Cambridge, Trinity College, MS O.2.16
Alchemical prose and verse
Physical Description
The manuscript consists of seven separate parts that, with one exception, contain paper leaves only. Part 3 has two parchment leaves (ff. 1:31 and 1:71).
17th- or 18th-century foliation for Parts 1-5 and the beginning of Part 6:
[a]-[f] + i-ii, + 1:1-1:24 [= Part 1] | 1:25-1:32 [= Part 2] | 1:33, 1:33a-[1:33b], 1:34-1:75, 1:77-1:80 [= Part 3] | 1:81-1:126, 1:126a-1:126b, 1:127-1:132 [= Part 4] | 1:133-1:142 [= Part 5] | '143'-'144' [=2:1-2:2 of Part 6]
Numbering in brown ink in the upper right-hand corners of the rectos; occasionally supplemented or corrected with numbers in pencil by a modern foliator (supplied: ‘i’, ‘ii’, ‘33a’, ‘33b’, ‘126a’, ‘126b’; corrected: ‘130’ for erroneous ‘230’, and ‘133’ for erroneous ‘233’; striken through: ‘143’ and ‘144’).
Folios i-ii are early modern paper flyleaves; [a]-[f] are unfoliated modern paper flyleaves at the beginning of the manuscript that have been allocated letters between square brackets for reference purposes in this catalogue record.
Two stubs follow f. 1:33 and two follow f. 1:79: as per standard practice with blank stubs, these have been omitted from the display on the Cambridge Digital Library, but are shown on the Wren Digital Library. The two stubs following f. 1:126 are shown here, however, since the first contains fragmentary remains of a circular diagram.
The number '76' has been skipped (although a modern hand declares the verso of f. 1:75 to be ‘number 76’).
With the exception of the folio numbers in Part 6, this foliation sequence is followed in this catalogue record.15th- or 16th-century foliation for Parts 6 and 7:
2:1-2:19, 2:21-2:76 [=Part 6] | 2:77-2:110 + 2:111-2:112 [= Part 7] + [g]-[j]
Numbering in dark ink in the upper right-hand corners of the rectos.
One stub follows f. 2:2, three stubs follow f. 2:100 and one follows f. 2:104: as per standard practice with blank stubs, these have been omitted from the display on the Cambridge Digital Library, but are shown on the Wren Digital Library (except for those following f. 2:104).
Folios 2:111-2:112 are are early modern paper flyleaves; [g]-[j] are unfoliated modern paper flyleaves at the end of the manuscript that have been allocated letters between square brackets for reference purposes in this catalogue record.
This foliation sequence is followed in this catalogue record.19th- or 20th-century foliation for Parts 6 and 7:
‘(3)’-‘(99)’ (for ff. 2:4-2:102), ‘(100)’-‘(106)’ (for ff. 2:104-2:110)
Numbering in pencil and between parentheses in the upper right-hand corners of the rectos. This foliation sequence has subsequently been striken through with pencil. This foliation sequence is ignored in this catalogue record.Collation
This collation deviates from that of M.R. James (1902) (who was followed by Mooney (1995)), who identifies three separate parts in the manuscript: namely ff. 1:1-1:80 [Part 1]; ff. 1:81-1:142 [Part 2]; and ff. 2:1-2:110 [Part 3]. It also deviates from Timmermann (2015), who divides the manuscript into two separate parts: namely ff. 1:1-1:142, 2:1 [Part 1]; and ff. 2:2-110 [Part 2]). Instead, this catalogue record divides the manuscript into seven separate codicological units, based on changes in watermarks, scripts, and decoration:
- ff. 1:1-1:24 [Part 1]
- ff. 1:25-1:32 [Part 2]
- ff. 1:33, 1:33a-[1:33b], 1:34-1:75, 1:77-1:80 [Part 3]
- ff. 1:81-1:126, 1:126a-1:126b, 1:127-1:132 [Part 4]
- ff. 1:133-1:142 [Part 5]
- 2:1-2:2, [2:3], 2:4-2:19, 2:21-2:76 [Part 6]
- 2:77-2:100, [2:100a]-100b, 2:101-2:104, [2:104a], 2:105-2:110 + 2:111-2:112 [Part 7]
- (Two leaves)
- Quire 112-1 (ff. 1:1-1:11: 12th leaf missing)
- Quire 24 (ff. 1:13-1:16)
- Quire 38 (ff. 1:17-1:24) |
- Quire 46 (ff. 1:25r-1:30v)
- Quire 52 (ff. 1:31r-1:32v) |
- Single leaf (f. 1:33
- Quire 62-2 (ff. 1:33a-[1:33b]: both leaves missing, stubs remain)
- Quire 78 (ff. 1:34-1:41)
- Quire 86 (ff. 1:42-1:47)
- Quire 912 (ff. 1:48-1:59)
- Quire 108 (ff. 1:60-1:67)
- Quire 114-1 (ff. 1:68-1:70: 4th leaf missing)
- Single leaf (f. 1:71)
- Quire 1210-2 (ff. 1:72-1:80: 8th and 9th leaves missing, but unfoliated stubs remain) |
- Quires 13-234 (ff. 1:81-1:124)
- Quire 244-2 (ff. 1:125-1:126b: 3rd and 4th leaves missing, stubs (ff. 1:126a-1:126b) remain)
- Quire 252 (ff. 1:127-1:128)
- Quire 264 (ff. 1:129-1:132) |
