Cambridge, Fitzwilliam Museum, MS Charles Fairfax Murray 7
Diktyon no.: Diktyon 11854
Contents
Language(s): Greek
A selection of lections from September to January
Physical Description
Collation
The manuscript consists of 2 quires, of which one is a binion and the other a quaternion.
- Quire 18 ff. 261-268
- Quire 24 ff. 269-272
Condition
Layout
Two columns of 31-32 lines. 198-206 × 140 mm.
Hand(s)
ff. 261r-272r, col. a were copied by Hand A in mixed minuscule script with variable slant, in brown and red ink, with significant variation in letter size.
Syllabic abbreviations and superscript word endings appear throughout the line. Breathings are round and mute iota is subscript or absent. There is decorative use of the double dot, and accentuation of all nomina sacra . Accents are sometimes joined to letters and nomina sacra strokes.
The small, x-shaped kappa is present.
Punctuation used includes the middle and upper points and full stop.
f. 272r, col. b-f. 272v were copied by Hand B in mixed minuscule script with variable slant, in brown, with modest variation in letter size.
Syllabic abbreviations and superscript word endings appear throughout the line. Breathings are round and mute iota is absent. There is decorative use of the double dot, and accentuation of all nomina sacra . Accents are sometimes joined to letters.
The modern eta and small, x-shaped kappa are present.
Punctuation used includes the middle and upper points, lower comma and full stop.
Decoration
Sections begin with minor initials in bright red ink.
Transitions between some sections are accompanied by line-fillers in brown and red ink.
Additions
Binding
Rebound by Douglas Cockerell and Son (i.e. Sydney Morris ('Sandy') Cockerell (1906-1987)) in July 1980, the process described by the printed note pasted to the right pastedown. Quarter leather binding over millboards. Marbled paper covers with vellum tips, and plain pastedowns. The classmark is tooled in gold on a leather patch on the left board.
280 × 209 × 14 mm.
There is cracking to the leather covering of the spine.
Accompanying Material
There are three early endleaves at the end, perhaps original to the production of the manuscript (ff. 273-275), and three endleaves at the front and three at the back belonging to the current binding (ff. [i-iii], [iv-vi].
A slip with with printed notes regarding the manuscript is housed along with it.
History
Provenance and Acquisition
Owned by the painter and collector Charles Fairfax Murray (1848-1919) .
Given to the Fitzwilliam Museum by Charles Fairfax Murray in 1905.
Additional Information
Availability
Visitors to the Fitzwilliam Museum who wish to consult Collection material are required to apply to the Museum in advance of their visit. For information on eligibility and admission procedures see: Fitzwilliam Museum: Study Room.
Bibliography
-
Greek manuscripts in Cambridge: recent acquisitions by college
libraries, the Fitzwilliam Museum and private collectors. Transactions of the Cambridge
Bibliographical Society, Easterling, Patricia E. (4, 179-191, 1966)
Funding of Cataloguing
The Polonsky Foundation
Digital Images
Abbreviations
View list of abbreviations and editorial conventions.
