bimillenario. Colorazione del
vetro, delle
gemme artificiali, degli smalti, della decorazione ceramica Medioevo Europeo, Baroni, SandroTravaglio, Paola (4, 1, 5-39, 2020)
The Experimental Fire: Inventing English Alchemy, 1300–1700, Rampling, Jennifer M. (Chicago, University of Chicago Press, 2020)
The Book on Alums and Salts of Pseudo-Rāzī: The Arabic and Hebrew Traditions Ambix, Ferrario, Gabriele (70, sup1, S1-S208, 2023, https://www.tandfonline.com/doi/full/10.1080/00026980.2023.2222505)
Funding of Cataloguing
Wellcome (cataloguing). All images provided by Trinity College, Cambridge.
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