- Quires 27-284 (ff. 1:133-1:140)
- Quire 292 (ff. 1:141-1:142) |
- Quire 3012-1 (ff. 2:1-2:12: 3rd leaf missing, but a stub (f. [2:3]) remains)
- Quire 3110-1 (ff. 2:13-2:19: 10th leaf missing)
- Quire 3212 (ff. 2:21-2:32)
- Quire 3316 (ff. 2:33-2:48)
- Quire 3412 (ff. 2:49-2:60)
- Quire 3516 (ff. 2:61-2:76) |
- Quire 3616 (ff. 2:77-2:92)
- Quire 378 (ff. 2:93-2:100)
- Quire 38ten (ff. 2:101-2:110)
- (Two leaves)
(Two leaves) 112-1 (12th missing) 24 38 | 46 52 | (Single leaf) 62-2 (missing, but stubs (1:33a-[1:33b]) remain) 78 86 912 108 114-1 (4th missing) (Single leaf) 1210-2 (8th-9th missing) | 13-234 244-1 (3rd-4th missing, but stubs (ff. 1:126a-1:126b) remain) 252 264 | 27-284 292 | 3021-1 (3rd missing, but a stub (f. [2:3]) remains) 3110-1 (10th missing) 3212 3316 3412 3516 | 3616 378 38ten (Two leaves)
Additions
A table of contents for the manuscript as a whole, perhaps in the hand of Thomas Gale (1635/6-1702) , has been added to f. ii recto.
Quire signatures ('1-38') in the bottom right-hand corner of the recto side of the first leaf of each quire, and '+' in the same position on the first leaf after the centre of the quire, written in pencil by a hand of the 19th/20th century (no longer indicative: see Collation).
Binding
A 20th-century binding of half brown leather with marbled paper sides over wooden boards and vellum-tipped corners; four raised bands on the spine and three paper labels with the separate alpha-numerical elemnts of the manuscript's classmark printed on them: ‘O’, ‘2’, ‘16’.
Binding height: 230mm; width: 155mm; depth: 60mm.
Three paper labels with the alpha-numerical elements of the mansucript's classmark printed on them (‘O’, ‘2’, ‘16’) have been pasted on the inside of the front cover. The were probably taken from the manuscript's previous binding.
History
Provenance and Acquisition
Thomas Charnock (1524x6-1581) , alchemist, resident of Stockland and Combwich, Somerset: his ownerhip inscription on f. 1:1r: ‘Thomas Charnocke his book .1562.’. Added alchemical notes and poems to Parts 1, 2, and 3 of this manuscript, the lastest one dating to 1577 [see the Provenance in the individual parts for further details]. There is no evidence that he owned or accessed Parts 4-7.
William Dun (fl. c. 1550-1650) , physician: possibly owned the manuscript but previously not associated with this manuscirpt. His name and initials occur in notes on added early modern flyleaves at the beginning and end of the manuscript: ‘Annotationes G. Dun . Londin[ien]sis in lib. 1m Aphorismos Hippocratis’ (f. i recto); and ‘G. D.’ (f. 2:112v).
There can be no doubt that the initial ‘G’ stands for ‘Guilielmus’: the same hand that has inscribed ff. i recto and 2:112v has also inscribed an unfoliated flyleaf (f. [a]) at the beginning of medical manuscript Cambridge, Trinity College, MS O.2.23 with the title: ‘Authore G D medico Londinensi’. In fact, this manuscript is largely copied by Dun and includes a number of his own works, including a work entitled: ‘In Vrinae Speculatores Tractatus authore G. Dun Londinensi medico’ (f. 2:66r) and another one entitled: ‘Annotationes Gulielmi Dun Londinensis in 2m. Librum aph. Hippo.’ (f. 1:104r). The latter undoubtedly is the work to which the inscription on f. i recto refers. Trinity College, MS O.2.23 also contains sections with headings such as ‘venenum quid se’ (f.1: 19r) and ‘De Vrinis’ (f. 1:41v), which seem to correspond with the medical subjects inscribed on ff. 2:111r and 2:112v. All of this indicates that ff. i-ii and 2:111-2:112 originally belonged to Trinity College MS O.2.23 and were repurposed as flyleaves for Trinity College MS O.2.16 (this theory is further supported by the fact that ff. i-ii and 2:111-2:112 are significantly smaller than the leaves in the seven parts of Trinity College MS O.2.16 but that their dimensions do match with the leaves of Trinity College MS O.2.23). The flyleaves may have been inserted by Thomas Gale, who probably is the 17th-century indexing hand that can be found both on Trinity College MS O.2.16, f. ii recto and Trinity College MS O.2.23, f. [a] recto. However, it is possible that Dun's hand features in the manuscript: he may have been responsible for adding the text on f. 1:81v and titles for works to upper margins throughout the manuscript. If so, then he probably owned the manuscript.
M.R. James (1902) has identified three medical manuscripts that were owned (and partly written) by ‘one William Dun’:
- Cambridge, Trinity College, MS O.1.39
- Cambridge, Trinity College, MS O.2.44
- Cambridge, Trinity College, MS O.2.62
Additionally, James has also suggested that Dun owned alchemical manuscript Cambridge, Trinity College, MS O.8.1 as part of his collection, and he almost certainly owned more manuscripts besides these. He probably is the same (unknown) physician William Dun who donated various medical and alchemical manuscripst to the Bodleian library in 1605. This included an illustrated alchemical scroll with verses attributed to George Ripley , and three manuscripts on philosophy, medicine, and science:
- Oxford, Bodleian Library, MS. Bodl. Rolls 1 [Ripley Scroll]
- Oxford, Bodleian Library, MS Bodl. 266
- Oxford, Bodleian Library, MS 465
- Oxford, Bodleian Library, MS 874
Elias Ashmole (1617–1692) , astrologer and antiquary: accessed the manuscript and perhaps owned it as well. Ashmole removed leaves with Charnock's alchemical notes and inserted these into his own manuscript, now Oxford, Bodleian Library MS Ashmole 1441 (pp. 85-88, 98); and added his transcriptions of other poems and notes by Charnock in Trinity College MS O.2.16 after these leaves (pp. 99-104). This includes a reproduction of the illustration of the Phoenix in flames on f. 1:27v that is not by Charnock. For further details, see Taylor (1946), pp. 161-162 [transcription of MS Ashmole 1441, pp. 85-88; p. 99 is omitted], 162-163 [transcription of MS Ashmole 1441, pp. 100-104] and Rampling (2020), pp. 324-325. Since Taylor was unaware of Trinity College MS O.2.16 and Rampling only discusses its missing leaves in a footnote, it remains unclear where the five removed leaves were originally located. Rampling does not note that Ashmole also transcribed many of Charnock's poems and notes in Trinity College MS O.2.16 in another of his manuscripts, now Oxford, Bodleian Library, MS Ashmole 1445, including his copy of Charnock's alchemical alchemical drawings of f. 1:65r. For a reproduction and transcriptions of these notes, see Taylor (1946), pp. 158, 169-171. Interestingly, MS Ashmole 1445 contains a full transcription of Charnock's alchemical poem on f. 1:80v which is now largely obscured by ink. Ashmole used some of his transcriptions of Trinity College MS O.2.16 for the publication of his Theatrum Chemicum Britannicum (1652), pp. 424-426.
Possibly one of the manuscripts of Thomas Gale (1635/6-1702) , dean of York, antiquary and fellow of Trinity College Cambridge: perhaps part of his vast collection of manuscripts that he passed down to his son Roger Gale (see below).
One of the manuscripts of Roger Gale (1672-1744) , antiquary and scholar, son of Thomas Gale. Perhaps inherited from his father.
Donated to Trinity College by Roger Gale (1672-1744), son of Thomas Gale (1635/6-1702), in 1738. The alpha-numerical elements of its current classmark are printed on three labels pasted onto the spine: ‘O’, ‘2’, ‘16’. The current classmark is also inscribed in brown ink on f. ii recto together with the old classmark references: ‘B.7’ [crossed out], ‘O.15.7’ [crossed out], and ‘No. 73.’. The college's armorial bookplate, featuring its coat of arms and name (‘Collegium S.S. et Individuae Trinitatis in Academiâ Cantabrigensis’) has been pasted onto the inside of the front cover. The College's bookstamp is found on ff. 1:1r, 1:1r and 1:110v.
Part 1 [Cambridge, Trinity College, MS O.2.16, ff. 1:1-1:24]
Contents
Language(s): Middle English, Latin, English
Added in the 16th century.
Full transcription. Copied by a late 15th- or early 16th-century hand; written upside down on the page; some loss of text due to damage to the lower outer corner of the manuscript.
The title has been repeated in the upper margin by a 16th-century hand: ‘vt vat vitreum non frangatur’.
Full transcription; the final few lines are partly legible to do damage to the lower outer corner of the leaf.
A 16th-century hand has added a title to the outer margin: ‘Cuniculos capere’.
Another version of this charm, involving the same ritual and conjuration but aimed at catching moles, occurs in San Marino, Huntington Library, HM 64, f. 81r.
Full transcription.
Added by a late 15th- or early 16th-century hand and written sideways onto the page. Now partly legibile because of damage to the lower outer corner of the page.
Added by Thomas Charnock. Partly illegible due to damage to lower outer corner.
Collection of 24 alchemical recipes.
Full transcription. Added by Thomas Charnock.
The collection includes recipes for soldering blades, making water with which one can write on metal, gilding, making treacle and making soap.
Full transcription.
Full transcription.
A 16th-century hand has added a title to the outer margin: ‘Lepores capere’.
Full transcription.
Another hand has added a title (‘ffor too kyllte’) to the upper margin of the page.
Another hand has added a title in the outer margin on f. 1:17r: ‘Celydonia’.
Full transcription. Added by Thomas Charnock.
A later hand has added a title in the outer margin: ‘A pro presett too make luna’.
The text ends abruptly in a recipe entitled: ‘Composicio Elixeris’.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Physical Description
Collation
- Quire 112-1 (ff. 1:1-1:11: 12th leaf missing)
- Quire 24 (ff. 1:13-1:16)
- Quire 38 (ff. 1:17-1:24)
Layout
165 × 110 mm. Ruled in ink, frame only. Single columns. 29-30 lines to the page, written below top line.
Hand(s)
Copied largely by a single hand in a cursive script with both anglicana and secretary features.
Decoration
Line-fillers in red ink.
Regular initials in dark ink higlighted with red ink.
Paraphs in red ink.
Manicules in dark and red ink.
For further details, see Nichols and James-Maddocks (2021), pp. 150-151.
History
Provenance
Thomas Charnock (1524x6-1581) , alchemist, resident of Stockland and Combwich, Somerset: his ownership scription on f. 1:1r: ‘Thomas Charnocke his book .1562.’; added alchemical poems and notes, dated 1572 and 1573, to this part of the manuscript. Charnock also owned Parts 2 and 3 of this manuscript, which indicates that these three parts had been joined together by this date.
Part 2 [Cambridge, Trinity College, MS O.2.16, ff. 1:25-1:32]
Contents
Language(s): Latin and English
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. An unusual example of alchemical heraldry. The coat of arms can be blazoned as Or a fess [?] purpure, a Lion rampant gules, argent, sable, and vert. Above the heraldic shield (escutcheon) are a helmet, mantling, and a crest consisting of a Phoenix in flames.
Full transcriptioned. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription attempted. Added by Thomas Charnock.
Full transcription attempted. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock. This enigma also occurs in Gerolamo Cardano's De Rerum varietate libri XVII (Basil: Henricus Petri, 1557), which may have been Charnock's source. For this poem in Cardano's work, see Marco Bracali, 'Arsenico e vecchie Sibille. Cardano Jacques Gohory e un aspetto alchemico della tradizione dei Sibillyna Oracula', Accademia Revue de la Société Marsile Ficin, 20 (2018), 61-82 (p. 67).
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock. Immediately below, Charnock has written: ‘the sayinge of frier Bacon de lapide philosophorum’.
Full transcription attempted. Copied by [?] ‘JSJ’ and written upside down on the page otherwise filled with alchemical verses and notes by Thomas Charnock. The note perhaps refers to the birth of John St John of Bletsoe, Bedfordshire, son of John St John (1498-1558) and Margaret Waldegrave (1485-1564).
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock. Perhaps an extract from the Secretum secretorum et aromatum that is spuriously attributed to Pliny the Elder in Oxford, Bodleian Library, MS Bodl. 484.
Full transcription. Added by Thomas Charnock.
Physical Description
Collation
- Quire 46 (ff. 1:25r-1:30v)
- Quire 52 (ff. 1:31r-1:32v)
Layout
170 × 100 mm. No ruling. Single columns. 29-32 lines to the page.
Hand(s)
Copied by a single hand in a humanistic cursive script.
Decoration
Half-page drawing of an (?) alchemical wedding in colours on f. 1:27r.
Half-page drawing of a phoenix in flames illuminated by a ray of the sun, in colours, on f. 1:27v.
Full-page drawing of an alchemical coat of arms in colours on f. 1:28r.
Eleven drawings in colours representing emblems of alchemical processes in the outer margins of the alchemical poem on ff. 1:28v-1:31r.
Drawings or sketches of alchemical vessels and installations in dark ink on ff. 1:31v-1:32v.
History
Provenance
John Mayre : perhaps his signature (‘Me [? J]’) twice inscribed, once with the date ‘1560’, at the top of f. 1:32r. Identified by Rampling (2020), who argues that he probably was the priest John Mayre [Maire] (fl. 1548-1561), an assay master at the ecclesiastical mint at Durham House, London, who was accused of using magic to locate buried treasure (see Rampling (2020), pp. 218, 237 [incorrectly locates Mayre's signature to f. 1:82r]).
Thomas Charnock (1524x6-1581) , alchemist, resident of Stockland and Combwich, Somerset: his alchemical poems and notes, dated 1577, to this part of the manuscript. Charnock also owned Parts 1 and 3 of this manuscript, which indicates that these three parts had been joined together together at this point.
Part 3 [Cambridge, Trinity College, MS O.2.16, ff. 1:33-1:75, 1:77-1:80]
Contents
Language(s): Middle English, Latin, English
Another hand has added a title (‘ffor too make fyne soll’) above the recipe.
Another hand has added a title (‘too make sall Armonyacke’) to the upper margin of the page.
Added by Thomas Charnock. Written sideways into the lower margin of the page. For Charnock's 'circulations', see Robert M. Schuler, 'Charnock, Thomas (1524x6–1581)', Oxford Dictionary of National Bibliography (2004).
Full transcription. Added by Thomas Charnock.
A later hand has added the title ‘A very profetable consell’ to the upper margin of f. 1:40v.
Full transcription.
Full transcription.
Full transcription. Added by Thomas Charnock.
The text has been annotated by Thomas Charnock in the lower margin of f. 1:46r: ‘note off ye iiij. ellamentes’.
Full transcription. Added by Thomas Charnock.
Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
The last note is entitled: ‘Nota secreta secundum Gebar’.
This is a previously unidentified copy of John Dastin's Libellus aureus of which only seven copies were known to date (see 'Iohannes Dastin fl. saec. XIV ante med. Libellus aureus', on MIRABILE: Archivio digitale della cultura medievale / Digital Archives for Medieval Culture).
Hermes and Geber are cited as authorities. For further details about the contents of these notes, see Timmermmann (2016), pp. 376-377.
Full transcription. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock. Mooney (1995) reads the first line as ‘A proper water’ and suggests that it serves as a title to the alchemical recipe for making dye on this page.
Thomas Charnock has added a marginal note to the recipe on f. 1:64v.
Full transcription attempted. Added by Thomas Charnock.
Full transcription attempted. Added by Thomas Charnock.
An illustration of an alchemical vessel on a furnace in dark and red ink. The illustration features three written labels, indicating the location of ‘lutum’, ‘cineres’, and ‘locus ignis’.
Full transcription. An illustration of an alchemical vessel above a fire in dark and red ink inside two rectangular frames of dark ink. The illustration features two written labels, indicating the presence of ‘lapi[s]’ and ‘asshes’ inside two compartments within the vessel. Drawn by Thomas Charnock whose initials (‘TC’) feature as a monogram in red ink next to the drawing inside the inner frame.
Full transcription attempted. Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock. Written sideways in the outer margin of the page.
Full transcription. Added by Thomas Charnock.
Another hand has added a title (‘A thyng proued too make fyne lune att all asayes’) to the upper margin of the page.
Full transcription. Added by Thomas Charnock.
A later hand has added the title: ‘Alyclotte orke too be profytable’ to the upper margins of ff. 1:69v-1:71v. Thomas Charnock has added marginal annotations (e.g. see f. 1:70r (outer margin): ‘. one . Elixer.’).
This version printed by Ashmole (1652).
Full transcription. Added by Thomas Charnock.
Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
A (?) 16th-century hand has added titles to the upper margins of ff. 1:74r-1:77r: ‘Too calcyenat sulpfur’, ‘ffor to fyxe mercury arsenycke and all other spirtes’, ‘too make fyne lune’, and ‘A proper thyng’.
Full transcription (perhaps belonging to the next item). Added by Thomas Charnock.
Full transcription. Added by Thomas Charnock.
A later hand has added the title: ‘A dvrke mater nott opened what the thyng is’ to the upper margin of f. 1:77v.
Full transcription.
Full transcription. Added by Thomas Charnock.
Added by a (?) 16th-century hand.
Another hand has added the title: ‘Nota for makyng of cerys pro M. Cocke’ above the original Latin title.
Added by Thomas Charnock. Mooney (1995) transcribes ‘decepte’ as ‘recept’ and considers it a comment on the next item.
Full transcription. Added by Thomas Charnock.
Full transcription attempted. Added by Thomas Charnock. The text is partially faded and obscured by other scribbles. Below this memorandum, Charnock has written the date ‘1557’ but it is unclear whether it relates to this item or the next item.
Full transcription attempted. Add by Thomas Charnock but subsequently largely obscured with ink. Elias Ashmole copied the poem when it apparently was not yet obscured into one of his manuscripts (now Oxford, Bodleian Library, MS Ashmole 1445). For a transcription of this copy, see Taylor (1946), pp. 170-171. The last four verse lines and the explicit transcribed there can be found on f. 1:68v (lower margin).
Physical Description
Paper quires with two parchment single leaves (ff. 1:31 and 1:71).
Paper, folded in quarto. Folios 1:33-1:75, 1:77-1:80: (?) rectangle.Collation
This collation deviates from the collation provided in the manuscript. Whereas the modern collator seems to consider f. 1:33 a separate unit (their Quire 6), and places the start of Quire 7 at f. 1:33a (a stub), this catalogue record considers f. 1:33 a singleton and the two subsequent stubs (ff. 1:33a-[1:33b] the potential remains of a bifolium (the height of these two leaves does not match up with the the leaves that follow). Subsequently, this catalogue record's collation considers the remains of this aforementioned bifolium as Quire 6 and places the start of Quire 7 at f. 1:34. Moreover, while the modern collator places the end of Quire 7 at f. 1:43, this catalogue record has it end at f. 1:41, and considers it more likely (based on leaf sizes) that ff. 1:42 and 1:43 belong to Quire 8.
- Single leaf (f. 1:33
- Quire 62-2 (ff. 1:33a-[1:33b]: both leaves missing, stubs remain)
- Quire 78 (ff. 1:34-1:41)
- Quire 86 (ff. 1:42-1:47)
- Quire 912 (ff. 1:48-1:59)
- Quire 108 (ff. 1:60-1:67)
- Quire 114-1 (ff. 1:68-1:70: 4th leaf missing)
- Single leaf (f. 1:71)
- Quire 1210-2 (ff. 1:72-1:80: 8th and 9th leaves missing, but unfoliated stubs remain)
Layout
185 × 125 mm. Ruled in ink and hardpoint, frame only. Single columns. 34-38 lines to the page, written below top line.
Hand(s)
Folios 1:33r-1:77v copied by a few scribes writing in cursive scripts with strong anglicana features.
Folios 1:78r-1:80v copied by a single scribe writing in a cursive script with both anglicana and secretary features.
Decoration
Two drawings of alchemical furnaces and vessels in dark and red ink added by Thomas Charnock to f. 1:65r (see his monogram ‘TC’ in red ink).
Three schematic drawings of alchemical vessels in dark and red ink inside the text on f. 1:53r.
One large initial with penwork decoration in dark and red ink on f. 1:38v.
Small plain initials in red ink on ff. 1:44v-1:45v.
Manicules in dark and red ink occasionally added to the margins. A gauntlet used as a manicule in the outer margin of f. 1:34r.
A title written in red ink in the upper margin of f. 1:50v.
Large and small initials in dark ink highlighted with red ink.
Paraphs in red ink.
Underlining in red ink.
For further details, see Nichols and James-Maddocks (2021), pp. 150-151.
History
Provenance
Thomas Charnock (1524x6-1581) , alchemist, resident of Stockland and Combwich, Somerset: his alchemical poems and notes added to empty spaces and margins, dated 1557, 1566, 1572, and 1574. His monogram (‘TC’) inscribed in the outer margin of f. 1:40v. Charnock also owned Parts 1 and 2 of this manuscript, which indicates that these three parts had been joined together at this point.
Part 4 [Cambridge, Trinity College, MS O.2.16, ff. 1:81-1:126, 1:126a-1:126b, 1:127-1:132]
Contents
Language(s): Middle English and Latin
Full transcription.
Full transcription.
Full transcription. Perhaps based on Thomas Aquinas's De principiis naturae.
Full transcription.
Full transcription.
Full transcription.
Full transcription.
Full transcription.
Full transcription. Written sideways on the page in light brown ink.
Full transcription.
Copied by two scribes working at different times. In the upper margin of f. 1:82ris the word ‘Jhesus’ and a note by the second scribe that the part of the text until the circular diagram on f. 1:127v was copied in 1539: ‘Anno domono [sic] 1539 scriptus erat libellus iste vsque ad Spheram’. However, this date probably also applies to a fragment of a second copy of Ripley's poem in the hand of the first scribe (see below) on ff. 1:128r-1:128v). The part of the text that was copied by the second scribe can be found on ff. 1:129r-1:131v. As indicated by a colophon on f. 1:131v, this scribe was working in 1555: ‘Quod G.R. 2o die Augusti 1555’.
In the outer margin of f. 1:82r, the second scribe has added a note (written sideways onto the page) about the numbering system used for stanzas in Ripley's poem: ‘Memorandum that euery vij lynes callyd a staff is notyd in the margent as a chapter callyd acapite vel capitulo’.
The text features various marginal annotations, including numbers provided for stanzas. A 17th-century hand has added a note about the poem's publication on f. 1:82r: ‘Georg. Riply. Chim. 2.18 printid’.
This page features a large diagram with the title: ‘thys ffygure conteynyth all our secrettes both gret and small’. The diagram consists of a cross at the center of a series of concentric circles filled with text. In the four cardinal (inside the wheel) and ordinal (outside the wheel) directions are eight small circles with the names of the signs of the Zodiac written in them and their qualities. This is the 'sphere' to which the note in the upper margin of 1:82r refers. Folios 1:126v-1:127r are blank but both contain the following reference: ‘Sequitur Sphera’. The poem that accompanies the Wheel can be found below it.
Copied by the first of two scribes who copied a complete version of Ripley's poem on ff. 1:82r-1:126r, 1:129r-1:131v.
The text has been crossed out with dark ink. A later hand, using the same ink, has added the note: ‘Caveto ab istis sophisticationibus’
Physical Description
Collation
- Quires 13-234 (ff. 1:81-1:124)
- Quire 244-2 (ff. 1:125-1:126b: 3rd and 4th leaves missing, stubs (ff. 1:126a-1:126b) remain)
- Quire 252 (ff. 1:127-1:128)
- Quire 264 (ff. 1:129-1:132)
Layout
140-160 × 80-100 mm. Ruled in hardpoint, frame only (the inner, upper and lower margins are ruled, but not the outer margins). Single columns. 23 lines to the page, written above top line.
Hand(s)
Folios 1:82-1:128 were copied by a single scribe writing in a cursive script with both anglicana and secretary features.
Folios 1:129-1:131 were copied by a single scribe writing in a cursive script with both anglicana and secretary features. The scribe identifies themselves as ‘G’ in a colophon on f. 1:131v.
Decoration
Full-page alchemical diagram consisting of concentric circles with a cross in dark brown ink at its centre on f. 1:127v.
Added manicules in dark ink throughout.
History
ff. 1:82r-1:128v were copied in 1539 and ff. 1:129r-11:31v in 1555.
Provenance
George Bolde, (fl. 16th century) : his ownership inscription on f. 1:81r: ‘Liber Goergij Bolde’. Timmermann (2015), however, transcribes his surname as ‘Golde’ [but compare the first letter of his first name with the ‘B’ in ‘Brydlyngton’ on f. 1:82r].
Part 5 [Cambridge, Trinity College, MS O.2.16, ff. 1:133-1:142]
Contents
Language(s): Middle English, Latin, English
The text is imperfect: it abruptly breaks off on f. 1:140v.
Full transcription. Added by a (?) 16th-century hand.
Physical Description
Collation
- Quires 27-284 (ff. 1:133-1:140)
- Quire 292 (ff. 1:141-1:142)
Layout
155 × 110 mm. Ruled in leadpoint, frame and line ruling but only rarely visible. Single columns. 29 lines to the page, written below top line.
Hand(s)
Largely copied by a single 16th-century hand in a cursive script with both anglicana and secretary features.
Decoration
Large (3-4 lines) initials outelined in brown ink.
History
Part 6 [Cambridge, Trinity College, MS O.2.16, ff. 2:1-2:2, 2:4-2:19, 2:21-2:76]
Contents
In the upper margin of the page, a 17th-century hand has added the title: ‘Dissoluere lapidem Auri calcinandi modus’.
The title for this item has been derived from the added table of contents on f. 2:2r. A later hand has added the title: ‘Secretum Gilberti Cardinalis Continet in se 6: capita’ to the upper margin of f. 2:19r. The identity of the (attributed) author is obscure but his name occurs in various other alchemical manuscripts (e.g. see a German version of this work, entitled Gilberti Cardinalis kunst alle Metall zu soluieren).
Full transcription. Added by the same (?) 16th-century hand that has added the next item. The two items evidently belong together. For other examples of this line, see Lynn Thorndike, 'More Copyists' Final Jingles', Speculum, 31:2 (1956), 321-328 (p. 324).
This proverb also occurs in William Langland's Vision of Piers Plowman.
Added by a different 16th-century hand to the one that has added the preceding item, but the two items evidently belong together.
A later hand has added the titles ‘Auicenna de origine lapidis’ and ‘Arcanum de Lapide Philosophico componendo’ to the upper margins of f. 2:23-2:25r.
According to Singer, Anderson, and Addis (1928-1931), this text also incorporates a section of Mirer, Senior.
A later hand has added the title: ‘De lapide philosophorum’ to the upper margin of f. 2:26r.
A later hand has added the title: ‘Bacon in speculo’ to the upper margin of f. 2:28v.
A later hand has added the title: ‘Lapidis philosophi Componendi modus’ to the upper margins of ff. 2:33r-2:34r.
Added by a (?) 17th-century hand.
A later hand has added the title ‘Ad ☾’ to the upper margin of f. 2:34v.
A later hand has added the title: ‘Liber Maioris operum Saphiri’ to the upper margin of f. 2:38v.
A later hand has added the title: ‘Modus perfectissimus conficiendi Elixer albi et rubrj ad ☾ et ☉. Lege et diligenter expende’ to the upper margin of f. 2:61r.
A later hand has added the title ‘Interpretationes nominum graecorum et arabircorum in Alchymia’ to the upper margins of ff. 2:63r-2:67r.
A later hand has added the title ‘Practica Barnardi in Album’ in the upper margins of f. 2:67v-2:68r.
A later hand has added the title ‘Veri verissimum’ to the upper margin of f. 2:69v.
Added by a (?) 16th-century hand.
Two later hands have added tittles to the upper margin of f. 2:72v: ‘Lege et Expende’ and ‘Principium Rerum’.
The recipe is immediately followed by an alchemical poem (see below).
The alchemical poem belongs with the preceding and next item.
The recipe belongs to the preceding two items.
The scribe who copied this text has written ‘Sal.’ and ‘theoca’ in the upper margin of f. 2:75r. Another hand has added ‘De Sale’ in the same upper margin.
Full transcription. Added by a (?) 16th-century hand. The last five words of the second line have been supplied by a different hand in darker ink.
Added by a later 15th- or early 16th-century hand.
Physical Description
Collation
- Quire 3012-1 (ff. 2:1-2:12: 3rd leaf missing, but a stub (f. [2:3]) remains)
- Quire 3110-1 (ff. 2:13-2:19: 10th leaf missing)
- Quire 3212 (ff. 2:21-2:32)
- Quire 3316 (ff. 2:33-2:48)
- Quire 3412 (ff. 2:49-2:60)
- Quire 3516 (ff. 2:61-2:76)
Roman numerals (‘i’-‘viij’) in the outer lower corners of the rectos of the first half of Quire 30.
Catchwords in the lower inner corners of the last rectos of quires.Layout
155-160 × 100-105 mm. Ruled in hardpoint, frame only. Single columns. 28-36 lines to the page, written below top line.
Hand(s)
Folios 2:1r, 2:4v-2:34r, 2:35v-2:36r, 2:38v-2:53v, 2:54v-2:60v, 2:63r-2:74v have been largely copied by one or a few hands writing in a similar cursive script with both anglicana and secretary features.
Folios 2:34v-2:35r and 2:75r-2:75v have been copied by one hand writing in a cursive script with secretary features.
Folios 2:61r-2:62v have been copied by one hand writing in a cursive script with both anglicana and secretary features (perhaps some of these hands also occur in Part 7).
Decoration
Drawings of alchemical furnaces and instruments in brown ink in the outer margins ff. 2:45v, 2:46v, 2:47r, 2:49v, 2:50r, 2:50v, 2:51r, 2:52r.
Large initials in brown ink decorated with cadels.
Subheadings written in red ink on ff. 2:34v-2:35r and ff. 2:75r-2:75v only.
Manicules in brown ink added to margins, including an elaborate one with piece of clothing on f. 24v (outer margin).
Additions
A 16th-century hand has added a table of contents, entitled ‘in this volume as 2 contenid’ for both Parts 6 and 7 of this manuscript to f. 2:2r. This suggests that both parts were joined together soon afther their creation. Indeed, it is possible that both parts were created and always belonged together.
History
Part 7 [Cambridge, Trinity College, MS O.2.16, ff. 2:77-2:110]
Contents
Another hand has added the title ‘Liber Secretorum’ in the upper margin of f. 2:77r.
Full transcription.
The recipes are enttiled: ‘Aqua mirabilis que soluites omne corpus’ and ‘Aqua ingressiua’.
Added in the 16th century.
Physical Description
Collation
- Quire 3616 (ff. 2:77-2:92)
- Quire 378 (ff. 2:93-2:100)
- Quire 38ten (ff. 2:101-2:110)
Layout
2:77r-2:82r, 2:90v-2:109v 160-165 × 100-110 mm. Ruled in hardpoint, frame only. Single columns. 30-35 lines to the page, written above top line.
2:82v-2:90v 155-160 × 95 mm. Ruled in ink, frame only. Single columns. 42-43 lines to the page, written above top line.
Hand(s)
Folios 2:77r-2:82r have been copied by a single hand writing in a cursive script with both anglicana and secretary features.
Folios 2:82v-2:90v have been copied by a single hand writing in a small cursive script with strong secretary.
Folios 2:90v-2:109v have been copied by a few hands writing in a similar cursive script with both anglicana and secretary features (perhaps some of these hands also occur in Part 6).
Decoration
Large (2 lines) plain initials in red ink.
Manicules in brown ink added to the margins, including a pointing hand accompanied by a bird (f. 2:83v), an arm emerging from an opening (f. 2:84r), and a hand pointing with two fingers (f. 2:105v).
Paraphs in brown ink (ff. 2:77r-2:82r) and red ink (ff. 2:82v-2:107v.
Additions
A 16th-century hand has added a table of contents, entitled ‘in this volume as 2 contenid’ for both Parts 6 and 7 of this manuscript to f. 2:2r. This suggests that both parts were joined together soon afther their creation. Indeed, it is possible that both parts were created and always belonged together.
History
Additional Information
Record Sources
Availability
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Bibliography
-
Theatrum chemicum Britannicum: Containing severall poeticall pieces of our famous
English
philosophers, who have written the hermetique mysteries in their owne ancient language, Ashmole, Elias (London, J. Grismond, 1652)
The Western Manuscripts in the Library of Trinity College, Cambridge: A Descriptive
Catalogue, James, M.R. (Cambridge, 3, Cambridge University Press, 1902)
Catalogue of Latin and Vernacular Alchemical Manuscripts in Great Britain and Ireland:
Dating
from before the XVI Century, Singer, Dorothea Waley (Brussels, Maurice Lamertin, 1928)
Thomas Charnock Ambix, Taylor, Frank Sherwood (2, 148-176, 1946)
Database of alchemical manuscripts - Cambridge Alchemy Web Site, McLean, Adam (1995)
Manuscripts in the Library of Trinity College, Cambridge Index of Middle English prose, Mooney, Linne R. (Woodbridge, D.S. Brewer, 1995)
"ffor to make Azure as Albert biddes": Medieval English Alchemical Writings in the
Pseudo-Albertan Tradition Ambix, Grund, Peter (53, 1, 21-42, 2006)
Establishing the Canon: George Ripley and His Alchemical Sources Ambix, Rampling, Jennifer Margaret (55, 3, 189-208, 2008)
The Catalogue of the Ripley Corpus: Alchemical Writings Attributed to George Ripley
(d. ca.
1490) Ambix: the journal of the society for the study of alchemy and early Christianity, Rampling, Jennifer Margaret (57, 2, 125-201, 2010)
The Cultural Uses of Magic in Fifteenth-Century England, Mitchell, Laura (Toronto, 2011)
Verse and Transmutation: A Corpus of Middle English Alchemical Poetry (Critical Editions
and
Studies) Medieval and Early Modern Philosophy and Science Series, Timmermann, Anke (Leiden, Brill, 2013)
Alchemy in Cambridge: An Annotated Catalogue of Alchemical Texts and Illustrations
in Cambridge
Repositories Nuncius: Journal of the Material and Visual History of Science, Timmermann, Anke (30, 2, 345-511, 2015)
The Experimental Fire: Inventing English Alchemy, 1300–1700, Rampling, Jennifer M. (Chicago, University of Chicago Press, 2020)
Cambridge II: Jesus College, King's College, Magdalene College, Old Library, Pepys
LIbrary,
Newnham College, Pembroke College, Peterhouse, Queens' College, Saint Catherine's
College, Saint John's
College, Selwyn College, Sidney Sussex College, Trinity Hall An Index of Images in
English Manuscripts from the Time of Chaucer to Henry VIII c. 1380-c.
1509, Nichols, Ann EljenholmJames-Maddocks, Holly (London, Harvey Miller, 2021)
Funding of Cataloguing
Wellcome (cataloguing). All images provided by Trinity College, Cambridge.
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
